[1]
M. Aaron, New queer cinema: a critical reader. Edinburgh: Edinburgh University Press, 2004.
[2]
Annamarie Jagose, Queer theory. New York: New York University Press, 1996.
[3]
B. R. Rich, ‘New Queer Cinema’, Sight and Sound, vol. 2, no. 5, 1992 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com.ezproxy.lib.gla.ac.uk/docview/1305507166?accountid=14540
[4]
H. M. Benshoff and S. Griffin, Queer images: a history of gay and lesbian film in America, vol. Genre and beyond. Lanham, Md: Rowman & Littlefield Pub, 2006 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1354853
[5]
H. M. Benshoff and S. Griffin, Queer images: a history of gay and lesbian film in America, vol. Genre and beyond : a film studies series. Lanham, Maryland: Rowman & Littlefield, 2006 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1354853
[6]
A. Doty and Ebooks Corporation Limited, Making things perfectly queer: interpreting mass culture. Minneapolis: University of Minnesota Press, 1993 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=310246
[7]
T. De Lauretis, ‘Queer Theory: Lesbian and Gay Sexualities’, vol. 3, no. 2, pp. iii–xviii, 1991.
[8]
H. Abelove, M. A. Barale, and D. M. Halperin, The lesbian and gay studies reader. New York: Routledge, 1993 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1039298
[9]
V. Russo, The celluloid closet: homosexuality in the movies, Rev. ed. New York: Perennial Library, 1987.
[10]
Leo Bersani, ‘Is the Rectum a Grave?’, October, vol. 43, pp. 197–222, 1987 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/3397574
[11]
H. M. Benshoff and S. Griffin, Queer images: a history of gay and lesbian film in America, vol. Genre and beyond : a film studies series. Lanham, Maryland: Rowman & Littlefield, 2006 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1354853
[12]
Douglas Crimp, Melancholia and Moralism: Essays on AIDS and Queer Politics. The MIT Press.
[13]
Christopher Gittings, ‘“Zero Patience”, Genre, Difference, and Ideology: Singing and Dancing Queer Nation’, Cinema Journal, vol. 41, no. 1, pp. 28–39, 2001 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/1225560
[14]
Paula A. Treichler Simon Watney Sander L. Gilman Martha Gever Amber Hollibaugh, Mitchell Karp, Katy Taylor and Douglas Crimp Max Navarre Suki Ports Carol Leigh Gregg Bordowitz Leo Bersani John Borneman Douglas Crimp, ‘Vol. 43, Winter, 1987 of October on JSTOR’ [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/i367791
[15]
J. Ruoff, Coming soon to a festival near you: programming film festivals. St. Andrews: St Andrews Film Studies, 2012.
[16]
D. Iordanova and L. Torchin, Film festivals and activism, vol. Film festival yearbook. St. Andrews: St. Andrews Film Studies, 2012.
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B. Ruby Rich, et al, ‘Queer Publicity: A Dossier on Lesbian and Gay Film Festivals Essays’, vol. 5, no. 1, pp. 73–93, 1999.
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B. Ruby Rich, ‘Reflections on a Queer Screen’, vol. 1, no. 1, pp. 83–91, 1993.
[19]
‘GLQ: A Journal of Lesbian and Gay Studies, Volume 11, 2005-2004 - Table of Contents’ [Online]. Available: https://muse-jhu-edu.ezproxy.lib.gla.ac.uk/journals/journal_of_lesbian_and_gay_studies/toc/glq11.4.html
[20]
‘GLQ: A Journal of Lesbian and Gay Studies, Volume 12, 2006 - Table of Contents’. [Online]. Available: https://muse-jhu-edu.ezproxy.lib.gla.ac.uk/journals/journal_of_lesbian_and_gay_studies/toc/glq12.4.html
[21]
‘GLQ: A Journal of Lesbian and Gay Studies, Volume 14, 2008 - Table of Contents’. [Online]. Available: https://muse-jhu-edu.ezproxy.lib.gla.ac.uk/journals/journal_of_lesbian_and_gay_studies/toc/glq14.1.html
[22]
Ebooks Corporation Limited, Queer TV: theories, histories, politics. London: Routledge, 2008 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=370963
[23]
G. Davis and G. Needham, Queer TV: theories, histories, politics. New York, NY: Routledge, 2008 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=370963
[24]
Suzanna Danuta Walters, All the Rage. University Of Chicago Press.
[25]
G. Davis and G. Needham, Queer TV: theories, histories, politics. New York, NY: Routledge, 2008 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=370963
[26]
R. Becker and American Council of Learned Societies, Gay TV and straight America. New Brunswick, N.J.: Rutgers University Press, 2006 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.08067
[27]
A. McCarthy, ‘Ellen : Making Queer Television History’, GLQ: A Journal of Lesbian and Gay Studies, vol. 7, no. 4, pp. 593–620, Jan. 2001 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://muse.jhu.edu/article/12189
[28]
J. R. Keller and L. Stratyner, The new queer aesthetic on television: essays on recent programming. Jefferson, N.C.: McFarland, 2006.
[29]
J. R. Keller and L. Stratyner, The new queer aesthetic on television: essays on recent programming. Jefferson, N.C.: McFarland, 2006.
[30]
L. Joyrich, ‘Queer Television Studies: Currents, Flows, and (Main)streams’, Cinema Journal, vol. 53, no. 2, pp. 133–139, 2014, doi: 10.1353/cj.2014.0015.
[31]
Karen Hollinger, ‘Theorizing Mainstream Female Spectatorship: The Case of the Popular Lesbian Film’, Cinema Journal, vol. 37, no. 2, pp. 3–17, 1998 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/1225639
[32]
E. A. Kaplan, Women in film noir, Rev. and Expanded ed. London: British Film Institute, 1998.
[33]
L. Wallace, ‘Continuous sex: the editing of homosexuality in Bound and Rope’, Screen, vol. 41, no. 4, pp. 369–387, Dec. 2000, doi: 10.1093/screen/41.4.369.
[34]
C. Burshwood Rose and A. Camilleria, Brazen femme: queering femininity. Vancouver, B.C: Arsenal Pulp Press, 2002.
[35]
Ann M. Ciasullo, ‘Making Her (In)Visible: Cultural Representations of Lesbianism and the Lesbian Body in the 1990s’, Feminist Studies, vol. 27, no. 3, pp. 577–608, 2001 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/3178806
[36]
S. Jeffreys, Unpacking queer politics: a lesbian feminist perspective. Cambridge: Polity Press in association with Blackwell Pub, 2003.
[37]
‘Genders OnLine Journal - Hollywood Lesbians: Annamarie Jagose interviews Patricia White about Her Latest Book, <I>Uninvited: Classical Hollywood Cinema and Lesbian Representability’. [Online]. Available: http://www.iiav.nl/ezines//IAV_606661/IAV_606661_2010_52/g32_jagose.html
[38]
E. Becker, M. Citron, J. Lesage, and B. R. Rich, ‘Introduction to Special Section: Lesbians and Film’, Jump Cut, vol. 24–25, pp. 17–21 [Online]. Available: https://www.ejumpcut.org/archive/onlinessays/JC24-25folder/LesbiansAndFilm.html
[39]
C. Dobinson and K. Young, ‘Popular Cinema and Lesbian Interpretive Strategies’, Journal of Homosexuality, vol. 40, no. 2, pp. 97–122, Dec. 2000, doi: 10.1300/J082v40n02_07.
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J. A. Bennett, ‘In Defense of Gaydar: Reality Television and the Politics of the Glance’, Critical Studies in Media Communication, vol. 23, no. 5, pp. 408–425, Dec. 2006, doi: 10.1080/07393180601046154.
[41]
J. Halberstam, In a queer time and place: transgender bodies, subcultural lives, vol. Sexual cultures. New York: New York University Press, 2005 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=2081650
[42]
S. Stryker, ‘The Transgender Issue: An Introduction’, vol. 4, no. 2, pp. 145–158, 1998.
[43]
Ebooks Corporation Limited, The transgender studies reader. New York: Routledge, 2006 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1487097
[44]
J. Sandell, ‘Transnational ways of seeing: sexual and national belonging in Hedwig and the Angry Inch’, Gender, Place & Culture, vol. 17, no. 2, pp. 231–247, Apr. 2010, doi: 10.1080/09663691003600322.
[45]
‘My Transsexual Summer , 22:00 08/11/2011, Channel 4, 65 mins.’ Channel 4 [Online]. Available: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https://idp.gla.ac.uk/shibboleth&target=https://learningonscreen.ac.uk/ondemand/index.php/prog/021A1E95
[46]
J. Phillips, Transgender on screen. Basingstoke, Hampshire: Palgrave Macmillan, 2006 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=736433
[47]
S. Sontag and S. Sontag, Against interpretation and other essays, vol. Penguin modern classics. London: Penguin Classics, 2009.
[48]
M. Meyer, The politics and poetics of camp. London: Routledge, 1994 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=240507
[49]
F. Cleto, Camp: queer aesthetics and the performing subject : a reader. Edinburgh: Edinburgh University Press, 1999.
[50]
Eir-Anne Edgar, ‘“Xtravaganza!”: Drag Representation and Articulation in “RuPaul’s Drag Race”’, Studies in Popular Culture, vol. 34, no. 1, pp. 133–146, 2011 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/23416354
[51]
Verta Taylor, ‘When the Girls Are Men: Negotiating Gender and Sexual Dynamics in a Study of Drag Queens’, Signs, vol. 30, no. 4, pp. 2115–2139, 2005 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/10.1086/428421
[52]
Ebooks Corporation Limited, The transgender studies reader. New York: Routledge, 2006 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1487097
[53]
R. Castronovo and D. D. Nelson, Materializing democracy: toward a revitalized cultural politics, vol. New Americanists. Durham, NC: Duke University Press, 2002 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1167808
[54]
Z. Papacharissi and J. Fernback, ‘The Aesthetic Power of the Fab 5: Discursive Themes of Homonormativity in Queer Eye for the Straight Guy’, Journal of Communication Inquiry, vol. 32, no. 4, pp. 348–367, Jun. 2008, doi: 10.1177/0196859908320301.
[55]
K. Sender, ‘Queens for a Day: Queer Eye for the Straight Guy and the Neoliberal Project’, Critical Studies in Media Communication, vol. 23, no. 2, pp. 131–151, Jun. 2006, doi: 10.1080/07393180600714505.
[56]
Judith Butler, ‘Is kinship always already heterosexual?’, differences: A Journal of Feminist Cultural Studies, vol. 13, no. 1, 2002 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://go.galegroup.com/ps/i.do?id=GALE|A87355297&v=2.1&u=glasuni&it=r&p=AONE&sw=w&asid=3d754f85713cb9e1f565de29e5cfa202
[57]
Eng, D., Halberstam, J. and Esteban, J., ‘What’s Queer about Queer Studies Now?’, Social Text, vol. 23, no. 3, pp. 1–85, 2005 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=sih&AN=18682327&site=ehost-live
[58]
K. Burns and C. Davies, ‘Producing Cosmopolitan Sexual Citizens on the L Word’, Journal of Lesbian Studies, vol. 13, no. 2, pp. 174–188, Apr. 2009, doi: 10.1080/10894160802695353.
[59]
G. Davis and G. Needham, Queer TV: theories, histories, politics. New York, NY: Routledge, 2008 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=370963
[60]
M. Nelson, The argonauts. Minneapolis, Minnesota: Graywolf Press, 2015.
[61]
‘GLQ: A Journal of Lesbian and Gay Studies, Volume 13, 2007 - Table of Contents’ [Online]. Available: https://muse-jhu-edu.ezproxy.lib.gla.ac.uk/journals/journal_of_lesbian_and_gay_studies/toc/glq13.1.html
[62]
‘BFI | Sight & Sound | Rich,B. Queer And Present Danger’. [Online]. Available: http://old.bfi.org.uk/sightandsound/feature/80
[63]
Ebooks Corporation Limited, LGBT identity and online new media. New York: Routledge, 2010 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=515336
[64]
C. Pullen, Queer youth and media cultures. Basingstoke: Palgrave Macmillan, 2014 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://link.springer.com/book/10.1057/9781137383556
[65]
Ebooks Corporation Limited, LGBT identity and online new media. New York: Routledge, 2010 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=515336
[66]
H. M. Benshoff and S. Griffin, Queer cinema: the film reader, vol. In focus--Routledge film readers. New York: Routledge, 2004.
[67]
D. E. Hall and A. Jagose, The Routledge queer studies reader, vol. Routledge literature readers. Abingdon, Oxon: Routledge, 2013.
[68]
J. Butler and Ebooks Corporation Limited, Bodies that matter: on the discursive limits of ‘sex’. New York: Routledge, 1993 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1779047
[69]
N. Giffney and M. O’Rourke, The Ashgate research companion to queer theory, vol. Queer interventions. Farnham, Surrey: Ashgate, 2009.
[70]
A. Villarejo, Ethereal queer: television, historicity, desire. Durham, North Carolina: Duke University Press, 2014.
