Amihay, O. and Walsh, L. (2012) The future of text and image: collected essays on literary and visual conjunctures. Newcastle upon Tyne: Cambridge Scholars Publishing.
Antliff, M. and Leighten, P.D. (2001) Cubism and culture. London: Thames & Hudson.
Applegate, M. (2012) ‘The Emancipatory Power of Critical Art’, Socialism and Democracy, 26(3), pp. 209–212. Available at: https://doi.org/10.1080/08854300.2012.714566.
Barthes, R. and Heath, S. (1977a) Image music text. London: Fontana Press.
Barthes, R. and Heath, S. (1977b) ‘Rhetoric of Image’, in Image Music Text. London: Fontana Press.
Barthes, R., Lavers, A. and Reynolds, S. (2009) Mythologies. Rev. Vintage ed. London: Vintage.
Bateman, J.A. (2014) Text and image: a critical introduction to the visual-verbal divide. London: Routledge.
Bohn, W. (2001) Modern visual poetry. Newark, Delaware: University of Delaware Press.
Brecht, B., Willett, J., and Askews & Holts Library Services (2017) War Primer. London: Verso. Available at: https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9781784782092.
Colberg, J. and Askews & Holts Library Services (2017) Understanding photobooks: the form and content of the photographic book. New York, NY: Routledge. Available at: https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9781317484721.
Cottington, D. (2004) Cubism and its histories. Manchester: Manchester University Press.
Cox, N. (2000) Cubism. London: Phaidon Press.
Davis, O. and ProQuest (Firm) (2010) Jacques Rancière. Cambridge: Polity. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1175985.
Deranty, J.-P. and ProQuest (Firm) (2010) Jacques Rancière: key concepts. Durham: Acumen. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1886882.
Drakulić, S. and Pribićević-Zorić, C. (2008) Frida’s bed: a novel. New York, N.Y.: Penguin Books.
Dyer, G. (1988) Advertising as communication. London: Routledge.
Evans, D. (2009) Appropriation. London: Whitechapel  Gallery.
Evans, D. (no date) ‘Brecht’s War Primer: the “photo-epigram” as poor monument’, Afterimage, 30(5). Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://link.gale.com/apps/doc/A99309203/AONE?u=glasuni&sid=bookmark-AONE&xid=c0ddc3d6.
Evans, D., Heartfield, J. and Lundgren, A. (1992) John Heartfield: AIZ : Arbeiter-Illustriete Zeitung, Volks Illustrierte, 1930-38. New York: Kent Fine Art.
Frascina, F. and Harris, J. (1992) Art in modern culture: an anthology of critical texts. London: Phaidon Press. Available at: https://contentstore.cla.co.uk//secure/link?id=8c80194a-e940-e911-80cd-005056af4099.
Game, J. (2007) Porous boundaries: texts and images in twentieth-century French culture. Oxford ; Berlin: Peter Lang.
Heath, W. (1825) ‘Glasgow looking glass’. Available at: http://special.lib.gla.ac.uk/exhibns/month/june2005.html.
Heath, W. (1906) Glasgow looking glass: afterwards called Northern Look[in]g glass 1825-1826. Glasgow: David Bryce and Son.
Hemus, R. (2009) Dada’s women. New Haven, Conn: Yale University Press.
Heusser, M. (1999) Text and visuality: word & image interactions 3. Amsterdam: Rodopi. Available at: https://contentstore.cla.co.uk//secure/link?id=8b80194a-e940-e911-80cd-005056af4099.
Höch, H. et al. (2007) Hannah Höch: aller Anfang ist DADA! Ostfildern: Hatje Cantz.
Joseph, J.E. (2012) Saussure. Oxford: Oxford University Press.
JSTOR (Organization) and Oxford University Press (1978) ‘Oxford art journal’. Available at: https://eleanor.lib.gla.ac.uk/record=b2203700.
Kahlo, F. et al. (2005) The diary of Frida Kahlo: an intimate self-portrait. 2005 ed. New York: Harry N. Abrams.
Karmel, P. and Picasso, P. (2003) Picasso and the invention of Cubism. New Haven, Conn: Yale University Press.
Kress, G.R. and Van Leeuwen, T. (2006) Reading images: the grammar of visual design. Second edition. Abingdon, Oxon: Routledge. Available at: https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203619728.
Lavin, M. and Höch, H. (1993) Cut with the kitchen knife: the Weimar photomontages of Hannah Höch. New Haven: Yale University Press.
Long, J.J. (2008) ‘Paratextual Profusion: Photography and Text in Bertolt Brecht’s War Primer’, Poetics Today, 29(1), pp. 197–224. Available at: https://doi.org/10.1215/03335372-2007-023.
Manghani, S. (2013) Image studies: theory and practice. London: Routledge.
Matejka, L. (1976) Sound, sign, and meaning: quinquagenary of the Prague Linguistic Circle. Ann Arbor: Dept. of Slavic Languages and Literatures, University of Michigan.
Meskimmon, M. (1996) The art of reflection: women artists’ self-portraiture in the  twentieth century. London: Scarlet. Available at: https://contentstore.cla.co.uk//secure/link?id=4b928d57-e940-e911-80cd-005056af4099.
Mitchell, W.J.T. (1994) Picture theory: essays on verbal and visual representation. Chicago, Ill: University of Chicago Press.
Mukařovský, J. (1979) Aesthetic function, norm and value as social facts. Ann Arbor: Dept. of Slavic Languages and Literature, University of Michigan.
Nelson, R.S. and Shiff, R. (2003) ‘Word and Image’, in Critical terms for Art History. 2nd ed. Chicago, Ill: University of Chicago Press.
Penrose, R., Goulding, J. and Kahnweiler, D.-H. (1973) Picasso, 1881-1973. London: Elek.
Purgar, K. (ed.) (2017) W.J.T. Mitchell’s image theory: living pictures. New York: Routledge.
Rancière, J. (2007) The future of the image. English ed. London: Verso.
Rancière, J. and Elliott, G. (2011) The emancipated spectator. London: Verso. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=5177140.
Rubin, W.S. et al. (1992) Picasso and Braque: a symposium. New York, N.Y.: Museum of Modern Art.
Saussure, F. de et al. (2005) Course in general linguistics. London: Duckworth.
Scott, D.H.T. (2010) Poetics of the poster: the rhetoric of image-text. Liverpool: Liverpool University Press.
Smith, S. and Watson, J. (2005a) ‘Articulate Image, Painted Diary. Frida Kahlo’s Autobiographical Interface’, in Interfaces : women, autobiography, image, performance. Ann Arbor, Mich: University of Michigan Press.
Smith, S. and Watson, J. (2005b) Interfaces: women, autobiography, image, performance. Ann Arbor, Mich: University of Michigan Press.
Tanke, J.J. (2011) Jacques Rancière: an introduction. London: Continuum. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=686947.
The ‘Photobook’: What’s in a name? - David Campany (no date). Available at: http://davidcampany.com/the-photobook-whats-in-a-name/.
Töpffer, R. and Töpffer, R. (1996a) Monsieur Crépin: Monsieur Pencil : deux égarements de la science. Paris: Seuil.
Töpffer, R. and Töpffer, R. (1996b) Monsieur Jabot: Monsieur Vieux Bois : deux histoires D’amour. Paris: Seuil.