‘Aspectos Del Deseo En La Obra de Carlos Fuentes’. 1991, no. 34: 107–18. http://digitalcommons.providence.edu/cgi/viewcontent.cgi?article=1539&context=inti.
Barrenechea, Ana Mariá, and Robert Lima. 1965. Borges: The Labyrinth Maker. New York: N. Y. Univ.
Bell, Michael. 1997. ‘The “Fuentes” of Fuentes and the Aura of “Aura”: Carlos Fuentes’ Up-Dating of a Cervantian Theme’, no. 45: 105–14. http://digitalcommons.providence.edu/cgi/viewcontent.cgi?article=1959&context=inti.
Bell-Villada, Gene H. 1981. Borges and His Fiction: A Guide to His Mind and Art. Chapel Hill: University of North Carolina Press.
Boldy, Steven. 2009. A Companion to Jorge Luis Borges. Vol. 277. Woodbridge: Tamesis.
Callan, Richard J. 1971. ‘The Jungian Basis of Carlos Fuentes’ Aura’. Kentucky Romance Quarterly 18 (1): 65–75. https://doi.org/10.1080/03648664.1971.9927951.
Davies, Catherine. 2002. The Companion to Hispanic Studies. London: Arnold.
Dove, Patrick. 2000. ‘Visages of the Other: On a Phantasmatic Recurrence in Borges’ “El Sur”’. Latin American Literary Review 28 (56). http://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/20119835.
———. 2004. The Catastrophe of Modernity: Tragedy and the Nation in Latin American Literature. Lewisburg: Bucknell University Press.
Edwards, Gwynne. 2001. Almodóvar: Labyrinths of Passion. London: Peter Owen.
Epps, Bradley S., and Despina Kakoudaki. 2009. All about Almodóvar: A Passion for Cinema. Minneapolis, MN: University of Minnesota Press.
Fama, Antonio. n.d. ‘Desire as a Mimetic Form in “El Sur” by Jorge Luis Borges’. Revista de Estudios Hispánicos 16: 61–88. http://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/1300116314?pq-origsite=summon.
Faris, Wendy B. 1983. Carlos Fuentes. Vol. Literature and life series. New York: F. Ungar Pub. Co.
Ferro Sardi, Natalia. 2008. ‘Expectativas, Vacíos y Desilusiones: Una Aproximación al Film Historias Mínimas (2002) de Carlos Sorín’. Konvergencias: Revista de Filosofia y Culturas En Dialogo, no. 9. http://www.konvergencias.net/nataliaferro118.pdf.
Fuentes, Carlos. 2011. Aura. Edited by Peter Standish. 1st digital paperback edition. Vol. Durham modern languages series. Manchester: Manchester University Press.
García Márquez, Gabriel. 2008. Cronica de Una Muerte Anunciada. Vol. Contemporánea. Barcelona: Debolsillo.
Ibsen, Kristine. 1993. Author, Text, and Reader in the Novels of Carlos Fuentes. Vol. Currents in comparative romance languages and literatures. New York: P. Lang.
Keen, Benjamin, and Keith Haynes. 2009. A History of Latin America. 8th International ed. Belmont, Calif: Wadsworth CENGAGE Learning.
Martin, Gerald. 2012. The Cambridge Introduction to Gabriel García Márquez. Vol. Cambridge Introductions to Literature. Cambridge: Cambridge University Press. http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.1017/CBO9780511843549.
Mellen, Joan. 1999. Gabriel García Márquez. Vol. Literary masters. Detroit, Mich: Gale.
Michael  Sofair. 2001. ‘All About My Mother’. Film Quarterly 55 (2): 40–47. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/10.1525/fq.2001.55.2.40.
Molloy, Sylvia, and Oscar Montero. 1994. Signs of Borges. Durham: Duke University Press.
Nouzeilles, Gabriela. 1999. ‘Patagonia as Borderland: Nature, Culture, and the Idea of the State’. Journal of Latin American Cultural Studies 8 (1): 35–48. https://doi.org/10.1080/13569329909361947.
Pastor, Brigida M. and Universidade de São Paulo. 2002. Transmutaciones de Género En El Cine de Almodóvar: Mujeres al Borde de Un Ataque de Nervios. Vol. Cuadernos de recienvenidos. São Paulo: Universidade de Sao Paulo, Faculdade de Filosofia, Letras e Ciências Humanas, Departamento de Letras Modernas.
Pelayo, Rubén and Ebooks Corporation Limited. 2001a. Gabriel García Márquez: A Critical Companion. Westport, Connecticut: Greenwood Press. http://GLA.eblib.com/patron/FullRecord.aspx?p=3000510.
———. 2001b. Gabriel García Márquez: A Critical Companion. Westport, Connecticut: Greenwood Press. http://GLA.eblib.com/patron/FullRecord.aspx?p=3000510.
Rocha, Carolina. 2013. ‘Men on the Move: Historias Mínimas and Lugares Comunes’. Bulletin of Spanish Studies 90 (3): 375–89. https://doi.org/10.1080/14753820.2013.784044.
Rodoreda, Mercè, and Enrique Sordo. 2009. La Plaza Del Diamante. Vol. 36. Barcelona: Edhasa.
Saona, Margarita. 2002. ‘Borges, “El Sur” Y La Nación Imaginada’. INTI, no. 55. http://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/23287947.
Smith, Paul Julian. 1994. Desire Unlimited: The Cinema of Pedro Almodóvar. Vol. Critical studies in Latin American and Iberian cultures. London: Verso.
Swanson, Philip. 2010. The Cambridge Companion to Gabriel García Márquez. Vol. Cambridge Companions to Literature. Cambridge: Cambridge University Press. http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL9780521867498.
Tedio, Guillermo. n.d. ‘Borges y El Sur: Entre Gauchos y Compadritos’. Espéculo. Revista de Estudios Literarios. 14. https://webs.ucm.es/info/especulo/numero14/bor_gauc.html.
Tranchini, Elina. 2010. ‘El Imaginario Literario Argentino Sobre El Mítico Sur En El                            Patagónico’. Romance Quarterly 57 (4): 257–72. https://doi.org/10.1080/08831157.2010.496344.
Waisman, Sergio. 2003. ‘The Thousand and One Nights in Argentina: Translation, Narrative, and Politics in Borges, Puig, and Piglia’. Comparative Literature Studies 40 (4). http://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/40247403.
Williamson, Edwin. 1992. The Penguin History of Latin America. London: Allen Lane, The Penguin Press.
———. 2004. Borges, a Life. New York: Viking.