Beauvoir, S. de (2002) Le deuxième sexe: 2: L’expérience vécue. [Paris]: Gallimard.
Boule de Suif ; L’épave ; Découverte ; [etc.] / Guy de Maupassant (no date). Available at: https://gallica.bnf.fr/ark:/12148/bpt6k66148x/f8.image.
Butler, J. and Taylor & Francis Group (2014) Gender trouble: feminism and the subversion of identity. London: Routledge. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://www.taylorfrancis.com/books/9780203902752.
Cauwelaert, D. van (1994) Un aller simple: roman. Paris: Albin Michel.
Cavallaro, D. (2003) French feminist theory: an introduction. London: Continuum.
Doane, M.A. (1991) Femmes fatales: feminism, film theory, psychoanalysis. New York, N.Y.: Routledge.
Flitterman-Lewis, S. (1996) To desire differently: feminism and the French cinema. Expanded ed. New York: Columbia University Press.
Forbes, J. (no date) ‘Gender and Space in Cléo de 5 à 7’, Studies in French Cinema, 2(2), pp. 83–89. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=mlf&AN=EIS10308610&site=ehost-live.
Harf-Lancner, L., Warnke, K., and Marie (1990) Lais de Marie de France. Paris: Livre de Poche. Available at: https://contentstore.cla.co.uk//secure/link?id=7c00fbc9-ca40-e911-80cd-005056af4099.
Hayward, S. and Dawson Books (2006) Cinema studies: the key concepts. 3rd ed. London: Routledge. Available at: http://www.dawsonera.com/guard/protected/dawson.jsp?name=University%20of%20Glasgow&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203020210.
Hayward, Susan and Vincendeau, Ginette (2000) French film: texts and contexts. 2nd ed. London: Routledge. Available at: https://contentstore.cla.co.uk//secure/link?id=7b00fbc9-ca40-e911-80cd-005056af4099.
Hughes, A. and Williams, J.S. (2001) Gender and French cinema. Oxford: Berg.
Laferriere, D. (2015) Chronique de la derive douce: roman. Paris: Grasset.
Laferrière, D. and L’Ecuyer, J. (2004) ‘Dany Laferrière: films from a poet’s imagination’. New York, NY, USA: ArtMattan Productions.
Moi, T. (1987) French feminist thought: a reader. Oxford: Blackwell.
Mulvey, L. (1989) Visual and other pleasures. London: Macmillan. Available at: https://www.vlebooks.com/vleweb/Product/Index/886576?page=0.
‘P’tit Quinquin | The Cinematheque’ (no date). Available at: http://www.thecinematheque.ca/bruno-dumont-material-bodies/ptit-quinquin.
Sand, G. (2010) Gabriel: the original French text. Edited by K. Hart. New York: Modern Language Association of America.
Smith, A. (1998) Agnès Varda. Manchester: Manchester University Press.
Varda, A. (2010) ‘Sans toit ni loi’. [London]: Artificial Eye.
Varda, A. et al. (2010) ‘Vagabond: (Sans toit ni loi)’. [London]: Artificial Eye.
Varda, A. and Bastide, B. (1994) Varda. Paris: Editions Cahiers du cinéma.
Wild, F. (1990) ‘Ecriture and Cinematic Practice in Agnès Varda’s “Sans toit ni loi”’, L’Esprit Créateur, 30(2), pp. 92–104. Available at: https://contentstore.cla.co.uk//secure/link?id=ca65a1c3-ca40-e911-80cd-005056af4099.
