Bibliography for Spectatorship, Audiences and Identities BETA

Aaron, M. (2004) New queer cinema: a critical reader. Edinburgh: Edinburgh University Press.

Aaron, M. (2006) Spectatorship: the power of looking on. London: Wallflower.

Acland, C.R. and Ebooks Corporation Limited (2003a) Screen traffic: movies, multiplexes, and global culture. Durham, North Carolina: Duke University Press. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1167926.

Acland, C.R. and Ebooks Corporation Limited (2003b) Screen traffic: movies, multiplexes, and global culture. Durham, North Carolina: Duke University Press. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1167926.

Allen, R.C. (1990) ‘From exhibition to reception: reflections on the audience in film history’, Screen, 31(4), pp. 347–356. Available at: https://doi.org/10.1093/screen/31.4.347.

Ang, I. and Dawson Books (1996a) Living room wars: rethinking media audiences for a postmodern world. London: Routledge. Available at: https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203129432.

Ang, I. and Dawson Books (1996b) Living room wars: rethinking media audiences for a postmodern world. London: Routledge. Available at: https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203129432.

Ashcroft, B., Griffiths, G. and Tiffin, H. (1998) Key concepts in post-colonial studies. London: Routledge.

Austin, T. (2002) Hollywood, hype and audiences: selling and watching popular film in the 1990s. Manchester: Manchester University Press.

Barker, J.M. and American Council of Learned Societies (2009) The tactile eye: touch and the cinematic experience. Berkeley: University of California Press. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.08197.

Barrett, M. and British Sociological Association (1979) Ideology and cultural production. London: Croom Helm.

Baudry, J.-L. and Williams, A. (1974) ‘Ideological Effects of the Basic Cinematographic Apparatus’, Film Quarterly, 28(2), pp. 39–47. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/1211632.

‘BEFORE THE NICKELODEON’ (28AD). Available at: https://www.youtube.com/watch?v=CMKPiUj4s20.

Benshoff, H.M. and Griffin, S. (2004) Queer cinema: the film reader. New York: Routledge.

Bobo, J. (1995) Black women as cultural readers. New York, N.Y.: Columbia University Press.

Bogle, D. (2003) Toms, coons, mulattoes, mammies, & bucks: an interpretive history of Blacks in American films. 4th ed. New York, N.Y.: Continuum.

Branston, G. (2000) Cinema and cultural modernity. Buckingham: Open University Press.

Braudy, L. and Cohen, M. (2009) Film theory and criticism: introductory readings. 7th ed. New York: Oxford University Press.

Breakwell, I. and Hammond, P. (1990) Seeing in the dark: a compendium of cinemagoing. London: Serpent’s Tail.

Brooker, W. and Jermyn, D. (2002a) The audience studies reader. London: Routledge.

Brooker, W. and Jermyn, D. (2002b) The audience studies reader. London: Routledge.

Buikema, R. and Smelik, A. (1995) Women’s studies and culture: a feminist introduction. London: Zed Books.

Carson, D., Dittmar, L. and Welsch, J.R. (1994) Multiple voices in feminist film criticism. Minneapolis, Minn: University of Minnesota Press.

Caughie, J. (2006) ‘Telephilia and Distraction: Terms of Engagement’, Journal of British Cinema and Television, 3(1), pp. 5–18. Available at: https://doi.org/10.3366/JBCTV.2006.3.1.5.

Cohan, S., Hark, I.R., and Ebooks Corporation Limited (1992) Screening the male: exploring masculinities in Hollywood cinema. London: Routledge. Available at: http://www.GLA.eblib.com/EBLWeb/patron/?target=patron&extendedid=E_338076_0.

Cook, P., Bernink, M., and British Film Institute (1999) The cinema book. 2nd ed. London: British Film Institute Publishing.

Creekmur, C.K. and Doty, A. (1995) Out in culture: gay, lesbian, and queer essays on popular culture. London: Cassell.

Dennison, S. (ed.) (2013) Contemporary Hispanic cinema: interrogating the transnational in Spanish and Latin American film. Woodbridge: Tamesis.

Donovan, T. (2010) Replay: the history of video games. Lewes, East Sussex: Yellow Ant.

Duffett, M. (2013) Understanding fandom: an introduction to the study of media fan culture. New York, NY: Bloomsbury Academic.

Duke University Press, Project MUSE., and Thomson Gale (Firm) (no date) ‘Camera obscura’.

During, S. (2007) The cultural studies reader. 3rd ed. London: Routledge. Available at: https://contentstore.cla.co.uk//secure/link?id=9535c964-cb40-e911-80cd-005056af4099.

Ďurovičová, N. and Newman, K. (2010) World cinemas, transnational perspectives. New York, NY: Routledge. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=449452.

Dyer, R. (1982) ‘Don’t Look Now’, Screen, 23(3–4), pp. 61–73. Available at: https://doi.org/10.1093/screen/23.3-4.61.

Dyer, R. (1997a) White. London: Routledge.

Dyer, R. (1997b) White. London: Routledge.

Easthope, A. (1993) Contemporary film theory. London: Longman.

Easthope, A. and ebrary, Inc (1990) What a man’s gotta do: the masculine myth in popular culture. New York: Routledge.

Ebooks Corporation Limited (2000) Cinema and nation. Edited by M. Hjort and S. MacKenzie. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=240252.

Ebooks Corporation Limited (2011) Television as digital media. Edited by J. Bennett and N. Strange. Durham, NC: Duke University Press. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1172303.

Ebooks Corporation Limited (2017a) Fandom: identities and communities in a mediated world. Second edition. Edited by J. Gray, C. Sandvoss, and C.L. Harrington. New York: New York University Press. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=4834267.

Ebooks Corporation Limited (2017b) ‘Introduction: Why still study fans?’, in J. Gray, C. Sandvoss, and C.L. Harrington (eds) Fandom: identities and communities in a mediated world. Second edition. New York: New York University Press. Available at: http://ebookcentral.proquest.com/lib/gla/detail.action?docID=4834267.

‘Electric Edwardians  The Films of Mitchell & Kenyon’ (26AD). Available at: https://www.youtube.com/watch?v=oTf9o_mIE4I.

Ellis, J. and Ebooks Corporation Limited (1992) Visible fictions: cinema : television : video. Revised edition. London: Routledge & Kegan Paul. Available at: http://gla.eblib.com/patron/FullRecord.aspx?p=178323.

Elsaesser, T. and Barker, A. (1990) Early cinema: space-frame-narrative. London: BFI Publishing. Available at: https://contentstore.cla.co.uk//secure/link?id=7d69365d-cb40-e911-80cd-005056af4099.

Ezra, E. and Rowden, T. (2006) Transnational cinema: the film reader. London: Routledge.

Fuller-Seeley, K.H. and American Council of Learned Societies (2008) Hollywood in the neighborhood: historical case studies of local moviegoing. Berkeley: University of California Press. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.08082.

Gillespie, M. (1995) Television, ethnicity and cultural change. London: Routledge.

Grant, B.K. (2011) Shadows of doubt: negotiations of masculinity in American genre films. Detroit: Wayne State University Press. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=3416510.

Hansen, M. (1993) ‘Early cinema, late cinema: permutations of the public sphere’, Screen, 34(3), pp. 197–210. Available at: https://doi.org/10.1093/screen/34.3.197.

Hansen, M. and American Council of Learned Societies (1991a) Babel and Babylon: spectatorship in American silent film. Cambridge, Mass: Harvard University Press. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.08219.

Hansen, M. and American Council of Learned Societies (1991b) Babel and Babylon: spectatorship in American silent film. Cambridge, Mass: Harvard University Press. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.08219.

Hargreaves, A.G. and McKinney, M. (1997) Post-colonial cultures in France. London: Routledge.

Haskell, M. (1987) From reverence to rape: the treatment of women in the movies. 2nd ed. Chicago: University of Chicago Press.

Heffelfinger, E. and Wright, L. (2011) Visual difference: postcolonial studies and intercultural cinema. New York, NY: Peter Lang. Available at: https://contentstore.cla.co.uk//secure/link?id=7f69365d-cb40-e911-80cd-005056af4099.

Hemmings, C. (2005) ‘Invoking Affect’, Cultural Studies, 19(5), pp. 548–567. Available at: https://doi.org/10.1080/09502380500365473.

Hill Collins, P. and Bilge, S. (2016a) Intersectionality. Cambridge, UK: Polity Press. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=4698012.

Hill Collins, P. and Bilge, S. (2016b) Intersectionality. Cambridge, UK: Polity Press. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=4698012.

Hill, J. and Gibson, P.C. (1998) The Oxford guide to film studies. New York, N.Y.: Oxford University Press.

Hills, M. and ProQuest (Firm) (2002) Fan cultures. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=180483.

Hollows, J., Hutchings, P. and Jancovich, M. (2000) The film studies reader. London: Arnold.

hooks, bell (2008a) Reel to real: race, sex, and class at the movies. London: Routledge.

hooks, bell (2008b) Reel to real: race, sex, and class at the movies. London: Routledge.

Jancovich, M., Faire, L. and Stubbings, S. (2003) The place of the audience: cultural geographies of film consumption. London: British Film Institute.

Jeffords, S. (1994) Hard bodies: Hollywood masculinity in the Reagan era. New Brunswick, N.J.: Rutgers University Press.

Jenkins, H. (2006) Fans, bloggers, and gamers: exploring participatory culture. New York: New York University Press. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.08235.

Jenkins, H. (2015) Textual poachers: television fans and participatory culture. Updated twentieh anniversary edition. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1097854.

Johnson, D. (2007) ‘INVITING AUDIENCES IN’, New Review of Film and Television Studies, 5(1), pp. 61–80. Available at: https://doi.org/10.1080/17400300601140183.

Juul, J. (2013) The art of failure: an essay on the pain of playing video games. Cambridge, Massachusetts: MIT Press. Available at: https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780262313124.

Kaplan, E.A. (2000) Feminism and film. Oxford: Oxford University Press.

Klinger, B. (1984) ‘“Cinema/Ideology/Crititicism” Revisited: The Progressive Text’, Screen, 25(1), pp. 30–44. Available at: https://doi.org/10.1093/screen/25.1.30.

Klinger, B. (1997) ‘Film history terminable and interminable: recovering the past in reception studies’, Screen, 38(2), pp. 107–128. Available at: https://doi.org/10.1093/screen/38.2.107.

Manovich, L. and American Council of Learned Societies (2002a) The language of new media. 1st MIT Press pbk. ed. Cambridge, Mass: MIT Press. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.31966.

Manovich, L. and American Council of Learned Societies (2002b) The language of new media. 1st MIT Press pbk. ed. Cambridge, Mass: MIT Press. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.31966.

Marks, L.U. (2000a) The skin of the film: intercultural cinema, embodiment, and the senses. Durham, NC: Duke University Press. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1167652.

Marks, L.U. (2000b) The skin of the film: intercultural cinema, embodiment, and the senses. Durham, NC: Duke University Press. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1167652.

Mäyrä, F. (2008) An introduction to game studies: games in culture. London: SAGE.

Morley, D. (1986) Family television: cultural power and domestic leisure. London: Comedia.

Morley, D. (1992a) Television, audiences and cultural studies. London: Routledge. Available at: https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203398357.

Morley, D. (1992b) Television, audiences and cultural studies. London: Routledge. Available at: https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203398357.

Morley, D. (1992c) Television, audiences and cultural studies. London: Routledge. Available at: https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203398357.

Mulvey, L. (1975) ‘Visual Pleasure and Narrative Cinema’, Screen, 16(3), pp. 6–18. Available at: https://doi.org/10.1093/screen/16.3.6.

Murray, S. (2004) ‘“Celebrating the story the way it is”: cultural studies, corporate media and the contested utility of fandom’, Continuum, 18(1), pp. 7–25. Available at: https://doi.org/10.1080/1030431032000180978.

Musser, C. (1990) The emergence of cinema: the American screen to 1907. New York, N.Y.: Charles Scribner’s Sons. Available at: https://link.gale.com/apps/pub/5FED/GVRL?sid=gale_marc&u=glasuni.

Neale, S. (1983) ‘Masculinity as Spectacle’, Screen, 24(6), pp. 2–17. Available at: https://doi.org/10.1093/screen/24.6.2.

Nelmes, J. (2012a) Introduction to film studies. 5th ed. London: Routledge.

Nelmes, J. (2012b) Introduction to film studies. 5th ed. London: Routledge.

Nightingale, V. and Ross, K. (2003) Critical readings: media and audiences. Maidenhead: Open University Press.

Norden, M.F. (1994) The cinema of isolation: a history of physical disability in the movies. New Brunswick, N.J.: Rutgers University Press.

Oria, B., Oliete-Aldea, E. and Tarancón, J.A. (eds) (2016) Global genres, local films: the transnational dimension of Spanish cinema. London: Bloomsbury.

Paul, R.W. et al. (2006) ‘R.W. Paul: the collected films, 1895-1908’. London: British Film Institute.

Peberdy, D. (2011) Masculinity and film performance: Male angst in contemporary American cinema. Basingstoke: Palgrave Macmillan. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://link.springer.com/book/10.1057/9780230308701.

Penley, C. and British Film Institute (1988) Feminism and film theory. London: Methuen in association with the British Film Institute.

Ponzanesi, S. and Waller, M.R. (2012) Postcolonial cinema studies. Abingdon, Oxon: Routledge.

Powrie, P., Davies, A. and Babington, B. (2004) The trouble with men: masculinities in European and Hollywood cinema. London: Wallflower.

Radner, H. and Stringer, R. (2011) Feminism at the movies: understanding gender in contemporary popular cinema. New York, NY: Routledge.

Rehling, N. (2009) Extra-ordinary men: white heterosexual masculinity in contemporary popular cinema. Lanham, MD: Lexington Books.

Rodowick, D.N. (2007) The virtual life of film. Cambridge, Mass: Harvard University Press. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.08243.

Rosen, P.T. (1986a) Narrative, apparatus, ideology: a film theory reader. New York, N.Y.: Columbia University Press.

Rosen, P.T. (1986b) Narrative, apparatus, ideology: a film theory reader. New York, N.Y.: Columbia University Press.

Ross, K. and Nightingale, V. (2003) Media and audiences: new perspectives. Buckingham: Open University Press.

Roy, S. (2016) ‘Beyond Crossover Films: Bride and Prejudice and the Problems of Representing Postcolonial India in a Neoliberal World’, The Journal of Popular Culture, 49(5), pp. 984–1002. Available at: https://doi.org/10.1111/jpcu.12466.

Russo, V. (1987) The celluloid closet: homosexuality in the movies. Rev. ed. New York: Perennial Library.

Said, E.W. (2003) Orientalism. London: Penguin Books.

Santaolalla, I. (2012) The cinema of Iciar Bollaín. Manchester: Manchester University Press. Available at: https://contentstore.cla.co.uk//secure/link?id=7e69365d-cb40-e911-80cd-005056af4099.

Seigworth, G.J. (2010) The affect theory reader. Edited by M. Gregg. Durham, NC: Duke University Press. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1172305.

Seiter, E. and Universität Tübingen. Abteilung für Amerikanistik (1989a) Remote control: television, audiences, and cultural power. London: Routledge.

Seiter, E. and Universität Tübingen. Abteilung für Amerikanistik (1989b) Remote control: television, audiences, and cultural power. London: Routledge.

Sharpe, J. (2005) ‘Gender, Nation, and Globalization in Monsoon Wedding and Dilwale Dulhania Le Jayenge’, Meridians: feminism, race, transnationalism, 6(1), pp. 58–81. Available at: https://doi.org/10.1353/mer.2005.0032.

Shaviro, S. (2010a) Post cinematic affect. Ropley: Zero Books. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=664329.

Shaviro, S. (2010b) Post cinematic affect. Ropley: Zero Books. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=664329.

Shohat, E. and Stam, R. (2014) Unthinking Eurocentrism: multiculturalism and the media. Second edition. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1707455.

Smit, A. (2010) Broadcasting the body: affect, embodiment and bodily excess on contemporary television. Available at: https://theses.gla.ac.uk/2278/.

Sobchack, V.C. and American Council of Learned Societies (2004) Carnal thoughts: embodiment and moving image culture. Berkeley: University of California Press. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.08034.

Stacey, J. (1994a) Star gazing: Hollywood cinema and female spectatorship. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1539525.

Stacey, J. (1994b) Star gazing: Hollywood cinema and female spectatorship. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1539525.

Stam, R. (2000) Film theory: an introduction. Malden, Mass: Blackwell.

Stam, R. and Miller, T. (2000) Film and theory: an anthology. Malden, Mass: Blackwell.

Stam, R. and Spence, L. (1983a) ‘Colonialism, Racism and Representation’, Screen, 24(2), pp. 2–20. Available at: https://doi.org/10.1093/screen/24.2.2.

Stam, R. and Spence, L. (1983b) ‘Colonialism, Racism and Representation’, Screen, 24(2), pp. 2–20. Available at: https://doi.org/10.1093/screen/24.2.2.

Subeshini Moodley (2003) ‘Postcolonial Feminisms Speaking through an “Accented” Cinema: The Construction of Indian Women in the Films of Mira Nair and Deepa Mehta’, Agenda: Empowering Women for Gender Equity [Preprint], (58). Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/4548098.

Sutherland, J.-A. and Feltey, K.M. (2016) ‘Here’s looking at her: an intersectional analysis of women, power and feminism in film’, Journal of Gender Studies, pp. 1–14. Available at: https://doi.org/10.1080/09589236.2016.1152956.

Tasker, Y. (1993) Spectacular bodies: gender, genre, and the action cinema. London: Routledge.

Thornham, S. (1997) Passionate detachments: an introduction to feminist film theory. London: Arnold.

Thornham, S. (1999) Feminist film theory: a reader. Edinburgh: Edinburgh University Press.

Tulloch, J. (2000a) Watching television audiences: cultural theories and methods. London: Arnold.

Tulloch, J. (2000b) Watching television audiences: cultural theories and methods. London: Arnold.

Tyler, I., Coleman, R. and Ferreday, D. (2008) ‘Commentary And Criticism’, Feminist Media Studies, 8(1), pp. 85–99. Available at: https://doi.org/10.1080/14680770801899226.

‘Visual Pleasures at 40’ Dossier’ (2015) Screen, 56(4), pp. 485–471. Available at: https://doi.org/10.1093/screen/hjv056.

Waugh, T. (2000) The fruit machine: twenty years of writings on queer cinema. Durham: Duke University Press.

Will Higbee (no date) ‘Concepts of transnational cinema: towards a critical transnationalism in film studies’, Transnational Cinemas [Preprint]. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://www.tandfonline.com/doi/abs/10.1386/trac.1.1.7/1.

Wolf, M.J.P. (2001) The medium of the video game. 1st ed. Austin, TX: University of Texas Press.

Wolf, M.J.P. and Perron, B. (2003) The video game theory reader. New York, NY: Routledge. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1461087.