Abel, Richard. 1984. French Cinema: The First Wave, 1915-1929. Princeton, N.J.: Princeton University Press.
Anne Delgrange. n.d. ‘Les Garçons et Guillaume, à Table ! - Article’. Carnet de Notes Sur Les Maltraitances Infantiles N° 1(1):74–75.
Anon. n.d.-a. ‘Costa-Gavras, “The Prospects for Political Cinema Today”’. Retrieved (http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/docview/912869257/fulltextPDF/B27DE8359A054FB0PQ/1?accountid=14540).
Anon. n.d.-b. ‘Dada and Surrealism in Cinema and Photography’. Retrieved (http://www.surrealist-film.gla.ac.uk/).
Anon. n.d.-c. ‘Girl on the Bridge - Wikipedia’. Retrieved (https://en.wikipedia.org/wiki/Girl_on_the_Bridge).
Anon. n.d.-d. ‘Guillaume Gallienne - La Biographie de Guillaume Gallienne Avec Gala.Fr’. Retrieved (http://www.gala.fr/stars_et_gotha/guillaume_gallienne).
Anon. n.d.-e. ‘Guillaume Gallienne : “‘Je n’ai Jamais Dit Que Je n’étais Pas Gay’”’. Retrieved (http://www.purepeople.com/article/guillaume-gallienne-je-n-ai-jamais-dit-que-je-n-etais-pas-gay_a135435/1).
Anon. n.d.-f. ‘Guillaume Gallienne : “Mon Pèree Est Mort Dans d’atroces Souffrances”’. Retrieved (http://www.purepeople.com/article/guillaume-gallienne-mon-pere-est-mort-dans-d-atroces-souffrances_a173266/1).
Anon. n.d.-g. ‘Guillaume Gallienne : Sa Biographie - AlloCiné’. Retrieved (http://www.allocine.fr/personne/fichepersonne-93932/biographie/).
Anon. n.d.-h. ‘Guillaume Gallienne : Son Actualité Sur France Inter’. Retrieved (https://www.franceinter.fr/personnes/guillaume-gallienne).
Anon. n.d.-i. ‘La Fille Sur Le Pont (Film 1998) - Comédie Dramatique - L’essentiel - Télérama.Fr’. Retrieved (http://www.telerama.fr/cinema/films/la-fille-sur-le-pont,31598.php).
Anon. n.d.-j. ‘Les Garçons et Guillaume, à Table! De Guillaume Gallienne - Dossier’. Retrieved (http://www.grignoux.be/dossiers/354).
Anon. n.d.-k. ‘Un Chien Andalou (Short Film)’.
Anon. n.d.-l. ‘Vers Un Cinéma Social - Article’.
Austin, Guy. 2008. Contemporary French Cinema: An Introduction. 2nd ed. Manchester: Manchester University Press.
Baecque, Antoine de and Toubiana, Serge. 1996. François Truffaut. Vol. N.R.F. biographies. [Paris]: Gallimard.
Beineix, Jean-Jacques. 2004. ‘Diva’.
Besson, Luc. 2003. ‘Subway’.
Besson, Luc, Anne Parillaud, Jean-Hugues Anglade, and Tcheky Karyo. 2009. ‘Nikita, 19:15 12/04/2015, Arte, 110 Mins’.
Bordwell, David, Kristin Thompson, and Jeff Smith. 2017. Film Art: An Introduction. Eleventh international student edition. New York: McGraw-Hill.
Brody, Richard. 2008. Everything Is Cinema: The Working Life of Jean-Luc Godard. London: Faber & Faber.
Buänuel, Luis and Dali, Salvador. 2007. ‘Un Chien Andalou’.
Carax, Léos, Denis Lavant, Juliette Binoche, Klaus-Michael Grüber, and Arrow Films (Firm). 2009. ‘Les Amants Du Pont Neuf’.
Carax, Léos, Michel Piccoli, Juliette Binoche, Denis Lavant, Films Plain-Chant, Fox Lorber Films, and WinStar TV and Video (Firm). 2001. Mauvais Sang: The Night Is Young. New York, NY: Fox Lorber Films.
Carné, Marcel. n.d. ‘Le Jour Se Léve’. Studio Canal classique.
Carné, Marcel and MacOrlan, Pierre. 2004. Port of Shadows. Vol. Criterion collection. [Irvington, N.Y. ]: Criterion Collection.
Chazal, Robert. 1965. Marcel Carné. Vol. Cinéma d’aujourd’hui. Paris: Seghers.
Collet, Jean. 1977. Le Cinéma de François Truffaut. Vol. Cinéma permanent. Paris: P. L’Herminier.
Conley, Tom, and T. Jefferson Kline, eds. 2014. A Companion to Jean-Luc Godard. Vol. Wiley-Blackwell companions to film directors. Chichester, West Sussex: John Wiley and Sons Inc.
Cromwell, John and Duvivier, Julien. 2006. ‘Casbah: American Remake of Pépé Le Moko’. Les chefs-d’¶uvre du film noir.
Daly, Fergus, and Garin Dowd. 2003. Leos Carax. Vol. French film directors. Manchester: Manchester University Press.
Estève, Michel. 1966. Jean Vigo. Vol. âEtudes cinâematographiques. Paris: Minard, Lettres modernes.
Faulkner, Christopher and Duncan, Paul. 2007. Jean Renoir: A Conversation with His Films, 1894-1979. Köln: Taschen.
Feldman, Joseph, Feldman, Harry, Weinberg, Herman G., and Agee, James. n.d. Jean Vigo. Vol. New index series (British Film Institute). London: British Film Institute.
Fiant, Antony, Hamery, Roxane, and Thouvenel, Éric. 2009. Agnès Varda: Le Cinéma et Au-Delà. Vol. Collection ‘Le Spectaculaire’. Série Cinéma. Rennes: Presses universitaires de Rennes.
Fotiade, R. 1995. ‘The Untamed Eye: Surrealism and Film Theory’. Screen 36(4):394–407. doi: 10.1093/screen/36.4.394.
Fotiade, R. 1998. ‘The Slit Eye, the Scorpion and the Sign of the Cross: Surrealist Film Theory and Practice Revisited’. Screen 39(2):109–23. doi: 10.1093/screen/39.2.109.
Fotiade, Ramona. 2013. À Bout de Souffle. Vol. CINÉ-FILES. London: I.B. Tauris & Co. Ltd.
Frodon, Jean-Michel. 1995. L’âge Moderne Du Cinéma Français: De La Nouvelle Vague à Nos Jours. Vol. Histoire du cinéma fran̨cais. Paris: Flammarion.
Gabin, Jean and Ashelbe. n.d. ‘Pépé Le Moko’. Studio Canal classique.
Gallienne, Guillaume, Claude Mathieu, Nicholas Vassiliev, Edouard Weil, Cyril Colbeau-Justin, Jean-Baptiste Dupont, Glynn Speeckaert, Marie-Jeanne Séréro, André Marcon, Françoise Fabian, Nanou Garcia, Diane Kruger, Reda Kateb, Guillaume Gallienne, LGM (Firm), Rectangle Productions, Don’t Be Shy Productions, Gaumont (Firm), and France 3 cinéma (Firm). 2013. ‘Les Garçons et Guillaume, à Table!’ edited by V. Deseine.
Godard, Jean Luc, Gaumont Video (Firm), and Centre National de la Cinématographie (France). 2008. ‘Histoire(s) Du Cinéma’. Artificial Eye.
Godard, Jean-Luc. 1980. Introduction à Une Véritable Histoire Du Cinéma. Vol. Collection ça/Cinéma. Paris: Albatros.
Godard, Jean-Luc, Beauregard, Georges de, Truffaut, François, Optimum Releasing (Firm), Studio Canal+, Iberia Films, and Société nouvelle de cinématographie. 2000. ‘Breathless, 00:25 12/11/2004, BBC2 England, 90 Mins’.
Godard, Jean-Luc, Alain Sarde, Heloise Godet, Kamel Abdeli, Richard Chevallier, Fabrice Aradno, Wild Bunch (Firm), and Studio Canal. 2014. ‘Goodbye to Language’.
Gomes, Paolo Emilio Salles. 1972. Jean Vigo. Vol. Cinema two. London: Secker and Warburg.
Gomes, Paolo Emilio Salles. 1972. Jean Vigo. Vol. Cinema two. London: Secker and Warburg.
Guillaume-Grimaud, Geneviève. 1986a. Le Cinéma Du Front Populaire. Vol. Le cinéma et son histoire. Paris: Lherminier.
Guillaume-Grimaud, Geneviève. 1986b. Le Cinéma Du Front Populaire. Vol. Le cinéma et son histoire. Paris: Lherminier.
Harper, Graeme and Stone, Rob. 2007. The Unsilvered Screen: Surrealism on Film. London: Wallflower.
Hayward, Susan. 1998. Luc Besson. Vol. French film directors. Manchester: Manchester University Press.
Hayward, Susan and Dawson Books. 2006. Cinema Studies: The Key Concepts. Vol. Routledge key guides. 3rd ed. London: Routledge.
Hayward, Susan, and Phil Powrie. 2006. The Films of Luc Besson: Master of Spectacle. Manchester: Manchester University Press.
Hayward, Susan and Vincendeau, Ginette. 2000. French Film: Texts and Contexts. 2nd ed. London: Routledge.
Holmes, Diana and Ingram, Robert. 1998. François Truffaut. Vol. French film directors. Manchester: Manchester University Press.
Jackson, Julian and British Film Institute. 2009. La Grande Illusion. Vol. BFI film classics. Basingstoke: Palgrave Macmillan in association with the British Film Institute.
Jameson, Fredric. 1990. Signatures of the Visible. New York: Routledge.
Janice Morgan. 1994. ‘In the Labyrinth: Masculine Subjectivity, Expatriation, and Colonialism in Pépé Le Moko’. The French Review 67(4):637–47.
Le Berre, Carole. 1995. Jules et Jim, François Truffaut: Étude Critique. Vol. Synopsis. Paris: Nathan.
Leconte, Patrice. 2000. ‘The Girl on the Bridge: La Fille Sur Le Pont’.
Leconte, Patrice, Gilles Legrand, Frédéric Brillion, Philippe Carcassonne, Rémi Waterhouse, Michel Fessler, Eric Vicaut, Fanny Ardant, Charles Berling, Bernard Giraudeau, Judith Godrèche, Jean Rochefort, and Second Sight Films Ltd. 2009. ‘Ridicule’.
Lherminier, Pierre. 1967. Jean Vigo. Vol. Cinâema d’aujourd’hui. Paris: Seghers.
MacCabe, Colin. 2004. Godard: A Portrait of the Artist at Seventy. New York: Farrrar, Straus and Giroux.
Man Ray, Vorkapich, Slavko, Florey, Robert, Kirsanov, Dmitri, Weinberg, Herman G., Watson, James S., Webber, Melville, Richter, Hans, Duchamp, Marcel, Lâeger, Fernand, Eggeling, Viking, Painlevâe, Jean, Welles, Orson, Vance, William, Metzner, Ernèo, Epstein, Jean, Eisenstein, Sergei, Aleksandrov, Grigoriæi Vasil§evich, Strand, Paul, Sheeler, Charles, Dulac, Germaine, Ivens, Joris, Steiner, Ralph, Barlow, Roger, Hay, Harry, Robbins, LeRoy, Rohauer, Raymond, Rohauer Collection, and Kino International Corporation. 2005. ‘Avant-Garde: Experimental Cinema of the 1920s and ’30s’.
Marie, Michel. 1999. À Bout de Souffle, Jean-Luc Godard. Vol. Synopsis. Paris: Nathan.
Mény, Jacques, Méliès, Georges, and Centre national de la cinématographie (France). 2001. ‘Méliès Le Cinémagicien’. Cinâema muet.
Michalczyk, John J. 1984. Costa-Gavras, the Political Fiction Film. Philadelphia: Art Alliance Press.
Monaco, James. 1976. The New Wave: Truffaut, Godard, Chabrol, Rohmer, Rivette. Oxford: Oxford University Press.
Orpen, Valerie. 2003. Film Editing: The Art of the Expressive. Vol. Short cuts (London, England). London: Wallflower.
Orpen, Valerie. 2007. Cléo de 5 à 7 (Agnès Varda, 1961). Vol. French film guide. London: I.B. Tauris.
O’Shaughnessy, M. 1996. ‘Pepe Le Moko or the Impossibility of Being French in the 1930s’. French Cultural Studies 7(21):247–58. doi: 10.1177/095715589600702102.
O’Shaughnessy, Martin. 2000a. Jean Renoir. Vol. French film directors. Manchester: Manchester University Press.
O’Shaughnessy, Martin. 2000b. Jean Renoir. Vol. French film directors. Manchester: Manchester University Press.
O’Shaughnessy, Martin. 2009. La Grande Illusion (Jean Renoir, 1937). Vol. Ciné-files: the French film guides. London: I.B. Tauris.
Perez, Michel. 1986. Les Films de Carné. [Paris]: Ramsay.
Powrie, Phil. 1997. French Cinema in the 1980s: Nostalgia and the Crisis of Masculinity. Oxford: Clarendon Press.
Powrie, Phil, ed. 1999a. French Cinema in the 1990s: Continuity and Difference. Oxford: Oxford University Press.
Powrie, Phil, ed. 1999b. French Cinema in the 1990s: Continuity and Difference. Oxford: Oxford University Press.
Powrie, Phil. 2001. Jean-Jacques Beineix. Vol. French film directors. Manchester: Manchester University Press.
Powrie, Phil. 2006. The Cinema of France. Vol. 24 frames. London: Wallflower.
Powrie, Phil, and Keith Reader. 2002. French Cinema: A Student’s Guide. London: Arnold.
Prédal, René. 1985. Le Cinéma de Costa-Gavras. Vol. CinémAction. Paris: Éditions du Cerf.
Prédal, René. 2008a. Le Cinéma Français Des Années 1990: Une Génération de Transition. Vol. Collection ‘Armand Colin cinéma’. 2e edition. Paris: Armand Colin.
Prédal, René. 2008b. Le Cinéma Français Des Années 1990: Une Génération de Transition. Vol. Collection ‘Armand Colin cinéma’. 2e edition. Paris: Armand Colin.
Reader, Keith. 2009. La Règle Du Jeu: (Jean Renoir, 1939). Vol. Ciné-files. London: I.B. Tauris.
Renoir, Jean. 1974a. La Grande Illusion. Paris: Ballard.
Renoir, Jean. 1974b. My Life and My Films. New York: Atheneum.
Renoir, Jean. 1974c. My Life and My Films. New York: Atheneum.
Renoir, Jean. 1989a. Renoir on Renoir: Interviews, Essays and Remarks. Vol. Cambridge studies in film. Cambridge: Cambridge University Press.
Renoir, Jean. 1989b. Renoir on Renoir: Interviews, Essays and Remarks. Vol. Cambridge studies in film. Cambridge: Cambridge University Press.
Renoir, Jean. n.d. ‘La Grande Illusion’. Studio Canal classique.
Renoir, Jean, Renoir, Claude, Koch, Carl, Dalio, Marcel, Grégor, Nora, Toutain, Roland, and Carette, Julien. 2005. La Règle Du Jeu. France: Editions Montparnasse.
Scorsese, Martin, John Logan, Graham King, Tim Headington, Johnny Depp, Emma Tillinger Koskoff, Georgia Kacandes, Christi Dembrowski, Barbara DeFina, David Crockett, Robert Richardson, Dante Ferretti, Thelma Schoonmaker, Sandy Powell, Ben Kingsley, Sacha Baron Cohen, Asa Butterfield, Chloë Moretz, Ray Winstone, Emily Mortimer, Christopher Lee, Helen McCrory, Michael Stuhlbarg, Frances De la Tour, Richard Griffiths, Jude Law, Howard Shore, Brian Selznick, GK Films (Los Angeles, Calif.), Infinitum Nihil (Firm), and Entertainment Film Distributors (Firm). 2012. ‘Hugo’.
Sesonske, Alexander. 1980. Jean Renoir: The French Films, 1924-1939. Cambridge, Mass: Harvard University Press.
Silla, Virginie, Luc Besson, Jacques Tardi, Louise Bourgoin, Mathieu Amalric, Gilles Lellouche, Jean-Paul Rouve, EuropaCorp, TF1 Films Production, Apipoulai Prod (Firm), Sofica Europacorp (Firm), Cofinova 6 (Firm), Studio Canal+, and Optimum Releasing (Firm). 2011. ‘Les Adventures Extraordinaires d’Adele Blanc-Sec’.
Smith, Alison. 1998. Agnès Varda. Vol. French film directors. Manchester: Manchester University Press.
Stam, Robert and American Council of Learned Societies. 2006. François Truffaut and Friends: Modernism, Sexuality, and Film Adaptation. New Brunswick, N.J.: Rutgers University Press.
Temple, Michael. 2005. Jean Vigo. Vol. French film directors. Manchester: Manchester University Press.
Temple, Michael, Williams, James, and Witt, Michael. 2004. For Ever Godard. London: Black Dog.
Temple, Michael, James Williams, and Michael Witt. 2004. For Ever Godard. London: Black Dog.
Truffaut, François. 1971. Jules et Jim. Vol. Points/films. Paris: Seuil/Avant-scène.
Truffaut, François and Roché, Henri Pierre. 2006. ‘Jules and Jim: Jules et Jim’.
Turk, Edward Baron. 1989. Child of Paradise: Marcel Carné and the Golden Age of French Cinema. Vol. Harvard film studies. Cambridge, Mass: Harvard University Press.
Varda, Agnès and Bastide, Bernard. 1994. Varda. Paris: Editions Cahiers du cinéma.
Varda, Agnès, and Bernard Bastide. 1994. Varda. Paris: Editions Cahiers du cinéma.
Varda, Agnès, Marchand, Corinne, Bourseiller, Antoine, Davray, Dominique, Blank, Dorothée, Legrand, Michel, and Artificial Eye (Firm). 2009. ‘Cléo from 5 to 7’.
Vasilikos, Vasilēs and Costa-Gavras. 2002. ‘Z’.
Vigo, Jean. 2001. ‘Zéro de Conduite’.
Vigo, Jean and Rozier, Jacques. 2001. ‘The Complete Jean Vigo’. Artificial eye.
Vincendeau, Ginette. 1998. Pépé Le Moko. Vol. BFI film classics. London: BFI Publishing.
Vincendeau, Ginette. 2000. Stars and Stardom in French Cinema. London: Continuum.
Wagner, Jamie Marie. 2010. ‘An American Appeal’. Film Matters 1(1):14–19. doi: 10.1386/fm.1.1.14.
Warner, Marina. 1993. L’Atalante. Vol. BFI film classics. London: British Film Institute.
Witt, Michael. 2013. Jean-Luc Godard, Cinema Historian. Bloomington, Indiana: Indiana University Press.
