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Forbes, J. (n.d.). Gender and Space in Cléo de 5 à 7. Studies in French Cinema, 2(2), 83–89. http://ezproxy.lib.gla.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=mlf&AN=EIS10308610&site=ehost-live
Harf-Lancner, L., Warnke, K., & Marie. (1990). Lais de Marie de France (Vol. 4523). Livre de Poche. https://contentstore.cla.co.uk//secure/link?id=7c00fbc9-ca40-e911-80cd-005056af4099
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Hayward, Susan & Vincendeau, Ginette. (2000). French film: texts and contexts (2nd ed). Routledge. https://contentstore.cla.co.uk//secure/link?id=7b00fbc9-ca40-e911-80cd-005056af4099
Hughes, A., & Williams, J. S. (2001). Gender and French cinema. Berg.
Laferriere, D. (2015). Chronique de la derive douce: roman (Vol. 33436). Grasset.
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Varda, A. (2010). Sans toit ni loi. Artificial Eye.
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Varda, A., Bonnaire, S., Méril, M., Freiss, S., Milshtein, O., & Artificial Eye (Firm). (2010). Vagabond: (Sans toit ni loi). Artificial Eye.
Wild, F. (1990). Ecriture and Cinematic Practice in Agnès Varda’s ‘Sans toit ni loi’. L’Esprit Créateur, 30(2), 92–104. https://contentstore.cla.co.uk//secure/link?id=ca65a1c3-ca40-e911-80cd-005056af4099
