Butler, M.J. (2006a) Unlocking the groove: rhythm, meter, and musical design in electronic dance music. Bloomington, Ind: Indiana University Press.
Butler, M.J. (2006b) Unlocking the groove: rhythm, meter, and musical design in electronic dance music. Bloomington, Ind: Indiana University Press. Available at: https://contentstore.cla.co.uk//secure/link?id=fd44f2cb-e940-e911-80cd-005056af4099.
Cadwallader, A.C. and Gagné David (2011) Analysis of tonal music: a Schenkerian approach. 3rd ed. New York, N.Y.: Oxford University Press. Available at: https://contentstore.cla.co.uk//secure/link?id=b1c1f9d8-e940-e911-80cd-005056af4099.
Christensen, T. (ed.) (2002) The Cambridge History of Western Music Theory. Cambridge: Cambridge University Press. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CHOL9780521623711.
Cook, N. (1994) A guide to musical analysis. Oxford: Oxford University Press. Available at: https://contentstore.cla.co.uk//secure/link?id=a759bbf8-e940-e911-80cd-005056af4099.
Cook, N. (2007) The Schenker project : culture, race, and music theory in fin-de-siècle Vienna. Oxford: Oxford University Press.
Cook, N. and Everist, M. (1999) Rethinking music. Oxford: Oxford University Press. Available at: https://contentstore.cla.co.uk//secure/link?id=20c026ed-e940-e911-80cd-005056af4099.
Cook, N. and Oxford University Press (2014) Beyond the score: music as performance. New York: Oxford University Press. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780199357406.001.0001.
Dunsby, J. and Whittall, A. (1988) Music analysis in theory and practice. London: Faber. Available at: https://contentstore.cla.co.uk//secure/link?id=1fc026ed-e940-e911-80cd-005056af4099.
Forte, A. (1973) The structure of atonal music. New Haven: Yale University Press.
Forte, A. (1998) The atonal music of Anton Webern. New Haven: Yale University Press.
Forte, A. and Gilbert, S.E. (1982) Introduction to Schenkerian analysis. New York: Norton.
Goehr, L. and Oxford University Press (2004) The imaginary museum of musical works: an essay in the philosophy of music. Oxford: Oxford University Press. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://doi.org/10.1093/0198235410.001.0001.
Gollin, E. and Rehding, A. (2011) The Oxford handbook of neo-Riemannian music theories. New York: Oxford University Press. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/oxfordhb/9780195321333.001.0001.
Hasty, C.F. (1997) Meter as rhythm. New York: Oxford University Press.
Huron, D.B. (2007) Sweet anticipation: music and the psychology of expectation. Cambridge, Massachusetts: The MIT Press. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://cognet.mit.edu/book/sweet-anticipation.
Kramer, J.D. (1988) The time of music: new meanings, new temporalities, new listening strategies. New York: Schirmer. Available at: https://contentstore.cla.co.uk//secure/link?id=aa4dd400-ea40-e911-80cd-005056af4099.
Lerdahl, F. (2001) Tonal pitch space. New York: Oxford University Press. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780195178296.001.0001.
Lewin, D. (2007) Generalized musical intervals and transformations. New York: Oxford University Press. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780195317138.001.0001.
Mamlok, U. (no date) ‘Panta rhei =: Time in flux : violin, violoncello, and piano’. New York: C.F. Peters.
Mirka, D. (2014) Metric manipulations in Haydn and Mozart: chamber music for strings, 1787-1791. New York, NY: Oxford University Press.
Mirka, D. and Agawu, V.K. (2008) Communication in eighteenth-century music. Cambridge, UK: Cambridge University Press. Available at: https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9781107187375.
Moore, A.F. (2001) Rock: the primary text : developing a musicology of rock. 2nd ed. Aldershot: Ashgate. Available at: https://contentstore.cla.co.uk//secure/link?id=024279e0-e940-e911-80cd-005056af4099.
Moore, A.F. (2012) Song means: analysing and interpreting recorded popular song. Surrey: Ashgate.
Moore, A.F. and Dawson Books (2003) Analyzing popular music. Cambridge: Cambridge University Press. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780511306297.
Neuwirth, O. (2006) ‘Laki: für Trompete solo, 2006’. Berlin: Boosey & Hawkes.
Pankhurst, T. (2008) SchenkerGUIDE: a brief handbook and website for Schenkerian analysis. New York: Routledge.
Parsons, L. and Ravenscroft, B. (eds) (2016) Analytical essays on music by women composers: concert music from 1960-2000. New York, NY: Oxford University Press. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780190236861.001.0001.
Rings, S. (2011) Tonality and transformation. New York: Oxford University Press. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780195384277.001.0001.
Rink, J. (1995) The practice of performance: studies in musical interpretation. Cambridge: Cambridge University Press. Available at: https://contentstore.cla.co.uk//secure/link?id=014279e0-e940-e911-80cd-005056af4099.
Rink, J. (2002) Musical performance: a guide to understanding. Cambridge: Cambridge University Press. Available at: http://lib.myilibrary.com/browse/open.asp?id=238937&entityid=https://idp.gla.ac.uk/shibboleth.
Saariaho, K. (2002) ‘Du cristal’. Copenhagen: Edition Wilhelm Hansen.
Straus, J.N. (2005) Introduction to post-tonal theory. 3rd ed. Upper Saddle River, N.J.: Prentice Hall.