[1]
36-4-394.pdf: https://watermark.silverchair.com/36-4-394.pdf?token=AQECAHi208BE49Ooan9kkhW_Ercy7Dm3ZL_9Cf3qfKAc485ysgAAAcIwggG-BgkqhkiG9w0BBwagggGvMIIBqwIBADCCAaQGCSqGSIb3DQEHATAeBglghkgBZQMEAS4wEQQMs2XIogDN96le51HkAgEQgIIBdaL6Jq3bEUwHERCW71IwyF29L2tacOFLHRw14aAAU-i3_zTu06K0EL95Fg-Wsr-gNlIxJ6aLQ34T6HD8S_Ok_-a0fo5X-9IVNhuM3m-OOR1HJP_yYOsjAJA7JwMLewIUGAVxkMkFgHW66xFFVTWps4ifo_d6zTKTyFF279zkVat3UYhzedDBmYN_ri86JBsr0eJzMqoeZIkR_Y3AlQHyQrgviBt463t-mph6h1HarHXMg2xHXxjkeIPxEbfgbFX6cDiWIhfr2AbJTNSaD9kQiwrrm-YlqL1_SokCtwYlX59gm3VljMOqCPUGJON2OW43xzEPomxBjS2r-rqwkD_4KCuQ3dJ8E8epufCDfm-3EU9bKGCge8CiCdnQIFH5152r5Qup1cLuNyz3e4aWocqvEpg93GMAjRbMgTrIZfOkUVXeL3m6lHpsXExufcKj690sOwTL7i4SWmnXF7vNWtDg2bFxuMf_Fnp2wrEC2cqUFJ1aLEQvD9E.
[2]
39-2-109.pdf: https://watermark.silverchair.com/39-2-109.pdf?token=AQECAHi208BE49Ooan9kkhW_Ercy7Dm3ZL_9Cf3qfKAc485ysgAAAcMwggG_BgkqhkiG9w0BBwagggGwMIIBrAIBADCCAaUGCSqGSIb3DQEHATAeBglghkgBZQMEAS4wEQQMyNaHnabS0_p4f87yAgEQgIIBduUAkdoHfg5avrznKh9iuU-DR8wLDUP_8L56vKHHlYgyBZ-4bBtx_1pMwsqfMPK7qLktyb4gYHSPjm_VGNTm6lk8_tjIics9UhzCd7QXQIDi5ki5qBh_OxPJuyuCGGWnraSHiIlHpOLswKMAynesFxIiyv2cTQc4t6Obhg9yhVuCbREVmme-OqPJpKU45wZl5zp51xNL4pJGGJ3I9eOLmBYUCt3qENpSk-enqocC1L7PLsod2itpektLqkkCNsWiM4roSYLd-0iZmQdaqPnMtqVQ7-ALI3lvTrPygSgMeVcVzNU_pmdTlXXj5Sa3NdEXwXt5eiz0vEV3D-_zZhbXA4UyKH5iHX-Smo3SWjSlb8JEfn4BupbY9NEFLuztK5m-OBnop6dlnbRGd4QNdMGOAKSKHzWUutK_EA2xNLOQ3VulGu06v51yw5ZHDRq4_xSLMbmBa2h-DPZPQ1tm7_3aEOj4R7eWHeMRv8TKezknDRTJrPieX7pn.
[3]
Boon, D. 2008. Bienvenue chez les Ch’tis. Pathé.
[4]
Breton, A. 1955. Les vases communicants. NRF/Gallimard.
[5]
Breton, A. 1963. Manifestes du surréalisme. Gallimard.
[6]
Buñuel, L. et al. 1994. Un chien Andalou. Faber and Faber.
[7]
Buñuel, L. and Dalí, S. 2007. Un chien Andalou. Umbrella Entertainment.
[8]
Garber, M.B. 1992. Vested interests: cross dressing & cultural anxiety. Routledge.
[9]
Garnham, B.G. 1982. Robbe-Grillet, Les gommes and Le voyeur. Grant & Cutler.
[10]
Goulet, A. and Robbe-Grillet, A. 1982. Le parcours moebien de l’écriture: ‘Le voyeur’ d’Alain Robbe-Grillet. Lettres Modernes.
[11]
Harkness, N. 2007. Men of their words: the poetics of masculinity in George Sand’s fiction. Legenda/Modern Humanities Research Association and Maney Publishing.
[12]
Hayward, Susan and Vincendeau, Ginette 2000. French film: texts and contexts. Routledge.
[13]
Heath, S. 1972. The nouveau roman: a study in the practice of writing. Elek.
[14]
Jefferson, A. 1980. The nouveau roman and the poetics of fiction. Cambridge University Press.
[15]
Massardier-Kenney, F. 1999. Gender in the Fiction of George Sand. Brill.
[16]
Maupassant, G. de and Sempère, E. 1999. Boule de suif et autres nouvelles de guerre. Larousse/HER.
[17]
Morrissette, B. 1975. The novels of Robbe-Grillet. Cornell University Press.
[18]
Morvan, F. and de France, M. 2001. Le lai du rossignol, et autres lais courtois. E.J.L.
[19]
Orpen, Valerie 2007. Cléo de 5 à 7 (Agnès Varda, 1961). I.B. Tauris.
[20]
Powrie, Phil 2006. The Cinema of France. Wallflower.
[21]
Pratima Prasad 1999. Deceiving Disclosures: Androgyny and George Sand’s Gabriel. French Forum. 24, 3 (1999), 331–351.
[22]
Robbe-Grillet, A. 1989. For a new novel: essays on fiction. Northwestern University Press.
[23]
Robbe-Grillet, A. 1955. Le voyeur. Éditions de minuit.
[24]
Robbe-Grillet, A. 1963. Pour un nouveau roman. Éditions de minuit.
[25]
Romanillos, J.L. 2008. "Outside, it is Snowing”: Experience and Finitude in the Nonrepresentational Landscapes of Alain Robbe-Grillet. Environment and Planning D: Society and Space. 26, 5 (Oct. 2008), 795–822. DOI:https://doi.org/10.1068/d6207.
[26]
Sand, G. 2010. Gabriel: the original French text. Modern Language Association of America.
[27]
Sand, G. et al. 1992. George Sand’s Gabriel. Greenwood Press.
[28]
Simenon, G. 2008. Le Pendu de Saint-Pholien: le commissaire Maigret. Presses de la Cité.
[29]
Varda, A. 2010. Sans toit ni loi. Artificial Eye.
[30]
Varda, A. and Bastide, B. 1994. Varda. Editions Cahiers du cinéma.