Aldrich, J. (ed.) (2014) Interdisciplinarity. Oxford University Press. Available at: https://doi.org/10.1093/acprof:oso/9780199331345.001.0001.
Berger, J. (2008) Ways of seeing. London: British Broadcasting Corporation.
Bradley, H. and Dawson Books (2013) Introduction: The concept of Gender [electronic resource]. 2nd ed. Cambridge: Polity. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780745676463.
Butler, J. and Dawson Books (2006) Gender trouble: feminism and the subversion of identity [electronic resource]. New York, NY: Routledge. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203902752.
Butler, J. and Ebooks Corporation Limited (1993) Bodies that matter: on the discursive limits of ‘sex’. New York: Routledge. Available at: http://GLA.eblib.com/patron/FullRecord.aspx?p=1779047.
Case, S.-E. (1996) Split britches: lesbian practice/feminist performance. London: Routledge.
Case, S.-E. (2008) Feminist and queer performance: critical strategies. Basingstoke: Palgrave Macmillan.
Castle, G. (2001) Postcolonial discourses: an anthology. Malden, MA: Blackwell.
Cham, M.B., Bakari, I., and British Film Institute (1996a) African experiences of cinema. London: BFI Publishing.
Cham, M.B., Bakari, I., and British Film Institute (1996b) African experiences of cinema. London: BFI Publishing.
Chicago, J. et al. (1996) Sexual politics: Judy Chicago’s Dinner party in feminist art history. [Los Angeles, CA]: UCLA at the Armand Hammer Museum of Art and Cultural Center in association with University of California Press, Berkeley.
Cornwall, A., International African Institute, and American Council of Learned Societies (2005) Readings in gender in Africa [electronic resource]. Bloomington: Indiana University Press. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.04122.
De Jongh, N. (1992) Not in front of the audience: homosexuality on stage. London: Routledge.
Dolan, J. (2010) Theatre & sexuality. Basingstoke: Palgrave Macmillan.
Eze, E.C. (1998a) African philosophy: an anthology. Malden, Mass: Blackwell Publishers.
Eze, E.C. (1998b) African philosophy: an anthology. Malden, Mass: Blackwell Publishers.
Farmer, S.A., Pasternack, C.B., and American Council of Learned Societies (2003) ‘Introduction’, in Gender and Difference in The Middle Ages. Minneapolis: University of Minnesota Press. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.04421.
Freeman, S. (1997) Putting your daughters on the stage: lesbian theatre from the 1970s to the 1990s. London: Cassell.
Freeman, S. (2014) ‘Gay Sweatshop, Alternative Theatre, and Strategies for New Writing’, New Theatre Quarterly, 30(02), pp. 136–153. Available at: https://doi.org/10.1017/S0266464X14000256.
Freshwater, H. and Ebooks Corporation Limited (2009) Theatre censorship in Britain: silencing, censure and suppression. Basingstoke: Palgrave Macmillan. Available at: http://GLA.eblib.com/patron/FullRecord.aspx?p=485339.
Gale, M.B. and Gardner, V. (2004) Auto/biography and identity: women, theatre, and performance. Manchester: Manchester University Press.
Gaunt, S. (1995) Gender and genre in medieval French literature. Cambridge: Cambridge University Press.
Gibson, D.K. and Biddle, Dr.I. (2016) ‘Music and Masculinity in the Middle Ages’, in Masculinity and Western Musical Practice. London: Taylor & Francis Ltd, pp. 21–39.
Goodman, L. and Ebooks Corporation Limited (1993) Contemporary feminist theatres: to each her own [electronic resource]. London: Routledge. Available at: http://www.GLA.eblib.com/EBLWeb/patron/?target=patron&extendedid=E_420116_0.
Grange, H. (2011) ‘A musico-literary comment on Bernart de Ventadorn’s Qan vei la laudeta mover’, Glossator, 4, pp. 81–100. Available at: https://solutioperfecta.files.wordpress.com/2011/10/g4-grange.pdf.
Greer, S. (2012) Contemporary British queer performance [electronic resource]. Basingstoke: Palgrave Macmillan. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://www.palgraveconnect.com/doifinder/10.1057/9781137027337.
Guneratne, A.R. and Dissanayake, W. (2003) Rethinking Third Cinema. New York, N.Y.: Routledge. Available at: http://gla.eblib.com/patron/FullRecord.aspx?p=182182.
Harris, G. (2002) ‘Double Acts, Theatrical Couples, and Split Britches’ “Double Agency”’, New Theatre Quarterly, 18(3), pp. 211–221. Available at: https://doi.org/10.1017/S0266464X02000301.
Hopkins, D. (1992) ‘QUESTIONING DADA’S POTENCY: PICABIA’S “LA SAINTE VIERGE” AND THE DIALOGUE WITH DUCHAMP’, Art History, 15(3), pp. 317–333. Available at: https://doi.org/10.1111/j.1467-8365.1992.tb00491.x.
Hopkins, D. (2003) ‘“Out of it”: drunkenness and ethics in Martha Rosler and Gillian Wearing’, Art History, 26(3), pp. 340–363. Available at: https://doi.org/10.1111/j.0141-6790.2003.02603002.x.
Hopkins, D. (2007) Dada’s boys: masculinity after Duchamp. New Haven, Conn: Yale University Press.
Hutchinson, J. and Smith, A.D. (1994a) Nationalism. Oxford: Oxford University Press.
Hutchinson, J. and Smith, A.D. (1994b) Nationalism. Oxford: Oxford University Press.
Institute of Contemporary Arts (London, England) (17AD) Bad girls. Institute of Contemporary Arts, 1994. Available at: https://books.google.co.uk/books?id=rNFTAAAAMAAJ&q=I.C.A,+London+:+Bad+Girls&dq=I.C.A,+London+:+Bad+Girls&hl=en&sa=X&ved=0ahUKEwj71tPKg-XQAhVpD8AKHavpCWEQ6AEINDAD.
Iverson, M. et al. (1997) Mary Kelly. London: Phaidon.
James, S.M. (2005) Genital cutting and transnational sisterhood: disputing U.S. polemics. edited by Stanlie M. James and Claire C. Robertson. 01 edn. Urbana, Ill: University of Illinois Press.
Jones, A. (2002) ‘Equivocal Masculinity: New York Dada in the context of World War I’, Art History, 25(2), pp. 162–205. Available at: https://doi.org/10.1111/1467-8365.00312.
Jones, A. (2004) Irrational modernism: a neurasthenic history of New York Dada. Cambridge, Mass: The MIT Press.
Karras, R.M. (2003) ‘Masculinities, Youth and the Late Middle Ages’, in From boys to men : formations of masculinity in late medieval Europe. Philadelphia, PA: University of Pennsylvania Press.
Kelly, M. (1983) ‘The Bride Stripped Bare by her own Desire’, in Post-partum document. London: Routledge, pp. 206–209.
Krauss, R.E. (2000) Bachelors. Cambridge, Mass: MIT Press.
Laura Mulvey (1991) ‘A Phantasmagoria of the Female Body: The Work of Cindy Sherman’, New Left Review, 188. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/docview/1301929561?accountid=14540.
Lawson, C. and Stowell, R. (eds) (2012) ‘Case study: Guillaume de Machaut, ballade 34, "Quant Theseus / Ne quier veoir”’, in The Cambridge History of Musical Performance. Cambridge: Cambridge University Press. Available at: https://doi.org/10.1017/CHOL9780521896115.
Leach, E. (2001) ‘Machaut’s balades with four voices’, Plainsong and Medieval Music, 10(01). Available at: https://doi.org/10.1017/S0961137101000055.
Leach, E.E. (2006) ‘Gendering the Semitone, Sexing the Leading Tone: Fourteenth-Century Music Theory and the Directed Progression’, Music Theory Spectrum, 28(1), pp. 1–21. Available at: https://doi.org/10.1525/mts.2006.28.1.1.
Leach, E.E. and American Council of Learned Societies (2014) Guillaume de Machaut: secretary, poet, musician [electronic resource]. Ithaca: Cornell University Press. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.31451.
Merck, M. and Townsend, C. (2002) The art of Tracey Emin. London: Thames & Hudson.
Mikell, G. (1997) African feminism: the politics of survival in sub-Saharan Africa. Philadelphia: University of Pennsylvania Press.
Mitchell, J. (2000) Psychoanalysis and feminism. London: Penguin Book Ltd.
Nelson, C. and Grossberg, L. (1988) Marxism and the interpretation of culture. Urbana, Ill: University of Illinois Press.
Nnaemeka, O. (2005a) Female circumcision and the politics of knowledge: African women in imperialist discourses. Westport, Conn: Praeger.
Nnaemeka, O. (2005b) Female circumcision and the politics of knowledge: African women in imperialist discourses. Westport, Conn: Praeger.
O’Brien, J. (2009) Encyclopedia of gender and society [electronic resource]. Los Angeles, [Calif.]: SAGE. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://sk.sagepub.com/books/gender.
Parker, A. (1992) Nationalisms & sexualities. New York: Routledge.
Paul Smith (1983) ‘Mother as Site of her Proceedings’, in Post-partum document. London: Routledge, pp. 210–212.
Paxson, J.J. and Gravlee, C.A. (1998) ‘Discourse desired: desire, subjectivity and mouvance in Can vei la lauzeta mover’, in Desiring discourse : the literature of love, Ovid through Chaucer. Selinsgrove [Pa.]: Susquehanna University Press.
Petty, S. (1995) ‘Miseria: Towards an African Feminist Framework of Analysis’, Iris, 18, pp. 137–145.
Price, J. and Shildrick, M. (1999) Feminist theory and the body: a reader. Edinburgh: Edinburgh University Press.
Rado, L. (1997) Modernism, gender, and culture: a cultural studies approach. New York: Garland Pub.
Retro Perspective - It’s a Small House and We’ve Lived in it Always (2007) (no date). Available at: http://hemisphericinstitute.org/hemi/en/modules/item/922.
Sarah Lucas (23AD) Sarah Lucas: exhibitions and catalogue raisonne 1989-2005. Tate, 2005. Available at: https://books.google.co.uk/books?id=UjH0IBDhta8C&q=Tate+Publishing,+2005+:+Lucas,+Sarah&dq=Tate+Publishing,+2005+:+Lucas,+Sarah&hl=en&sa=X&ved=0ahUKEwj3j9vZhOXQAhVrBsAKHYgrDBUQ6AEITDAE.
Schaus, M. (2006) Women and gender in medieval Europe: an encyclopedia. New York: Routledge Taylor & Francis.
Sedgwick, E.K. (1985) Between men: English literature and male homosocial desire. New York: Columbia University Press.
Sherman, C. et al. (1997) Cindy Sherman: retrospective. London: Thames & Hudson.
Silverman, K. (1992) Male subjectivity at the margins. New York: Routledge.
Sinfield, A. (1999) Out on stage: lesbian and gay theatre in the twentieth century. New Haven, Conn: Yale University Press.
Solomon-Godeau, A. (1993) ‘Male trouble: A crisis in representation’, Art History, 16(2), pp. 286–312. Available at: https://doi.org/10.1111/j.1467-8365.1993.tb00525.x.
Solomon-Godeau, A. (1997) Male trouble: a crisis in representation. London: Thames and Hudson.
Split Britches (no date). Available at: https://splitbritches.wordpress.com/.
Tenzer, M. and Roeder, J. (eds) (2011) ‘Form, Counterpoint, and Meaning in a Fourteenth-Century French Song’, in Analytical and Cross-Cultural Studies in World Music. Oxford University Press. Available at: https://doi.org/10.1093/acprof:oso/9780195384581.001.0001.
Wyllie, A. and Dawson Books (2009) Sex on stage: gender and sexuality in post-war British theatre [electronic resource]. Bristol: Intellect books. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781841502922.
