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Deffebach, N. (2015) María Izquierdo & Frida Kahlo: challenging visions in modern Mexican art. First edition. Austin, Texas: University of Texas Press.
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Joyce Tolliver (1992) ‘“Otro modo de ver:” The Gaze in La última niebla’, Revista Canadiense de Estudios Hispánicos, 17(1), pp. 105–121. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/27762979.
Kahlo, F. et al. (2005) The diary of Frida Kahlo: an intimate self-portrait. 2005 ed. New York: Harry N. Abrams.
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Lucía Guerra Cunningham (1992) ‘La marginalidad subversiva del deseo en la “La última niebla” de María Luisa Bombal’, Hispamérica, (62), pp. 53–63. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/20539639.
Mahon, A. (2013) ‘La Feminité triomphante: Surrealism, Leonor Fini, and the Sphinx’, Dada surrealism, 19(1). Available at: http://ir.uiowa.edu/cgi/viewcontent.cgi?article=1274&context=dadasur.
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Moi, T. (2002) Sexual/textual politics: feminist literary theory. 2nd ed. London: Routledge.
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Quance, R. (2009) ‘Norah Borges en la vanguardia: entre vírgenes y sirenas’, Romance Studies, 27(1), pp. 1–10. Available at: https://doi.org/10.1179/174581509X397984.
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Ros, X. de and Hazbun, G. (eds) (2014) A companion to Spanish women’s studies. Paperback edition. Woodbridge, Suffolk: Tamesis.
Shaw, L. and Dennison, S. (2005) Latin American cinema: essays on modernity, gender and national identity. Jefferson, N.C.: McFarland & Company.
Spacks, P.A.M. (1976) The female imagination: a literary and psychological investigation of women’s writing. London: Allen and Unwin.
STEPHEN M. HART (2002) ‘Bemberg’s Winks and Camila’s Sighs: Melodramatic Encryption in Camila’, Revista Canadiense de Estudios Hispánicos, 27(1), pp. 75–85. Available at: http://www.jstor.org/stable/27763815?seq=1#page_scan_tab_contents.
Stevens, D.F. (1997) Based on a true story: Latin American history at the movies. Lanham, Md: SR Books.
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