Bibliography for MLitt in Film & TV Studies: Core Course BETA

‘“America’s Next Top Model” The Girl Who Gets Pwn’d (TV Episode’ (2012). Available at: https://www.dailymotion.com/video/x3gnjfr.

Arnold, S. (2015) It’s Not all Content: Television as Television in Industry and Education. Available at: http://cstonline.net/its-not-all-content-television-as-television-in-industry-and-education-by-sarah-arnold/.

Au revoir Taipei (2010). Available at: https://www.imdb.com/title/tt1291125/.

‘Awkward Black Girl | Episode 1 - The Stop Sign’ (no date). Available at: http://www.awkwardblackgirl.com/season-1/episode-1.

‘Awkward Black Girl | Episode 2 - The Job’ (no date). Available at: http://www.awkwardblackgirl.com/season-1/episode-2.

‘Awkward Black Girl | Episode 3 - The Hallway’ (no date). Available at: http://www.awkwardblackgirl.com/season-1/episode-3.

‘Awkward Black Girl | Episode 4 - The Icebreaker’ (no date). Available at: http://www.awkwardblackgirl.com/season-1/episode-4.

‘Awkward Black Girl | Episode 5 - The Dance’ (no date). Available at: http://www.awkwardblackgirl.com/season-1/episode-5.

‘BBC - The Social, I Got My Own House Elf!’ (no date). Available at: https://www.bbc.co.uk/programmes/p06h3jk4.

‘BBC - The Social, Marjolein Robertson | BBC The Social  Short Stuff’s COMEDY BATTLE’ (no date). Available at: https://www.bbc.co.uk/programmes/p06j5j5g.

‘BBC - The Social, The Joys Of Family Life | Planet Janet’ (no date). Available at: https://www.bbc.co.uk/programmes/p06c4vm9.

‘BBC - The Social, The Response to Blair’s Story’ (no date). Available at: https://www.bbc.co.uk/programmes/p06kgc1v.

Bell, E. and Gray, A. (2010) Televising history: mediating the past in postwar Europe. Basingstoke, Hampshire: Palgrave Macmillan. Available at: https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780230277205.

Bennett, J. and Strange, N. (eds) (2011) Television as digital media. Durham, NC: Duke University Press. Available at: http://ebookcentral.proquest.com/lib/gla/detail.action?docID=1172303.

Berridge, S. (2010) Serialised sexual violence in teen television drama series. Available at: https://theses.gla.ac.uk/2326/.

‘Bite Back on Ghostwatch (Part 1) - YouTube’ (no date). Available at: https://www.youtube.com/watch?v=UUyhN-gq8xk.

‘Bite Back on Ghostwatch (Part 2) - YouTube’ (no date). Available at: https://www.youtube.com/watch?v=vgrI5ZRuKdc.

Bordwell, D., Thompson, K. and Smith, J. (2013) Film art: an introduction. 10th international ed. New York: McGraw-Hill. Available at: https://contentstore.cla.co.uk//secure/link?id=b8a68c95-cc40-e911-80cd-005056af4099.

Caldwell, J.T. and Everett, A. (eds) (2015) New media: theories and practices of digitextuality. London: Routledge. Available at: http://GLA.eblib.com/patron/FullRecord.aspx?p=1822442.

Cannadine, D. (2004a) History and the media. Basingstoke: Palgrave Macmillan. Available at: https://contentstore.cla.co.uk//secure/link?id=baa68c95-cc40-e911-80cd-005056af4099.

Cannadine, D. (2004b) History and the media. Basingstoke: Palgrave Macmillan. Available at: https://contentstore.cla.co.uk//secure/link?id=b9a68c95-cc40-e911-80cd-005056af4099.

Clayton, A. and Klevan, A. (eds) (2011) The language and style of film criticism. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=684088.

Creeber, G. (2011) ‘It’s not TV, it’s online drama: The return of the intimate screen’, International Journal of Cultural Studies, 14(6), pp. 591–606. Available at: https://doi.org/10.1177/1367877911402589.

Deamer, D. (2014) Deleuze, Japanese cinema, and the atom bomb: the spectre of impossibility. New York: Bloomsbury. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1718523.

Dennison, S. and Lim, S.H. (2006) Remapping world cinema: identity, culture and politics in film. London: Wallflower.

‘Doctor Who (1963) - An Unearthly Child: Part One’ (no date). Available at: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.gla.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F0001F68D%3Fbcast%3D103888535.

‘Doctor Who (2014) - The Doctor Falls’ (no date). Available at: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.gla.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F0F386355%3Fbcast%3D124468039.

‘Doctor Who (2014) - World Enough and Time’ (no date). BBC1 London. Available at: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.gla.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F0F300199%3Fbcast%3D124419275.

Donald, J. and Renov, M. (eds) (2008) The Sage handbook of film studies. London: SAGE. Available at: http://GLA.eblib.com/patron/FullRecord.aspx?p=1024027.

‘Elements of the Essay Film on Vimeo’ (2014). Available at: https://vimeo.com/90150897.

Ellis, J. (2000) Seeing things: television in the age of uncertainty. London: I.B. Tauris. Available at: https://contentstore.cla.co.uk//secure/link?id=3ea0428d-cc40-e911-80cd-005056af4099.

Fantômas: In the Shadow of the Guillotine (1913). Available at: https://www.imdb.com/title/tt0002844/.

‘Fashion and Beauty | Pls Like - Episode 2 - YouTube’ (no date). Available at: https://www.youtube.com/watch?v=-3d7JPqEXws.

de Fren, A. (no date) Fembot in a Red Dress | [in]Transition. Available at: http://mediacommons.org/intransition/fembot-red-dress.

Geraghty, C. and Lusted, D. (1998) The television studies book. London: Arnold. Available at: https://contentstore.cla.co.uk//secure/link?id=079e2f85-cc40-e911-80cd-005056af4099.

Ghostwatch (1992). Available at: https://www.imdb.com/title/tt0200659/.

Gledhill, C. (2003) Reframing British cinema, 1918-1928: between restraint and passion. London: British Film Institute. Available at: https://contentstore.cla.co.uk//secure/link?id=4bed749d-cc40-e911-80cd-005056af4099.

Harrison, R. (2016) Anthony Asquith’s Shooting Stars Makes Dazzling Début on BFI Blu-ray and DVD. Available at: http://www.brentonfilm.com/reviews/anthony-asquiths-shooting-stars-makes-dazzling-debut-on-bfi-blu-ray-and-dvd.

Hills, M. (2007) ‘FROM THE BOX IN THE CORNER TO THE BOX SET ON THE SHELF’, New Review of Film and Television Studies, 5(1), pp. 41–60. Available at: https://doi.org/10.1080/17400300601140167.

‘How To Become A Superstar Vlogger | Pls Like - Episode 1 - YouTube’ (no date). Available at: https://www.youtube.com/watch?v=dZPY14u71mA.

Hutchinson, P. (2015) ‘This slapstick looks ridiculous in the making’: when silent movies went meta. Available at: https://www.theguardian.com/film/2015/oct/05/shooting-stars-silent-movies-about-movies-london-film-festival-anthony-asquith.

Jenkins, H. (2004) ‘The Cultural Logic of Media Convergence’, International Journal of Cultural Studies, 7(1), pp. 33–43. Available at: https://doi.org/10.1177/1367877904040603.

Jenkins, H. (2006) Convergence culture: where old and new media collide. New York: New York University Press. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.05936.

Jensen, K.B. (ed.) (2012) A handbook of media and communication research: qualitative and quantitative methodologies. Second edition. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=958225.

Johnson, D. (2007) ‘INVITING AUDIENCES IN’, New Review of Film and Television Studies, 5(1), pp. 61–80. Available at: https://doi.org/10.1080/17400300601140183.

Kiss, M. and van den Berg, T. (no date) Film Studies in Motion: From Audiovisual Essay to Academic Research. Available at: http://scalar.usc.edu/works/film-studies-in-motion/index.

Kittler, F.A. (1999) Gramophone, film, typewriter. Stanford, Calif: Stanford University Press.

Lury, K. (2005) Interpreting television. London: Hodder Arnold. Available at: https://contentstore.cla.co.uk//secure/link?id=4aed749d-cc40-e911-80cd-005056af4099.

‘Mabel at the Wheel (1914)’ (no date). Available at: https://www.youtube.com/watch?v=Rk_yg4ZQn3U.

Macdonald, M. (2006) ‘Performing memory on television: documentary and the 1960s’, Screen, 47(3), pp. 327–345. Available at: https://doi.org/10.1093/screen/hjl025.

Maltby, R., Stokes, M. and Allen, R.C. (2007) Going to the movies: Hollywood and the social experience of cinema. Exeter: University of Exeter Press. Available at: https://contentstore.cla.co.uk//secure/link?id=4ced749d-cc40-e911-80cd-005056af4099.

Martin-Jones, D. (2011) Deleuze and world cinemas: transworld cinema/transworld Deleuze. London: Continuum International Publishing Group. Available at: https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9781441102201.

Mazierska, E. (2018) Contemporary cinema and neoliberal ideology. Edited by L.L.F. Kristensen. Abingdon, Oxon: Routledge. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://www.taylorfrancis.com/books/9781315304076.

McCarthy, A. and American Council of Learned Societies (2001) Ambient television: visual culture and public space. Durham, NC: Duke University Press. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.08241.

McGoff, J. (no date) Women’s Time-Image | [in]Transition. Available at: http://mediacommons.org/intransition/2018/04/30/womens-time-image.

‘McLuhans Wake by Kevin McMahon (2002). The 4 Laws of Media & Marshal McLuhan’ (no date). Available at: https://www.youtube.com/watch?v=s6cXeNDCy-k.

Mittell, Jason (no date) ‘Narrative Complexity in Contemporary American Television’, Velvet Light Trap, pp. 29–40. Available at: http://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/222869457?pq-origsite=summon.

‘Modern Times (1936)’ (no date). Arte. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/00002449?bcast=125974776.

Morgan, C. (1928) ‘Anthony Asquith’s Film: Son of Late Statesman Produces Picture That Meets With Praise in Britain A Genuine Shadow Tale’, New York Times [Preprint]. Available at: http://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/104319358/AEC6CBD56B9D470FPQ/1?accountid=14540.

Morley, D. (2006) ‘Unanswered Questions in Audience Research’, The Communication Review, 9(2), pp. 101–121. Available at: https://doi.org/10.1080/10714420600663286.

Nagib, L. and Bloomsbury (Firm) (2011) World cinema and the ethics of realism. London: Continuum. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.5040/9781628929188?locatt=label:secondary_bloomsburyCollections.

Necsus | Film studies in the groove? Rhythmising perception in Carnal Locomotive - Catherine Grant (no date). Available at: https://necsus-ejms.org/film-studies-in-the-groove-rhythmising-perception-in-carnal-locomotive/.

Necsus | Videographic scene analyses, part 1 (no date). Available at: https://necsus-ejms.org/videographic-scene-analyses-part-1/.

Parikka, J. (2012) What is media archaeology? Cambridge: Polity Press. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780745661391.

‘Pass the Salt - Christian Keathley’ (no date). Available at: https://vimeo.com/23266798.

Paterson, C. et al. (eds) (2016) Advancing media production research: shifting sites, methods, and politics. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://link.springer.com/10.1057/9781137541949.

ProQuest (Firm) (2011) Media archaeology: approaches, applications, and implications. Edited by E. Huhtamo and J. Parikka. Berkeley, Calif: University of California Press. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=769730.

Rushton, R. (2004) ‘Early, classical and modern cinema: absorption and theatricality’, Screen, 45(3), pp. 226–244. Available at: https://doi.org/10.1093/screen/45.3.226.

Sconce, J. (2000) Haunted media: electronic presence from telegraphy to television. Durham, N.C.: Duke University Press. Available at: https://contentstore.cla.co.uk//secure/link?id=3fa0428d-cc40-e911-80cd-005056af4099.

‘Sherlock (2013): Season 3 Episode 1 - The Empty Hearse’ (no date). Available at: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.gla.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F063F559E%3Fbcast%3D114650829.

Shohat, E. and Stam, R. (2014) Unthinking Eurocentrism: multiculturalism and the media. Second edition. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1707455.

Shooting Stars (1928). Available at: https://www.imdb.com/title/tt0018392/.

‘“Shooting Stars”: Mr. Anthony Asquith’s First Film’ (1928) The Manchester Guardian [Preprint]. Available at: http://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/477505397/citation/6488A932DBAD44BCPQ/1?accountid=14540.

‘Skam, Season 1, Episode 1, English Subtitles’ (no date). Available at: https://www.dailymotion.com/video/x6ngh5u.

‘Skam, Season 1, Episode 2, English Subtitles’ (no date). Available at: https://www.dailymotion.com/video/x6bvn9w.

Spigel, L. (1992) Make room for TV: television and the family ideal in postwar America. University of Chicago Press. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://quod.lib.umich.edu/cgi/t/text/text-idx?c=acls;idno=heb08240.

Steward, T. and Zborowski, J. (2014) ‘(G)hosting Television: Ghostwatch and its Medium’, Journal of British Cinema and Television, 11(2–3), pp. 189–212. Available at: https://doi.org/10.3366/jbctv.2014.0203.

Street, S. (2000) British cinema in documents. London: Routledge.

Szczepanik, P. and Vonderau, P. (2013) Behind the screen: inside European production cultures. Basingstoke: Palgrave Macmillan. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://link.springer.com/book/10.1057/9781137282187.

‘The Angels’ Share (2012)’ (no date). Available at: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.gla.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F057AD7D4%3Fbcast%3D125480227.

Thomas, R. (1985) ‘Indian Cinema: Pleasures and Popularity’, Screen, 26(3–4), pp. 116–131. Available at: https://doi.org/10.1093/screen/26.3-4.116.

‘TRANSFORMERS: THE PREMAKE (complete version) - Kevin B Lee’ (no date). Available at: https://www.youtube.com/watch?v=dD3K1eWXI54.

‘What Makes a Video Essay Great? - Kevin B Lee’ (no date). Available at: https://vimeo.com/199577445.

Wiley Online Library (Online service) (2011) Explorations in new cinema history: approaches and case studies. Edited by R. Maltby, D. Biltereyst, and P. Meers. Chichester, West Sussex: Wiley-Blackwell. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://onlinelibrary.wiley.com/book/10.1002/9781444396416.