Adams, M.I. (1975) Three authors of alienation: Bombal, Onetti, Carpentier. Austin: University of Texas Press.
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BADDELEY, O. (1991) ‘“Her Dress Hangs Here”: De-Frocking the Kahlo Cult’, Oxford Art Journal, 14(1), pp. 10–17. Available at: https://doi.org/10.1093/oxartj/14.1.10.
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Brenda Frazier (1973) La mujer en el teatro de Federico García Lorca. Madrid: Playor.
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Butler, J. and Dawson Books (2006) Gender trouble: feminism and the subversion of identity [electronic resource]. New York, NY: Routledge. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203902752.
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Cynthia Duncan (1998) ‘Reading Power: Some Observations on the Construction of Meaning and Authority in María Luisa Bombal’s “La última niebla”’, Revista Hispánica Moderna, (2), pp. 304–316. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/30203524.
Deffebach, N. (2015) María Izquierdo & Frida Kahlo: challenging visions in modern Mexican art. First edition. Austin, Texas: University of Texas Press.
Dexter, E. et al. (2005) Frida Kahlo. London: Tate Publishing.
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Domínguez Miranda, C.M. (no date) ‘La identidad femenina en La última niebla’, La Colmena, 78, pp. 37–44. Available at: http://lacolmena.uaemex.mx/index.php/lacolmena/article/view/507.
Drucker, M. and Kahlo, F. (1995) Frida Kahlo. University of New Mexico Press paperbound ed. Albuquerque: University of New Mexico Press.
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Ellmann, M. (1979) Thinking about women. London: Virago.
ESPINOSA H., P. (2005) ‘La última niebla de María Luisa Bombal: excentricidad, desacato y eroticidad en el devenir identitario femenino’, Acta literaria [Preprint], (31). Available at: https://doi.org/10.4067/S0717-68482005000200002.
ESTELA ERAUSQUIN (2002) ‘María Luisa Bemberg’s Revolt’, Revista Canadiense de Estudios Hispánicos, 27(1), pp. 45–57. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/27763813.
Fernandez-Cifuentes, L. (1984) ‘Yerma: Anatomia de una transgresion’, MLN, 99(2). Available at: https://doi.org/10.2307/2906189.
Ferris, J.L.V. (2004) Maruja Mallo: la gran transgredora del 27. Madrid: Temas de hoy.
Flax, J. (1978) ‘The Conflict between Nurturance and Autonomy in Mother-Daughter Relationships and within Feminism’, Feminist Studies, 4(2). Available at: https://doi.org/10.2307/3177468.
Fuentes, Y. and Parker, M.R. (2006) Leading ladies: mujeres en la literatura hispana y en las artes. Baton Rouge, La: Louisiana State University Press.
Gatto, T. (2008) ‘Griselda Gambaro, De Profesión Maternal o la subjetividad nómade’, Telón de fondo, 7. Available at: http://www.telondefondo.org/numeros-anteriores/numero7/articulo/135/griselda-gambaro-de-profesion-maternal-o-la-subjetividad-nomade.html.
Jonathan Gottschall, Elizabeth Allison, Jay De Rosa and Kaia Klockeman (2006) ‘Can Literary Study Be Scientific?: Results of an Empirical Search for the Virgin/Whore Dichotomy’, Interdisciplinary Literary Studies, 7(2), pp. 1–17. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/41209939.
Joyce Tolliver (1992) ‘“Otro modo de ver:” The Gaze in La última niebla’, Revista Canadiense de Estudios Hispánicos, 17(1), pp. 105–121. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/27762979.
Kahlo, F. et al. (2005) The diary of Frida Kahlo: an intimate self-portrait. 2005 ed. New York: Harry N. Abrams.
King, J., Whitaker, S. and Bosch, R. (2000) An Argentine passion: María Luisa Bemberg and her films. London: Verso.
Kostopulos-Cooperman, C. (1988) The lyrical vision of Maria Luisa Bombal. London: Tamesis Books.
Lauter, E. (1984) Women as mythmakers: poetry and visual art by twentieth-century women. Bloomington: Indiana University Press.
Lucía Guerra Cunningham (1992) ‘La marginalidad subversiva del deseo en la “La última niebla” de María Luisa Bombal’, Hispamérica, (62), pp. 53–63. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/20539639.
Magnarelli, S. (2008) Home is where the (he)art is: the family romance in late twentieth-century Mexican and Argentine theater. Lewisburg: Bucknell University Press.
Mahon, A. (2013) ‘La Feminité triomphante: Surrealism, Leonor Fini, and the Sphinx’, Dada surrealism, 19(1). Available at: http://ir.uiowa.edu/cgi/viewcontent.cgi?article=1274&context=dadasur.
Mangini González, S. and Mallo, M. (2010) Maruja Mallo and the Spanish avant-garde. Farnham, Surrey: Ashgate.
Mayayo, P. (2008) Frida Kahlo: contra el mito. Madrid: C⡴edra.
McDermid, P. (2007) Love, desire and identity in the theatre of Federico García Lorca. Woodbridge: Tamesis.
Miller, B.K. (1983) Women in Hispanic literature: icons and fallen idols. Berkeley: University of California Press.
Moi, T. (1999) What is a woman?: and other essays. Oxford: Oxford University Press.
Moi, T. (2002) Sexual/textual politics: feminist literary theory. 2nd ed. London: Routledge.
Neumann, E. (1963) The great mother: an analysis of the archetype. 2nd ed. Princeton, N.J.: Princeton University Press.
Nora Glickman (2002) ‘De “La malasangre” a “De profesión maternal”: Griselda Gambaro y el incómodo vaivén entre hija y madre’, Revista Hispánica Moderna, (2), pp. 435–446. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/30203716.
Orozco Vera, Ma.J. (1995) La narrativa femenina chilena, (1923-1980): escritura y enajenación. Zaragoza: Anubar Ediciones.
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Pick, Z.M. (1993) The new Latin American cinema: a continental project. Austin, Tex: University of Texas Press.
Pilar Nieva-de la Paz (2008) ‘Identidad femenina, maternidad y moral social: “Yerma” (1935), de Federico García Lorca’, Anales de la literatura española contemporánea, 33(2), pp. 373–394. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/27742558.
Post-Franco: the films of  Pedro Almodovar, Vernon: postmodern (1995). Westport: Greenwood Pr.
Rich, A.C. (1977) Of woman born: motherhood as experience and institution. London: Virago.
Richard K. Curry (1992) ‘La estructuración del discurso fílmico en “Camila” de María-Luisa Bemberg: “filtros”’, Letras Femeninas, 18(1), pp. 11–23. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/23022569.
Shaw, D. (2000) ‘Men in High Heels: The Feminine Man and Performances of Femininity in Tacones lejanos by Pedro Almodóvar’, Journal of Iberian and Latin American Studies, 6(1), pp. 55–62. Available at: https://doi.org/10.1080/13507490050020950.
Shaw, L. and Dennison, S. (2005) Latin American cinema: essays on modernity, gender and national identity. Jefferson, N.C.: McFarland & Company.
Smith, P.J. (1998) The theatre of García Lorca: text, performance, psychoanalysis. Cambridge: Cambridge University Press.
Soufas, C.C. (1996) Audience and authority in the modernist theater of Federico García Lorca. Tuscaloosa: University of Alabama Press.
Spacks, P.A.M. (1976) The female imagination: a literary and psychological investigation of women’s writing. London: Allen and Unwin.
STEPHEN M. HART (2002) ‘Bemberg’s Winks and Camila’s Sighs: Melodramatic Encryption in Camila’, Revista Canadiense de Estudios Hispánicos, 27(1), pp. 75–85. Available at: http://www.jstor.org/stable/27763815?seq=1#page_scan_tab_contents.
Stevens, D.F. (1997) Based on a true story: Latin American history at the movies. Lanham, Md: SR Books.
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Tibol, R. (1993) Frida Kahlo: an open life. Albuquerque: University of New Mexico Press.
Tumanov, V. (2011) ‘Mary Versus Eve: Paternal Uncertainty and the Christian View of Women’, Neophilologus, 95(4), pp. 507–521. Available at: https://doi.org/10.1007/s11061-011-9253-5.
Van Buren, J.S. (1989) The modernist madonna: semiotics of the maternal metaphor. Bloomington: Indiana University Press.
Warner, M. (2000) Alone of all her sex: the myth and cult of the Virgin Mary. London: Vintage.
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Webb, P. and Fini, L. (2009) Sphinx: the life and art of Leonor Fini. New York: Vendome Press.
Wolf, N. (1998) Promiscuities: a secret history of female desire. London: Vintage.
Woolf, V. (2004) A room of one’s own. London: Penguin Books.
Zanetta, M.A. (2006) La otra cara de la vanguardia: estudio comparativo de la obra artística de Maruja Mallo, Ángeles Santos y Remedios Varo. Lewiston, N.Y.: Edwin Mellen Press.