Buchan, Suzanne H (no date) ‘The Quay Brothers: Choreographed Chiaroscuro, Enigmatic and Sublime’, Film Quarterly; Berkeley, 51(3), pp. 16–31. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/1709209?pq-origsite=summon.
Cholodenko, A. (2007) The illusion of life II: more essays on animation. [Sydney] N.S.W.: Power Publications. Available at: https://contentstore.cla.co.uk//secure/link?id=06ce8673-cb40-e911-80cd-005056af4099.
Gardiner, J.K. (2005) ‘Why Saddam Is Gay: Masculinity Politics in’, Quarterly Review of Film and Video, 22(1), pp. 51–62. Available at: https://doi.org/10.1080/10509200590449958.
Holliday, C. (2018) The computer-animated film: industry, style and genre. Edinburgh: Edinburgh University Press. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=5400037.
Hu, T.G. (2010) Frames of anime: culture and image-building. Hong Kong: Hong Kong University Press. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.5790/hongkong/9789622090972.001.0001.
Klein, N.M. (1993) Seven minutes: the life and death of the American animated cartoon. London: Verso. Available at: https://contentstore.cla.co.uk//secure/link?id=e274b26b-cb40-e911-80cd-005056af4099.
Lustyik, K. and Smith, P. (2010) ‘From The Simpsons to "The Simpsons of the South Pacific”: New Zealand’s First Primetime Animation, bro’Town’, Television & New Media, 11(5), pp. 331–349. Available at: https://doi.org/10.1177/1527476409351288.
Manovich, L. (2002) The language of new media. 1st MIT Press pbk. ed. Cambridge, Mass: MIT Press. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.31966.
Stabile, C.A. and Harrison, M. (2003) Prime time animation: television animation and American culture. London: Routledge. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://www.taylorfrancis.com/books/9781315015545.
Susan J. Napier (2001) ‘Confronting Master Narratives: History as Vision in Miyazaki Hayao’s Cinema of De-Assurance’, Positions: East Asia Cultures Critique[Journal Detail], (2), pp. 467–93. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=mlf&AN=2002421728&site=ehost-live.
Ward, A.R. (2002) Mouse morality: the rhetoric of Disney animated film. 1st ed. Austin, TX: University of Texas Press. Available at: https://contentstore.cla.co.uk//secure/link?id=e174b26b-cb40-e911-80cd-005056af4099.
Wells, P. (2009) The animated bestiary: animals, cartoons, and culture. New Brunswick, New Jersey: Rutgers University Press. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=413877.
Wilson, E. (2018) ‘“Diagrams of Motion”: Stop-Motion Animation as a Form of Kinetic Sculpture in the Short Films of Jan Švankmajer and the Brothers Quay’, Animation, 13(2), pp. 148–161. Available at: https://doi.org/10.1177/1746847718782890.
