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Allen, R.C. and Gomery, D. (1985) Film history: theory and practice. Boston, MA: McGraw-Hill.
Andrews, H. and Dawson Books (2014) Television and British cinema: convergence and divergence since 1990. Basingstoke, Hampshire: Palgrave Macmillan. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781137311177.
Archibald, D. (2012) ‘“The Angels” Share at the Cannes Film Festival’, NECSUS: European Journal of Media Studies [Preprint], (Autumn). Available at: http://www.necsus-ejms.org/angelsshare2012cannes_1339/.
Barratt, J. (2010) On sustainability: UK film policy after the UK Film Council | Bigger Picture Research. Available at: http://www.biggerpictureresearch.net/2010/12/on-sustainability-uk-film-policy-after-the-uk-film-council.html.
Basu, P. (2007) Highland homecomings: genealogy and heritage tourism in the Scottish diaspora. London: Routledge.
Bell, K. (2013) ‘"Obvie, We’re the Ladies!”Postfeminism, privilege and HBO’s newest Girls.’, Feminist Media Studies, 13(2), pp. 363–366. Available at: https://doi.org/10.1080/14680777.2013.771886.
Berlant, L. (2007) ‘Nearly Utopian, Nearly Normal: Post-Fordist Affect in La Promesse and Rosetta’, Public Culture, 19(2), pp. 273–301. Available at: https://doi.org/10.1215/08992363-2006-036.
Berridge, S. (2010) Serialised sexual violence in teen television drama series [electronic resource]. Available at: http://theses.gla.ac.uk/2326/.
Bordwell, D. and Thompson, K. (2013a) Film art: an introduction. 10th international ed. New York, N.Y.: McGraw-Hill.
Bordwell, D. and Thompson, K. (2013b) Film art: an introduction. 10th international ed. New York, N.Y.: McGraw-Hill.
Boym, S. (2001) The future of nostalgia. New York, N.Y.: Basic Books.
Brunson, C. (1990) ‘Problems with quality’, Screen, 31(1), pp. 67–90. Available at: https://doi.org/10.1093/screen/31.1.67.
Caldwell, J.T. and Dawson Books (2008) Production culture: industrial reflexivity and critical practice in film and television [electronic resource]. Durham, NC: Duke University Press. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780822388968.
Chambers, J. (2014) ‘“On the Side of the Angels?”: Ken Loach, The Angels’ Share, and the pursuit of new forms of politically-engaged cinema’, International Journal of Scottish Theatre and Screen, 7(1), pp. 45–69. Available at: http://journals.qmu.ac.uk/index.php/IJOSTS/article/view/184/pdf_18.
Christie, I. (ed.) (2012) Audiences: defining and researching screen entertainment reception. Amsterdam: Amsterdam University Press. Available at: http://oapen.org/search?identifier=433954.
Cooper, S. (2007) ‘Mortal Ethics: Reading Levinas with the Dardenne Brothers’, Film-Philosophy, 11(2). Available at: http://www.film-philosophy.com/index.php/f-p/article/view/88/73.
Couldry, N., McCarthy, A., and Dawson Books (2004) MediaSpace: place, scale, and culture in a media age [electronic resource]. London: Routledge. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203010228.
Creekmur, C.K. (no date) ‘Compilation and Found-Footage Traditions’, [in]Transition [Preprint]. Available at: http://mediacommons.futureofthebook.org/intransition/2014/06/28/compilation-and-found-footage-traditions.
Curran, J. and Gurevitch, M. (2005) Mass media and society. 4th ed. London: Hodder Arnold.
Daalmans, S. (2013) ‘"I’m Busy Trying to Become Who I Am”: Self-entitlement and the city in HBO’s Girls.’’, Feminist Media Studies, 13(2), pp. 359–362. Available at: https://doi.org/10.1080/14680777.2013.771881.
Deamer, D. and Ebooks Corporation Limited (2014) Deleuze, Japanese cinema, and the atom bomb: the spectre of impossibility. New York: Bloomsbury. Available at: http://gla.eblib.com/patron/FullRecord.aspx?p=1718523.
DeCarvalho, L.J. (2013) ‘Hannah and Her Entitled Sisters: (Post)feminism, (post)recession, and’, Feminist Media Studies, 13(2), pp. 367–370. Available at: https://doi.org/10.1080/14680777.2013.771889.
Dickinson, M. and Harvey, S. (2005) ‘Film Policy in the United Kingdom: New Labour at the Movies’, The Political Quarterly, 76(3), pp. 420–429. Available at: https://doi.org/10.1111/j.1467-923X.2005.00701.x.
Donnelly, K.J. (2002) ‘Tracking British Television: Pop Music as Stock Soundtrack to the Small Screen’, Popular Music, 21(3), pp. 331–343. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/853722.
Easthope, A. (1988) British post-structuralism since 1968. London: Routledge.
Ebooks Corporation Limited (2008) International business and tourism: global issues, contemporary interactions. Edited by T. Coles and C.M. Hall. Abingdon, Oxon: Routledge. Available at: http://GLA.eblib.com/patron/FullRecord.aspx?p=327292.
Ellis, J. (1978) ‘Art, Culture and Quality Terms for a Cinema in the Forties and Seventies’, Screen, 19(3), pp. 9–50. Available at: https://doi.org/10.1093/screen/19.3.9.
Fuller-Seeley, K.H. and American Council of Learned Societies (2008) Hollywood in the neighborhood: historical case studies of local moviegoing [electronic resource]. Berkeley: University of California Press. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.08082.
Galt, R., Schoonover, K., and Dawson Books (2010) Global art cinema: new theories and histories [electronic resource]. Oxford: Oxford University Press. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780199726295.
Gauthier, P. (2014) ‘What will film studies be? Film caught between the television revolution and the digital revolution’, New Review of Film and Television Studies, 12(3), pp. 229–233. Available at: https://doi.org/10.1080/17400309.2014.942065.
Geraghty, C. (2003) ‘Aesthetics and Quality in Popular Television Drama’, International Journal of Cultural Studies, 6(1), pp. 25–45. Available at: https://doi.org/10.1177/1367877903006001002.
Grant, C. (no date a) Video Essays and Scholarly Remix: Film Scholarship’s Emergent Forms - Audiovisual Film Studies, Pt 2 (Film Studies For Free). Available at: http://filmstudiesforfree.blogspot.co.uk/2012/03/video-essays-and-scholarly-remix-film.html.
Grant, C. (no date b) Video Essays on Films: A Multiprotagonist Manifesto (Film Studies For Free). Available at: http://filmstudiesforfree.blogspot.co.uk/2009/07/video-essays-on-films-multiprotagonist.html.
Grant, C. and Keathley, C. (no date) ‘The Use of an Illusion : Childhood cinephilia, object relations, and videographic film studies’, Photogénie [Preprint]. Available at: http://www.photogenie.be/photogenie_blog/article/use-illusion.
Grdešić, M. (2013) ‘"I’m Not the Ladies!”: Metatextual commentary in Girls.’’, Feminist Media Studies, 13(2), pp. 355–358. Available at: https://doi.org/10.1080/14680777.2013.771878.
Griffiths, T. and Ebooks Corporation Limited (2012) The cinema and cinema-going in Scotland, 1896-1950. Edinburgh: Edinburgh University Press. Available at: http://GLA.eblib.com/patron/FullRecord.aspx?p=1126577.
Hallam, J. (2010) ‘Film, space and place: researching a city in film’, New Review of Film and Television Studies, 8(3), pp. 277–296. Available at: https://doi.org/10.1080/17400309.2010.499768.
Higson, A. (1989) ‘The Concept of National Cinema’, Screen, 30(4), pp. 36–47. Available at: https://doi.org/10.1093/screen/30.4.36.
Hill, J. (2012) ‘“This is for the Batmans as well as the Vera Drakes” : Economics, Culture and UK Government Film Production Policy in the 2000s’, Journal of British Cinema and Television, 9(3), pp. 333–356. Available at: https://doi.org/10.3366/jbctv.2012.0094.
Hills, M. (2011) ‘Listening from behind the sofa? The (un)earthly roles of sound in BBC Wales’’, New Review of Film and Television Studies, 9(1), pp. 28–41. Available at: https://doi.org/10.1080/17400309.2011.521716.
Hinck, A. (no date) Framing the Video Essay as Argument. Available at: http://www.teachingmedia.org/framing-the-video-essay-as-argument/.
Ince, K. (2008) Five directors: auteurism from Assayas to Ozon. Manchester: Manchester University Press.
Indiegogo: Crowdfund to make your Film idea a reality (no date). Available at: https://www.indiegogo.com/explore#/browse/film?quick_filter=trending&location=everywhere&project_type=all&percent_funded=all&goal_type=all&more_options=false&status=all.
Iordanova, D. and Cheung, R. (2010a) Film festivals and imagined communities. St. Andrews: St Andrews Film Studies.
Iordanova, D. and Cheung, R. (2010b) Film festivals and imagined communities. St. Andrews: St Andrews Film Studies.
Jacobs, J. (2001) ‘Issues of judgement and value in television studies’, International Journal of Cultural Studies, 4(4), pp. 427–447. Available at: https://doi.org/10.1177/136787790100400404.
Jacobs, J., Peacock, S., and Ebooks Corporation Limited (2013a) Television aesthetics and style [electronic resource]. New York, NY: Bloomsbury Academic. Available at: http://www.GLA.eblib.com/patron/FullRecord.aspx?p=1224263.
Jacobs, J., Peacock, S., and Ebooks Corporation Limited (2013b) Television aesthetics and style [electronic resource]. New York, NY: Bloomsbury Academic. Available at: http://www.GLA.eblib.com/patron/FullRecord.aspx?p=1224263.
Jelin, E. (2003) State repression and the struggles for memory. London: Latin America Bureau.
Jensen, K.B. (2012) A handbook of media and communication research: qualitative and quantitative methodologies. 2nd ed. London: Routledge.
‘Journal of British Cinema and Television - Special issue: “Good television”’ (2006), 3(1). Available at: http://www.euppublishing.com.ezproxy.lib.gla.ac.uk/toc/jbctv/3/1.
Kelly, L.W. (2015) ‘Professionalising the British film industry: the UK Film Council and public support for film production’, International Journal of Cultural Policy, pp. 1–16. Available at: https://doi.org/10.1080/10286632.2015.1015532.
Kickstarter - Discover Project Film & Video / Documentary (no date). Available at: https://www.kickstarter.com/discover/categories/documentary.
Klevan, A. and Clayton, A. (2011) The language and style of film criticism. Abingdon, Oxon: Routledge.
Klinger, B. (1997) ‘Film history terminable and interminable: recovering the past in reception studies’, Screen, 38(2), pp. 107–128. Available at: https://doi.org/10.1093/screen/38.2.107.
Lavik, E. (no date) ‘The Video Essay: The Future of Academic Film and Television Criticism? | Frames Cinema Journal’, Frames cinema journal [Preprint], (1). Available at: http://framescinemajournal.com/article/the-video-essay-the-future/.
Lee, K.B. (no date a) ‘Elements of the Essay Film’. Available at: https://vimeo.com/90150897.
Lee, K.B. (no date b) Video essay: The essay film - some thoughts of discontent | Sight & Sound | BFI. Available at: http://www.bfi.org.uk/news-opinion/sight-sound-magazine/features/deep-focus/video-essay-essay-film-some-thoughts.
Lotz, A.D. (2001) ‘Postfeminist Television Criticism: Rehabilitating Critical Terms and Identifying Postfeminist Attributes’, Feminist Media Studies, 1(1), pp. 105–121. Available at: https://doi.org/10.1080/14680770120042891.
Lovink, G., Tkacz, N. and de Vries, P. (2015) MoneyLab Reader: An Intervention in Digital Economy. Institute of Network Cultures. Available at: http://networkcultures.org/blog/publication/moneylab-reader-an-intervention-in-digital-economy/.
Lury, K. (2005a) Interpreting television. London: Hodder Arnold.
Lury, K. (2005b) Interpreting television. London: Hodder Arnold.
Magor, M. and Schlesinger, P. (2009) ‘“For this relief much thanks.” Taxation, film policy and the UK government’, Screen, 50(3), pp. 299–317. Available at: https://doi.org/10.1093/screen/hjp017.
Mai, J. (2010) Jean-Pierre and Luc Dardenne. Urbana, IL: University of Illinois Press.
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McCabe, J. and Akass, K. (2007) Quality TV: contemporary american television and beyond. London: I.B. Tauris.
McLoone, M. and Hill, J. (1996) Big picture, small screen: the relations between film and television. Luton: University of Luton Press.
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Mellencamp, P. and NetLibrary, Inc (1990) Logics of television: essays in cultural criticism [electronic resource]. Bloomington, Ind: Indiana University Press. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://www.netlibrary.com/urlapi.asp?action=summary&v=1&bookid=599.
Monteiro, M.C. et al. (2013) Além dos limites : ensaios para o século XXI. Rio de Janeiro: EdUERJ.
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Musser, C. (1979) ‘The Early Cinema of Edwin Porter’, Cinema Journal, 19(1). Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/1225418.
Nelson, R. (2007) State of play: contemporary ‘high-end’ TV drama [electronic resource]. Manchester: Manchester University Press. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.7228/manchester/9780719073106.001.0001.
Newman, M.Z., Levine, E., and Ebooks Corporation Limited (2012) Legitimating television: media convergence and cultural status [electronic resoucre]. London: Routledge. Available at: http://www.gla.eblib.com/patron/FullRecord.aspx?p=817212.
Nygaard, T. (2013) ‘Girls Just Want to be "Quality”: HBO, Lena Dunham and Girls’ conflicting brand identity.’’, Feminist Media Studies, 13(2), pp. 370–374. Available at: https://doi.org/10.1080/14680777.2013.771891.
Pantenburg, V. (no date) The Wayward Cloud: Instruments of Vision. Pantenburg, Volker. 2014. ‘Instruments of Vision [An interview with Cristina Álvarez López (Spain) and Adrian Martin (Australia) on Audiovisual Essay Work.’ Available at: http://wayward-cloud.blogspot.de/2014/04/instruments-of-vision.html.
Petley, J. (1998) ‘From Brit-flicks to Shit-flicks: The Cost of Public Subsidy’, Journal of popular British cinema, 5(1), pp. 37–52.
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Ruoff, J. (2012a) Coming soon to a festival near you: programming film festivals. St. Andrews: St Andrews Film Studies.
Ruoff, J. (2012b) Coming soon to a festival near you: programming film festivals. St. Andrews: St Andrews Film Studies.
Sampson, B. (no date) ‘Layers of paradox in F For Fake’, [in]Transition [Preprint]. Available at: http://mediacommons.futureofthebook.org/intransition/2014/02/27/layers-paradox-f-fake-benjamin-sampson.
Schlotterbeck, J. (no date) ‘What Happens When Real People Start Getting Cinematic: Laguna Beach and Contemporary T.V. Aesthetics’, Scope : An online journal of film and television studies [Preprint], (12). Available at: http://www.nottingham.ac.uk/scope/documents/2008/october-2008/schlotterbeck.pdf.
Silva, K. and Mendes, K. (2013) ‘Editorial: HBO’s Girls’, Feminist Media Studies, 13(2), pp. 355–355. Available at: https://doi.org/10.1080/14680777.2013.771874.
Sørensen, I.E. (2012) ‘Crowdsourcing and outsourcing: the impact of online funding and distribution on the documentary film industry in the UK’, Media, Culture & Society, 34(6), pp. 726–743. Available at: https://doi.org/10.1177/0163443712449499.
Spanner Films (no date). Available at: http://www.spannerfilms.net/.
Stork, M. (no date) ‘In Touch with the Film Object: Cinephilia, the Video Essay, and Chaos Cinema | Frames Cinema Journal’, Frames Cinema Journal [Preprint], (1). Available at: http://framescinemajournal.com/article/in-touch-with-the-film-object/.
Toulmin, V. and Loiperdinger, M. (2005) ‘Is It You? Recognition, Representation and Response in Relation to the Local Film’, Film History, 17(1), pp. 7–18. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/3815465.
Tzanelli, R. and Dawson Books (2007) The cinematic tourist: explorations in globalization, culture and resistance [electronic resource]. London: Routledge. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203940105.
Urry, J. and Larsen, J. (2011) The tourist gaze 3.0. 3rd ed. Los Angeles, Calif: SAGE. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://knowledge.sagepub.com/view/the-tourist-gaze-3-0-3e/SAGE.xml.
Valck, M. de and Teurlings, J. (2013) After the Break: Television Theory Today. Amsterdam University Press. Available at: https://www.google.co.uk/url?sa=t&rct=j&q=&esrc=s&source=web&cd=1&ved=0CCUQFjAAahUKEwjnwsaOp_nHAhUMoYAKHcj_D3k&url=http%3A%2F%2Fwww.oapen.org%2Fdownload%3Ftype%3Ddocument%26docid%3D445119&usg=AFQjCNHFD7M7wny5y9KGL4mNuUIQ7XLRRA&sig2=hKBtidVL8FckqqN1VImYTA&cad=rja.
Wheatley, H. (2004) ‘The Limits of Television?: Natural History Programming and the Transformation of Public Service Broadcasting’, European Journal of Cultural Studies, 7(3), pp. 325–339. Available at: https://doi.org/10.1177/1367549404044786.
