Adair, G. (no date) ‘Article’, Monthly film bulletin, 51(607). Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/1305839358?accountid=14540.
Archibald, D. (2008) ‘“We’re just big bullies...” Gregory Burke’s Black Watch’, Drouth, (26), pp. 8–13. Available at: https://eprints.gla.ac.uk/3896/.
Bell, D. and Haddour, A. (2000) City visions. Harlow: Pearson Education Ltd. Available at: https://contentstore.cla.co.uk//secure/link?id=ed632aa0-cb40-e911-80cd-005056af4099.
Bell, E. (2004a) Questioning Scotland: literature, nationalism, postmodernism. Basingstoke, Hampshire: Palgrave Macmillan. Available at: https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780230508248.
Bell, E. (2004b) Questioning Scotland: literature, nationalism, postmodernism. Basingstoke, Hampshire: Palgrave Macmillan. Available at: https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780230508248.
Bell, E. and Miller, G. (2004) Scotland in theory: reflections on culture & literature. Amsterdam: Rodopi.
Beveridge, C. and Turnbull, R. (1989) The eclipse of Scottish culture: inferiorism and the intellectuals. Edinburgh: Polygon. Available at: https://contentstore.cla.co.uk//secure/link?id=f867dcbd-cb40-e911-80cd-005056af4099.
BFI Screenonline: Mackendrick, Alexander (1912-1993) Biography (no date). Available at: http://www.screenonline.org.uk/people/id/447947/.
Billig, M. (1995) Banal nationalism. London: SAGE. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://sk.sagepub.com/books/banal-nationalism.
Blain, N. and Hutchison, D. (2008a) The media in Scotland. Edinburgh: Edinburgh University Press. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001.
Blain, N. and Hutchison, D. (2008b) The media in Scotland. Edinburgh: Edinburgh University Press. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001.
Blain, N. and Hutchison, D. (2008c) The media in Scotland. Edinburgh: Edinburgh University Press. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001.
Blain, N. and Hutchison, D. (2008d) The media in Scotland. Edinburgh: Edinburgh University Press. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001.
Blain, N. and Hutchison, D. (2008e) The media in Scotland. Edinburgh: Edinburgh University Press. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001.
Blain, N. and Hutchison, D. (2008f) The media in Scotland. Edinburgh: Edinburgh University Press. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001.
Blain, N. and Hutchison, D. (2008g) The media in Scotland. Edinburgh: Edinburgh University Press. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001.
Blain, N. and Hutchison, D. (2008h) The media in Scotland. Edinburgh: Edinburgh University Press. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001.
Blain, N. and Hutchison, D. (2008i) The media in Scotland. Edinburgh: Edinburgh University Press. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001.
Blain, N. and Hutchison, D. (2008j) The media in Scotland. Edinburgh: Edinburgh University Press. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001.
Blain, N. and Hutchison, D. (2008k) The media in Scotland. Edinburgh: Edinburgh University Press. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001.
Brennan, M. (2014) ‘The Forgotten Auteur: The Films of Finlay J. MacDonald’, The Drouth, 48, pp. 77–83. Available at: https://contentstore.cla.co.uk//secure/link?id=c862ac98-cb40-e911-80cd-005056af4099.
Brown, I. and Dawson Books (2007) The Edinburgh history of Scottish literature: Volume 3: Modern transformations: new identities (from 1918). Edinburgh: Edinburgh University Press. Available at: https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780748630653.
Brown, J. (1985) ‘The Artist as disk Jockey’, Cencrastus: Scottish & international literature arts & affairs, 20. Available at: https://contentstore.cla.co.uk//secure/link?id=c762ac98-cb40-e911-80cd-005056af4099.
Brown, J. (no date) ‘Land Beyond Brigadoon’, Sight and Sound, 53(1). Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/1305523373/abstract/275117A381874910PQ/21?accountid=14540.
Bruce, D. (1996) Scotland: the movie. Edinburgh: Polygon.
Bryce, T.G.K., Humes, W.M. and Boyd, B. (2003) Scottish education: post-devolution. 2nd ed. Edinburgh: Edinburgh University Press.
Burke, A. (2007) ‘Concrete universality: Tower blocks, architectural modernism, and realism in contemporary British cinema’, New Cinemas: Journal of Contemporary Film, 5(3), pp. 177–188. Available at: https://contentstore.cla.co.uk//secure/link?id=ec632aa0-cb40-e911-80cd-005056af4099.
Carruthers, G., Goldie, D. and Renfrew, A. (2004) Beyond Scotland: new contexts for twentieth-century Scottish literature. Amsterdam: Rodopi.
Chapman, M. (1978) The Gaelic vision in Scottish culture. London: Croom Helm [etc.].
Clarke, D.B. (1997) The cinematic city. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=240185.
Craig, C. (1996) Out of history: narrative paradigms in Scottish and English culture. Edinburgh: Polygon.
Craig, C. (1999) The modern Scottish novel: narrative and the national imagination. Edinburgh: Edinburgh University Press. Available at: https://contentstore.cla.co.uk//secure/link?id=f57cb1a7-cb40-e911-80cd-005056af4099.
Craig, C. (2011) The Scots’ crisis of confidence. [Rev. ed.]. Glendaruel: Argyll Publishing.
Craven, I. (2009) Movies on home ground: explorations in amateur cinema. Newcastle: Cambridge Scholars. Available at: https://contentstore.cla.co.uk//secure/link?id=da3dacaf-cb40-e911-80cd-005056af4099.
Cullen, S.M. (2008) ‘The Fasces and the Saltire: The Failure of the British Union of Fascists in Scotland, 1932–1940’, The Scottish Historical Review, 87(224), pp. 306–331. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/23074058.
Devine, T.M. (2000) Scotland’s shame?: bigotry and sectarianism in modern Scotland. Edinburgh: Mainstream.
Devine, T.M. and Finlay, R.J. (1996) Scotland in the twentieth century. Edinburgh: Edinburgh University Press.
Devine, T.M. and Logue, P. (2002) Being Scottish: personal reflections on Scottish identity today. Edinburgh: Polygon at Edinburgh.
Dick, E., British Film Institute, and Scottish Film Council (1990a) From limelight to satellite: a Scottish film book. London: BFI Publishing/Scottish Film Council. Available at: https://contentstore.cla.co.uk//secure/link?id=db3dacaf-cb40-e911-80cd-005056af4099.
Dick, E., British Film Institute, and Scottish Film Council (1990b) From limelight to satellite: a Scottish film book. London: BFI Publishing/Scottish Film Council.
Dick, E., Noble, A. and Petrie, D.J. (1993) Bill Douglas: a lanternist’s  account. London: BFI Publishing in association with the Scottish Film Couuncil.
Dunn, J. (1AD) ‘Cine Caledonia – A New Dawn’, The Skinny [Preprint]. Available at: https://www.theskinny.co.uk/film/opinion/cine-caledonia-a-new-dawn.
Fyfe, N.R. and Dawson Books (1998) Images of the street: planning, identity, and control in public space. London: Routledge. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203026496.
Gardiner, M. (2005) Modern Scottish culture. Edinburgh: Edinburgh University Press.
Gardiner, M. (2006) From Trocchi to Trainspotting: Scottish critical theory since 1960. Edinburgh: Edinburgh University Press. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748622320.001.0001.
Geraghty, C. (2005) ‘The study of soap opera’, in A companion to television. Malden, MA: Blackwell Pub., pp. 308–323. Available at: https://eprints.gla.ac.uk/3371/.
Gillett, P. (2005) ‘Comfort and Joy: the anatomy of melancholy’, Off Screen, 9(7), pp. 1–10. Available at: https://offscreen.com/view/comfort_and_joy.
Goldie, D. (2000) ‘“Will ye stop yer tickling, Jock?”: Modern and postmodern Scottish comedy’, Critical Quarterly, 42(4), pp. 7–18. Available at: https://doi.org/10.1111/1467-8705.00315.
Gray, A. (2007) Lanark: a life in four books. [New ed.]. Edinburgh: Canongate.
Guy Barefoot (2006) ‘Autobiography and the autobiographical in the Bill Douglas Trilogy’, Biography, 29(1), pp. 14–29. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://go.galegroup.com/ps/i.do?p=AONE&u=glasuni&id=GALE|A146346910&v=2.1&it=r&sid=summon&userGroup=glasuni&authCount=1.
Hardy, F. (1990) Scotland in film. Edinburgh: Edinburgh University Press.
Harvie, C. (1999) Travelling Scot: Scotus viator : essays on the history, politics and future of the Scots. Glendaruel: Argyll Publishing.
Hassan, G. and Warhurst, C. (2002) Anatomy of the new Scotland: power, influence and change. Edinburgh: Mainstream.
Hassan, Mamoun (no date) ‘His ain man’, Sight and Sound, 1(7). Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/1305503045/abstract/2461F6F79027442FPQ/11?accountid=14540.
Hibberd, L. (2010) ‘River City: Invisible Soap’, Critical Studies in Television: The International Journal of Television Studies, 5(1), pp. 46–56. Available at: https://doi.org/10.7227/CST.5.1.6.
Hibberd, L. (no date) ‘Devolution in Policy and Practice: A Study of River City and BBC Scotland’, Westminster Papers in Communication and Culture, 4(3). Available at: https://doi.org/10.16997/wpcc.101.
Higson, A. (1989) ‘The Concept of National Cinema’, Screen, 30(4), pp. 36–47. Available at: https://doi.org/10.1093/screen/30.4.36.
Hill, A. and Dawson Books (2005) Reality TV: audiences and popular factual television. London: Routledge. Available at: https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203337158.
Hjort, M. and Petrie, D.J. (2007) The cinema of small nations. Bloomington: Indiana University Press.
Hjort, M., Petrie, D.J., and MyiLibrary (2007) The cinema of small nations. Bloomington, IN: Indiana University Press. Available at: http://lib.myilibrary.com/browse/open.asp?id=208787&entityid=https://idp.gla.ac.uk/shibboleth.
Hunter, A. (no date) ‘Bill Forsyth’, Films and filming, pp. 11–13.
Iordanova, D., Martin-Jones, D. and Vidal, B. (2010a) Cinema at the periphery. Detroit, Mich: Wayne State University Press. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=3416522.
Iordanova, D., Martin-Jones, D. and Vidal, B. (2010b) Cinema at the periphery. Detroit, Mich: Wayne State University Press. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=3416522.
Iordanova, D., Martin-Jones, D. and Vidal, B. (2010c) Cinema at the periphery. Detroit, Mich: Wayne State University Press. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=3416522.
J. (24AD) ‘James Naughtie: the lost Scotland of Sunset Song’, The Guardian [Preprint]. Available at: https://www.theguardian.com/books/2015/nov/24/james-naughtie-the-lost-scotland-of-sunset-song.
Jensen, T. and Ringrose, J. (2014) ‘Sluts that Choose Vs Doormat Gypsies’, Feminist Media Studies, 14(3), pp. 369–387. Available at: https://doi.org/10.1080/14680777.2012.756820.
Jones, C. (2006) ‘White Men on Their Backs – From Objection to Abjection: The Representation of the White Male as Victim in William McIlvanney’s Docherty and Irvine Welsh’s Marabou Stork Nightmares’, International Journal of Scottish Literature, 1, pp. 1–16. Available at: https://www.ijsl.stir.ac.uk/issue1/jones.htm.
Joseph Rowntree Foundation and ESRC Centre on Dynamics of Ethnicity (no date) ‘How has ethnic diversity changed in Scotland?’ Available at: http://www.ethnicity.ac.uk/medialibrary/briefings/dynamicsofdiversity/code-census-briefing-scotland_v2.pdf.
Keyser, B. (1975) ‘The Transfiguration of Edinburgh in The Prime of Miss Jean Brodie’, Studies in Scottish Literature, 12(3). Available at: https://scholarcommons.sc.edu/ssl/vol12/iss3/3/.
Law, A. (2001) ‘Near and far: banal national identity and the press in Scotland’, Media, Culture & Society, 23(3), pp. 299–317. Available at: https://doi.org/10.1177/016344301023003002.
Lockerbie, I. (1988) Image and identity: theatre and cinema in Scotland and Quebec. Stirling: John Grierson Archive and Department of French, University of Stirling. Available at: https://contentstore.cla.co.uk//secure/link?id=d93dacaf-cb40-e911-80cd-005056af4099.
Logan, B. (31AD) ‘Scottish sitcoms: should national jokes be shared with the entire UK?’, The Guardian [Preprint]. Available at: https://www.theguardian.com/stage/theatreblog/2011/may/31/scottish-sitcoms-comedy-uk-bbc.
Mackendrick, A. and Cronin, P. (2005) On film-making: an introduction to the craft of the director Alexander Mackendrick. London: Faber.
Martin-Jones, D. (2009a) Scotland, global cinema: genres, modes and identities. Edinburgh: Edinburgh University Press. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748633913.001.0001.
Martin-Jones, D. (2009b) Scotland, global cinema: genres, modes and identities. Edinburgh: Edinburgh University Press. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748633913.001.0001.
Mathieson, K. (no date) ‘The darker side of Bill Forsyth’, The Times higher education supplement [Preprint].
Mathiseon, K. (1988) ‘Bill Fosyth. Innocent or Eccentric?’, Cencrastus: Scottish & international literature arts & affairs, Spring, pp. 12–14. Available at: https://contentstore.cla.co.uk//secure/link?id=fa67dcbd-cb40-e911-80cd-005056af4099.
McArthur, C. (1982a) Scotch reels: Scotland in cinema and television. London: BFI Publishing. Available at: https://contentstore.cla.co.uk//secure/link?id=d448e0b7-cb40-e911-80cd-005056af4099.
McArthur, C. (1982b) Scotch reels: Scotland in cinema and television. London: BFI Publishing.
McArthur, C. (2003) Brigadoon, Braveheart and the Scots: distortions of Scotland in Hollywood cinema. London: I.B. Tauris.
McCrone, D. (2001) Understanding Scotland: the sociology of a nation. 2nd ed. London: Routledge. Available at: http://www.GLA.eblib.com/EBLWeb/patron/?target=patron&extendedid=E_473754_0.
McCrone, D., Morris, A. and Kiely, R. (1999) Scotland - the brand: the making of Scottish heritage. Edinburgh: Polygon.
Miller, M., Rodger, J. and Edwards, O.D. (2010) Tartan pimps: Gordon Brown, Margaret Thatcher, and the new Scotland. Glendaruel: Argyll Publishing.
Mills, B. (2005) Television sitcom. London: BFI. Available at: https://contentstore.cla.co.uk//secure/link?id=f67cb1a7-cb40-e911-80cd-005056af4099.
Murray, J. (2005a) ‘Kids in America? Narratives of transatlantic influence in 1990s scottish cinema’, Screen, 46(2), pp. 217–226. Available at: https://doi.org/10.1093/screen/46.2.217.
Murray, J. (2005b) ‘Kids in America? Narratives of transatlantic influence in 1990s scottish cinema’, Screen, 46(2), pp. 217–226. Available at: https://doi.org/10.1093/screen/46.2.217.
Murray, J. (2011) Discomfort and joy: the cinema of Bill Forsyth. Oxford: Peter Lang. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1053969.
Murray, J. (2015a) The new Scottish Cinema. London: I.B.Tauris & Co. Ltd. Available at: https://contentstore.cla.co.uk//secure/link?id=f967dcbd-cb40-e911-80cd-005056af4099.
Murray, J. (2015b) The new Scottish Cinema. London: I.B.Tauris & Co. Ltd.
Murray, J., Farley, F. and Stoneman, R. (2009a) Scottish cinema now. Newcastle upon Tyne: Cambridge Scholars. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1114153.
Murray, J., Farley, F. and Stoneman, R. (2009b) Scottish cinema now. Newcastle upon Tyne: Cambridge Scholars. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1114153.
Murray, J., Farley, F. and Stoneman, R. (2009c) Scottish cinema now. Newcastle upon Tyne: Cambridge Scholars. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1114153.
Nash, A. (2007) Kailyard and Scottish literature. Amsterdam: Rodopi.
O’Hagan, A. (2005) ‘Fight and argue and improve’, The Drouth, 15. Available at: https://contentstore.cla.co.uk//secure/link?id=c662ac98-cb40-e911-80cd-005056af4099.
Petrie, D.J. (2004a) Contemporary Scottish fictions: film, television and the novel. Edinburgh: Edinburgh University Press. Available at: https://contentstore.cla.co.uk//secure/link?id=f47cb1a7-cb40-e911-80cd-005056af4099.
Petrie, D.J. (2004b) Contemporary Scottish fictions: film, television and the novel. Edinburgh: Edinburgh University Press.
Petrie, D.J. and British Film Institute (2000a) Screening Scotland. London: British Film Institute. Available at: https://contentstore.cla.co.uk//secure/link?id=d348e0b7-cb40-e911-80cd-005056af4099.
Petrie, D.J. and British Film Institute (2000b) Screening Scotland. London: British Film Institute.
Ray, P.E. (1978) ‘Jean Brodie and Edinburgh: Personality and Place in Muriel Spark’s The Prime of Miss Jean Brodie’, Studies in Scottish Literature, 13(1). Available at: https://scholarcommons.sc.edu/ssl/vol13/iss1/5/.
Rhodes, G.D. and Springer, J.P. (2005) Docufictions: essays on the intersection of documentary and fictional filmmaking. Jefferson, NC: McFarland & Co. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1801273.
Riach, A. (2005) Representing Scotland in literature, popular culture and iconography: the masks of the modern nation. Houndmills: Palgrave Macmillan. Available at: http://www.GLA.eblib.com/EBLWeb/patron/?target=patron&extendedid=E_532711_0.
Rosie, M. (2004) The sectarian myth in Scotland: of bitter memory and bigotry. Basingstoke: Palgrave Macmillan.
Schoene-Harwood, B. (2007) The Edinburgh companion to contemporary Scottish literature. Edinburgh: Edinburgh University Press. Available at: https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780748630288.
Semotam, J. (2012) ‘Public Perception of A8 migrants: The discourse of the media and its impacts’. Available at: http://bemis.org.uk/PDF/Jan%20Semotam%20MSc%20Dissertation.pdf.
Sherington, J. and Scottish Film Council (1996) ‘To speak its pride’: the work of the Films of Scotland Committee 1938-1982 : a Scottish film monograph. [Glasgow]: Scottish Film Council.
Simon Brown (2011) ‘Anywhere but Scotland?” Transnationalism and New Scottish Cinema’, International Journal of Scottish Theatre and Screen, 4(1). Available at: https://eprints.kingston.ac.uk/id/eprint/33694/1/Brown-S-33694-VoR.pdf.
Spiers, E.M. (2006) The Scottish soldier and empire, 1854-1902. Edinburgh: Edinburgh University Press. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=267210.
Spring, I. (1990) Phantom village: the myth of the new Glasgow. Edinburgh: Polygon. Available at: https://contentstore.cla.co.uk//secure/link?id=ee632aa0-cb40-e911-80cd-005056af4099.
Stein, E. (1983) ‘The Forsyth Saga’, Films and filming, 341, pp. 54–56.
Stewart, M. (2012) ‘Falling, Looking, Caring:                              as Melodrama’, Journal of British Cinema and Television, 9(4), pp. 548–568. Available at: https://doi.org/10.3366/jbctv.2012.0105.
Suh, J. (2007) ‘The familiar attractions of fascism in Muriel Spark’s The Prime of Miss Jean Brodie’, Journal of Modern Literature, 30(2), pp. 86–102. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://link.gale.com/apps/doc/A162789303/AONE?u=glasuni&sid=bookmark-AONE&xid=28f2be84.
Tange, H. (2004) ‘Grassic Gibbon’s Art of Community: A Scots Quair and the Condition of Scotland’, Studies in Scottish Literature, 33(1). Available at: https://scholarcommons.sc.edu/ssl/vol33/iss1/20/.
The Criterion Collection: Tunes of Glory (no date). Available at: https://web.archive.org/web/20070707115944/http:/www.criterion.com/asp/release.asp?id=225&eid=342&section=essay&page=1.
‘The Thrifty Pop Man’ (no date) Sight and Sound, 53(4). Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/1305505941/7F57D54EF60543C1PQ/26?accountid=14540.
To the Kailyard and Beyond! An Introduction to Scottish Literature (1500-1900) (no date). Available at: http://scottishlit.com/?page_id=171.
Toyeux, D. (1984) ‘Tidings of Comfort and Joy’, Film Directions, 7(26).
Walsh, D. (no date) ‘History, politics and vulnerability: explaining excess mortality’. Available at: http://www.gcph.co.uk/publications/635_history_politics_and_vulnerability_explaining_excess_mortality.