Acevedo-Muñoz, Ernesto (2004) ‘Sex, Class, and Mexico in Alfonso Cuarón’s “Y Tu Mamá También”’, Film & History, 34(1), pp. 39–48. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/2149996/fulltextPDF/FBF9147B4A1E40C7PQ/1?accountid=14540.
Baer, H. and Long, R.F. (2004) ‘Transnational Cinema and the Mexican State in Alfonso Cuaron’s Y tu mama tambien’, South Central Review, 21(3), pp. 150–168. Available at: https://doi.org/10.1353/scr.2004.0031.
Bellour, R. and Penley, C. (2000) The analysis of film. Bloomington: Indiana University Press.
Catherine Davies (1996) ‘Recent Cuban Fiction Films: Identification, Interpretation, Disorder’, Bulletin of Latin American Research, 15(2), pp. 177–192. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/3339505.
Cine-Lit (2000) Cine-Lit 2000: essays on Hispanic film and fiction. Corvallis, OR: Cine-Lit Publications, Department of Foreign Languages and Literatures, Oregon State University.
Dawson Books (2007a) Contemporary Latin American cinema: breaking into the global market. Edited by D. Shaw. Lanham, Maryland: Rowman & Littlefield Publishers, Inc. Available at: https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780742575097.
Dawson Books (2007b) Contemporary Latin American cinema: breaking into the global market. Edited by D. Shaw. Lanham, Maryland: Rowman & Littlefield Publishers, Inc. Available at: https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780742575097.
Delgado, M.M., Hart, S.M. and Johnson, R. (eds) (2017) A companion to Latin American cinema. Hoboken, New Jersey: John Wiley & Sons, Inc.
Donapetry, M. (2006) ‘And Your Motherland Too: The Body of the Spanish Woman in Y Tu Mamá También (And Your Mother Too)’, Chasqui, 35. Available at: https://doi.org/10.2307/29742151.
El espacio utópico como medio catalizador de la sexualidad masculina y la lucha de clases en Y tu mamá también (no date) Ciberletras. Available at: http://www.lehman.cuny.edu/ciberletras/v11/serna.html.
Elena, A. and Díaz López, M. (2003) The cinema of Latin America. London: Wallflower.
Enrico Mario Santí (1998) ‘“Fresa y Chocolate”: The Rhetoric of Cuban Reconciliation’, MLN, 113(2), pp. 407–425. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/3251482.
Foster, D.W. (2003) ‘Negociaciones queer en Fresa y Chocolate: Ideología y homoerotismo’, Revista Iberoamericana, 69(205), pp. 985–999. Available at: https://doi.org/10.5195/REVIBEROAMER.2003.5632.
Geiger, J. and Rutsky, R.L. (2005) Film analysis: a Norton reader. 1st ed. New York: W.W. Norton.
Hart, S.M. (2004) A companion to Latin American film. Rochester, N.Y.: Tamesis.
Hodgin, N. and Thakkar, A. (eds) (2017) Scars and wounds: film and legacies of trauma. Basingstoke: Palgrave Macmillan.
Hortiguera, H. (2012) ‘Después de la globalización, la destrucción de lo social en dos filmes argentinos: Las viudas de los jueves y Carancho’, Letras Hispanas, 8(1). Available at: http://www.modlang.txstate.edu/letrashispanas/previousvolumes/vol8-1.html.
Igler, S. and Stauder, T. (eds) (2008) Negociando identidades, traspasando fronteras: tendencias en la literatura y el cine mexicanos en torno al nuevo milenio. Madrid: Iberoamericana.
Kokalov, A.I. (2008) ‘La imagen artística de Gael García Bernal: Dimensiones de la masculinidad’, Hispanic Journal, 29(2), pp. 141–155. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/44287587.
Lema-Hincapié, A. and Castillo, D.A. (eds) (2015) Despite all adversities: Spanish-American queer cinema. Albany: SUNY Press.
Leung, H.H.-S. (2016) ‘Always in Translation’, TSQ: Transgender Studies Quarterly, 3(3–4), pp. 433–447. Available at: https://doi.org/10.1215/23289252-3545143.
Lorena Cuya Gavilano (2011) ‘Ser para otro: Máscaras, Fresa y Chocolate y la retórica de la metáfora homosexual’, Bulletin of Hispanic Studies, 88(7). Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/911180995?pq-origsite=summon.
María Josefina Saldaña-Portillo (2005) ‘In the Shadow of NAFTA: “Y tu mamá también” Revisits the National Allegory of Mexican Sovereignty’, American Quarterly, 57(3), pp. 751–777. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/40068315.
Nadia Lie (2016) ‘Violencia y transnacionalidad en el cine latinoamericano contemporáneo: sobre Carancho (P. Trapero, 2010) y Los bastardos (A. Escalante, 2008) / Violence and Transnationalism in Contemporary Latin-American Cinema: Carancho (P. Trapero, 2010) and Los bastardos (A. Escalante, 2008)’, Secuencias [Preprint], (35). Available at: https://revistas.uam.es/secuencias/article/view/5927.
Nagib, L. and Mello, C. (2009) Realism and the audiovisual media. Basingstoke, Hampshire: Palgrave Macmillan.
Quintanilla, F.Q. (no date) ‘LA LLORONA COMO ESFINGE SUBVERSIVA EN Y TU MAMÁ TAMBIÉN (2002) DE ALFONSO CUARÓN’. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://www.proquest.com/scholarly-journals/la-llorona-como-esfinge-subversiva-en-y-tu-mamá/docview/1553399169/se-2?accountid=14540.
Ribas, A. (2009) ‘“El pinche acentito ese”: deseo transatlántico y exotismo satírico en el cine mexicano del cambio de milenio:                              ,’ Hispanic Research Journal, 10(5), pp. 457–481. Available at: https://doi.org/10.1179/146827309X12541438883067.
Richards, K.J. (2011) Themes in Latin American cinema: a critical survey. Jefferson, N.C.: McFarland & Company. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=771382.
Ryan, M. and Lenos, M. (2012) An introduction to film analysis: technique and meaning in narrative film. New York, NY: Continuum.
Scheman, N. (2016) ‘Looking Back on "Queering the Center”’, TSQ: Transgender Studies Quarterly, 3(1–2), pp. 212–219. Available at: https://doi.org/10.1215/23289252-3334403.
Schroeder, P.A. (2016) Latin American cinema: a comparative history. Oakland, California: University of California Press.
Shaw, D. (2003) Contemporary cinema of Latin America: ten key films. New York: Continuum.
Slade, A. (no date) Mixing Mourning and Desire: Alfonso Cuarón’s ‘Y Tu Mamá También’. Available at: http://ecommons.udayton.edu/cgi/viewcontent.cgi?article=1031&context=eng_fac_pub.
Smith, P.J. (1996) Vision machines: cinema, literature, and sexuality in Spain and Cuba, 1983-93. London: Verso.
Toscano Alonso, María (2018) ‘Marina Vidal a través del espejo: identidad trans en Una mujer fantástica’. Available at: https://idus.us.es/xmlui/handle/11441/79543.
WILKINSON, S. (1999) ‘Homosexuality and the Repression of Intellectuals in Fresa y chocolate and Máscaras’, Bulletin of Latin American Research, 18(1), pp. 17–33. Available at: https://doi.org/10.1016/S0261-3050(97)00115-0.
Wood, J. (2006) The Faber book of Mexican cinema. London: Faber.