Ballantyne, Tony and Burton, Antoinette M. (2005) Bodies in contact: rethinking colonial encounters in world history. Durham, N.C.: Duke University Press.
Balthazar, Scott L. (2004) The Cambridge companion to Verdi. Cambridge: Cambridge University Press.
Bensoussan, Albert (2013) Verdi. [Paris]: Gallimard.
Berger, William (2000) Verdi with a vengeance: an energetic guide to the life and complete works of the king of opera. New York, N.Y.: Vintage Books.
Berger, William (2005) Puccini without excuses: a refreshing reassessment of the world’s most popular composer. New York: Vintage Books.
Budden, Julian (1992) The Operas of Verdi. Rev. ed. Oxford: Clarendon Press.
Budden, Julian (2005) Puccini: his life and works. Oxford: Oxford University Press.
Burton, Deborah, Nicassio, Susan Vandiver, and Ziino, Agostino (2004) Tosca’s prism: three moments of Western cultural history. Boston: Northeastern University Press.
Conrad, Peter (2001) Verdi and/or Wagner: two Men, two worlds, two centuries. London: Thames & Hudson.
Edwards, Geoffrey and Edwards, Ryan (2008) The Verdi baritone: studies in the development of dramatic character. Bloomington, Ind: Indiana University Press.
Fairtile, Linda Beard (1999) Giacomo Puccini: a guide to research. New York: Garland Publishing.
Figes, Eva (1970) Patriarchal attitudes: women in society. London: Faber.
Furlotti, N.S. (2010) ‘The Archetypal Drama in Puccini’s Opera Madame Butterfly’, Psychological Perspectives A Quarterly Journal of Jungian Thought, 53(1), pp. 62–70. Available at: https://doi.org/10.1080/00332920903543641.
Kimbell, David R. B. (1994) Italian opera. Cambridge: Cambridge University Press.
Kreuzer, Gundula Katharina (2010) Verdi and the Germans: from unification to the Third Reich. New York, N.Y.: Cambridge University Press.
Levin, David J. (2007) Unsettling opera: staging Mozart, Verdi, Wagner, and Zemlinsky. Chicago: The University of Chicago Press.
Mallach, Alan (2002) Pietro Mascagni and his operas. Boston, Mass: Northeastern University Press.
Martin, George Whitney (1992) Verdi: his music, life, and times. New York: Limelight Editions.
Parker, Roger (2007) The new Grove guide to Verdi and his operas. Oxford: Oxford University Press.
Puccini, Giacomo et al. (2004) ‘Tosca’. Waldron, Heathfield, East Sussex: Opus Arte.
Puccini, Giacomo et al. (2011) ‘Madama Butterfly: tragedia giapponese in tre atti (da John L. Long e David Belasco)’. [Germany]: ArtHaus Musik.
Said, Edward W. (2003a) Orientalism. London: Penguin Books.
Said, Edward W. (2003b) Orientalism. London: Penguin Books.
Senici, Emanuele (2005) Landscape and gender in Italian opera: the Alpine virgin from Bellini to Puccini. New York: Cambridge University Press.
Targioni-Tozzetti, Giovanni et al. (2008a) ‘Cavalleria rusticana: opera in one act’. Hamburg: Deutsche Grammophon.
Targioni-Tozzetti, Giovanni et al. (2008b) ‘Cavalleria rusticana: opera in one act’. Hamburg: Deutsche Grammophon.
Trimble, Michael R. (2012) Why humans like to cry: tragedy, evolution and the brain. Oxford: Oxford University Press.
Verdi, Giuseppe et al. (2007) ‘Nabucco’. [London?]: Decca.
Weinman, J.J. (no date) ‘Poor Puccini!’, Maclean’s, 121(7), pp. 59–60. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=buh&AN=30045073&site=ehost-live.
Wilson, Alexandra and American Council of Learned Societies (2007a) The Puccini problem: opera, nationalism and modernity [electronic resource]. Cambridge, UK: Cambridge University Press. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.07662.
Wilson, Alexandra and American Council of Learned Societies (2007b) The Puccini problem: opera, nationalism and modernity [electronic resource]. Cambridge, UK: Cambridge University Press. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.07662.