Aaron, M. (2004). New queer cinema: a critical reader. Edinburgh University Press.
Abelove, H., Barale, M. A., & Halperin, D. M. (1993). The lesbian and gay studies reader. Routledge. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1039298
Ann M. Ciasullo. (2001). Making Her (In)Visible: Cultural Representations of Lesbianism and the Lesbian Body in the 1990s. Feminist Studies, 27(3), 577–608. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/3178806
Annamarie Jagose. (1996). Queer theory. New York University Press.
Becker, E., Citron, M., Lesage, J., & Rich, B. R. (n.d.). Introduction to Special Section: Lesbians and Film. Jump Cut, 24–25, 17–21. https://www.ejumpcut.org/archive/onlinessays/JC24-25folder/LesbiansAndFilm.html
Becker, R. & American Council of Learned Societies. (2006). Gay TV and straight America [Electronic resource]. Rutgers University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.08067
Bennett, J. A. (2006). In Defense of Gaydar: Reality Television and the Politics of the Glance. Critical Studies in Media Communication, 23(5), 408–425. https://doi.org/10.1080/07393180601046154
Benshoff, H. M., & Griffin, S. (2004). Queer cinema: the film reader: Vol. In focus--Routledge film readers. Routledge.
Benshoff, H. M., & Griffin, S. (2006a). Queer images: a history of gay and lesbian film in America: Vol. Genre and beyond. Rowman & Littlefield Pub. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1354853
Benshoff, H. M., & Griffin, S. (2006b). Queer images: a history of gay and lesbian film in America: Vol. Genre and beyond : a film studies series. Rowman & Littlefield. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1354853
Benshoff, H. M., & Griffin, S. (2006c). Queer images: a history of gay and lesbian film in America: Vol. Genre and beyond : a film studies series. Rowman & Littlefield. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1354853
BFI | Sight & Sound | Rich,B. Queer And Present Danger. (n.d.). http://old.bfi.org.uk/sightandsound/feature/80
Burns, K., & Davies, C. (2009). Producing Cosmopolitan Sexual Citizens on the L Word. Journal of Lesbian Studies, 13(2), 174–188. https://doi.org/10.1080/10894160802695353
Burshwood Rose, C., & Camilleria, A. (2002). Brazen femme: queering femininity. Arsenal Pulp Press.
Butler, J. & Ebooks Corporation Limited. (1993). Bodies that matter: on the discursive limits of ‘sex’. Routledge. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1779047
Castronovo, R., & Nelson, D. D. (2002). Materializing democracy: toward a revitalized cultural politics: Vol. New Americanists. Duke University Press. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1167808
Christopher Gittings. (2001). ‘Zero Patience’, Genre, Difference, and Ideology: Singing and Dancing Queer Nation. Cinema Journal, 41(1), 28–39. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/1225560
Cleto, F. (1999). Camp: queer aesthetics and the performing subject : a reader. Edinburgh University Press.
Davis, G., & Needham, G. (2008a). Queer TV: theories, histories, politics. Routledge. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=370963
Davis, G., & Needham, G. (2008b). Queer TV: theories, histories, politics. Routledge. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=370963
Davis, G., & Needham, G. (2008c). Queer TV: theories, histories, politics. Routledge. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=370963
De Lauretis, T. (1991). Queer Theory: Lesbian and Gay Sexualities. 3(2), iii–xviii.
Dobinson, C., & Young, K. (2000). Popular Cinema and Lesbian Interpretive Strategies. Journal of Homosexuality, 40(2), 97–122. https://doi.org/10.1300/J082v40n02_07
Doty, A. & Ebooks Corporation Limited. (1993). Making things perfectly queer: interpreting mass culture. University of Minnesota Press. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=310246
Douglas Crimp. (n.d.). Melancholia and Moralism: Essays on AIDS and Queer Politics [Paperback]. The MIT Press.
Ebooks Corporation Limited. (2006a). The transgender studies reader (S. Stryker & S. Whittle, Eds.). Routledge. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1487097
Ebooks Corporation Limited. (2006b). The transgender studies reader (S. Stryker & S. Whittle, Eds.). Routledge. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1487097
Ebooks Corporation Limited. (2008). Queer TV: theories, histories, politics (G. Davis & G. Needham, Eds.). Routledge. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=370963
Ebooks Corporation Limited. (2010a). LGBT identity and online new media (C. Pullen & M. Cooper, Eds.). Routledge. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=515336
Ebooks Corporation Limited. (2010b). LGBT identity and online new media (C. Pullen & M. Cooper, Eds.). Routledge. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=515336
Eir-Anne Edgar. (2011). ‘Xtravaganza!’: Drag Representation and Articulation in ‘RuPaul’s Drag Race’. Studies in Popular Culture, 34(1), 133–146. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/23416354
Eng, D., Halberstam, J. and Esteban, J. (2005). What’s Queer about Queer Studies Now? Social Text, 23(3), 1–85. https://ezproxy.lib.gla.ac.uk/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=sih&AN=18682327&site=ehost-live
Genders OnLine Journal - Hollywood Lesbians: Annamarie Jagose interviews Patricia White about Her Latest Book, <I>Uninvited: Classical Hollywood Cinema and Lesbian Representability. (n.d.). http://www.iiav.nl/ezines//IAV_606661/IAV_606661_2010_52/g32_jagose.html
Giffney, N., & O’Rourke, M. (2009). The Ashgate research companion to queer theory: Vol. Queer interventions. Ashgate.
GLQ: A Journal of Lesbian and Gay Studies, Volume 11, 2005-2004 - Table of Contents. (n.d.). https://muse-jhu-edu.ezproxy.lib.gla.ac.uk/journals/journal_of_lesbian_and_gay_studies/toc/glq11.4.html
GLQ: A Journal of Lesbian and Gay Studies, Volume 12, 2006 - Table of Contents. (n.d.). https://muse-jhu-edu.ezproxy.lib.gla.ac.uk/journals/journal_of_lesbian_and_gay_studies/toc/glq12.4.html
GLQ: A Journal of Lesbian and Gay Studies, Volume 13, 2007 - Table of Contents. (n.d.). https://muse-jhu-edu.ezproxy.lib.gla.ac.uk/journals/journal_of_lesbian_and_gay_studies/toc/glq13.1.html
GLQ: A Journal of Lesbian and Gay Studies, Volume 14, 2008 - Table of Contents. (n.d.). https://muse-jhu-edu.ezproxy.lib.gla.ac.uk/journals/journal_of_lesbian_and_gay_studies/toc/glq14.1.html
Halberstam, J. (2005). In a queer time and place: transgender bodies, subcultural lives: Vol. Sexual cultures. New York University Press. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=2081650
Hall, D. E., & Jagose, A. (2013). The Routledge queer studies reader: Vol. Routledge literature readers. Routledge.
Iordanova, D., & Torchin, L. (2012). Film festivals and activism: Vol. Film festival yearbook. St. Andrews Film Studies.
Jeffreys, S. (2003). Unpacking queer politics: a lesbian feminist perspective. Polity Press in association with Blackwell Pub.
Joyrich, L. (2014). Queer Television Studies: Currents, Flows, and (Main)streams. Cinema Journal, 53(2), 133–139. https://doi.org/10.1353/cj.2014.0015
Judith Butler. (2002). Is kinship always already heterosexual? Differences: A Journal of Feminist Cultural Studies, 13(1). https://ezproxy.lib.gla.ac.uk/login?url=https://go.galegroup.com/ps/i.do?id=GALE|A87355297&v=2.1&u=glasuni&it=r&p=AONE&sw=w&asid=3d754f85713cb9e1f565de29e5cfa202
Kaplan, E. A. (1998). Women in film noir (Rev. and expanded ed). British Film Institute.
Karen Hollinger. (1998). Theorizing Mainstream Female Spectatorship: The Case of the Popular Lesbian Film. Cinema Journal, 37(2), 3–17. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/1225639
Keller, J. R., & Stratyner, L. (2006a). The new queer aesthetic on television: essays on recent programming. McFarland.
Keller, J. R., & Stratyner, L. (2006b). The new queer aesthetic on television: essays on recent programming. McFarland.
Leo Bersani. (1987). Is the Rectum a Grave? October, 43, 197–222. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/3397574
McCarthy, A. (2001). Ellen : Making Queer Television History. GLQ: A Journal of Lesbian and Gay Studies, 7(4), 593–620. https://ezproxy.lib.gla.ac.uk/login?url=https://muse.jhu.edu/article/12189
Meyer, M. (1994). The politics and poetics of camp. Routledge. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=240507
My Transsexual Summer , 22:00 08/11/2011, Channel 4, 65 mins. (n.d.). Channel 4. https://login.learningonscreen.ac.uk/wayfless.php?entityID=https://idp.gla.ac.uk/shibboleth&target=https://learningonscreen.ac.uk/ondemand/index.php/prog/021A1E95
Nelson, M. (2015). The argonauts. Graywolf Press.
Papacharissi, Z., & Fernback, J. (2008). The Aesthetic Power of the Fab 5: Discursive Themes of Homonormativity in Queer Eye for the Straight Guy. Journal of Communication Inquiry, 32(4), 348–367. https://doi.org/10.1177/0196859908320301
Paula A. Treichler Simon Watney Sander L. Gilman Martha Gever Amber Hollibaugh, Mitchell Karp, Katy Taylor and Douglas Crimp Max Navarre Suki Ports Carol Leigh Gregg Bordowitz Leo Bersani John Borneman Douglas Crimp. (n.d.). Vol. 43, Winter, 1987 of October on JSTOR. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/i367791
Phillips, J. (2006). Transgender on screen. Palgrave Macmillan. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=736433
Pullen, C. (2014). Queer youth and media cultures [Electronic resource]. Palgrave Macmillan. https://ezproxy.lib.gla.ac.uk/login?url=https://link.springer.com/book/10.1057/9781137383556
Rich, B. R. (1992). New Queer Cinema. Sight and Sound, 2(5). https://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com.ezproxy.lib.gla.ac.uk/docview/1305507166?accountid=14540
Ruby Rich, B. (1993). Reflections on a Queer Screen. 1(1), 83–91.
Ruby Rich, et al, B. (1999). Queer Publicity: A Dossier on Lesbian and Gay Film Festivals Essays. 5(1), 73–93.
Ruoff, J. (2012). Coming soon to a festival near you: programming film festivals. St Andrews Film Studies.
Russo, V. (1987). The celluloid closet: homosexuality in the movies (Rev. ed). Perennial Library.
Sandell, J. (2010). Transnational ways of seeing: sexual and national belonging in Hedwig and the Angry Inch. Gender, Place & Culture, 17(2), 231–247. https://doi.org/10.1080/09663691003600322
Sender, K. (2006). Queens for a Day: Queer Eye for the Straight Guy and the Neoliberal Project. Critical Studies in Media Communication, 23(2), 131–151. https://doi.org/10.1080/07393180600714505
Sontag, S., & Sontag, S. (2009). Against interpretation and other essays: Vol. Penguin modern classics. Penguin Classics.
Stryker, S. (1998). The Transgender Issue: An Introduction. 4(2), 145–158.
Suzanna Danuta Walters. (n.d.). All the Rage [Hardcover]. University Of Chicago Press.
Verta Taylor. (2005). When the Girls Are Men: Negotiating Gender and Sexual Dynamics in a Study of Drag Queens. Signs, 30(4), 2115–2139. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/10.1086/428421
Villarejo, A. (2014). Ethereal queer: television, historicity, desire. Duke University Press.
Wallace, L. (2000). Continuous sex: the editing of homosexuality in Bound and Rope. Screen, 41(4), 369–387. https://doi.org/10.1093/screen/41.4.369
