1.
Rosen, P.T.: Narrative, apparatus, ideology: a film theory reader. Columbia University Press, New York, N.Y. (1986).
2.
Rosen, P.T.: Narrative, apparatus, ideology: a film theory reader. Columbia University Press, New York, N.Y. (1986).
3.
Klinger, B.: ‘Cinema/Ideology/Crititicism’ Revisited: The Progressive Text. Screen. 25, 30–44 (1984). https://doi.org/10.1093/screen/25.1.30.
4.
During, S.: The cultural studies reader. Routledge, London (2007).
5.
Morley, D.: Television, audiences and cultural studies. Routledge, London (1992).
6.
Ang, I., Dawson Books: Living room wars: rethinking media audiences for a postmodern world. Routledge, London (1996).
7.
Brooker, W., Jermyn, D.: The audience studies reader. Routledge, London (2002).
8.
Ellis, J., Ebooks Corporation Limited: Visible fictions: cinema : television : video. Routledge & Kegan Paul, London (1992).
9.
Morley, D.: Television, audiences and cultural studies. Routledge, London (1992).
10.
Seiter, E., Universität Tübingen. Abteilung für Amerikanistik: Remote control: television, audiences, and cultural power. Routledge, London (1989).
11.
Tulloch, J.: Watching television audiences: cultural theories and methods. Arnold, London (2000).
12.
Mulvey, L.: Visual Pleasure and Narrative Cinema. Screen. 16, 6–18 (1975). https://doi.org/10.1093/screen/16.3.6.
13.
Nelmes, J.: Introduction to film studies. Routledge, London (2012).
14.
Buikema, R., Smelik, A.: Women’s studies and culture: a feminist introduction. Zed Books, London (1995).
15.
Dyer, R.: Don’t Look Now. Screen. 23, 61–73 (1982). https://doi.org/10.1093/screen/23.3-4.61.
16.
Neale, S.: Masculinity as Spectacle. Screen. 24, 2–17 (1983). https://doi.org/10.1093/screen/24.6.2.
17.
Stacey, J.: Star gazing: Hollywood cinema and female spectatorship. Routledge, London (1994).
18.
Visual Pleasures at 40’ Dossier. Screen. 56, 485–471 (2015). https://doi.org/10.1093/screen/hjv056.
19.
Heffelfinger, E., Wright, L.: Visual difference: postcolonial studies and intercultural cinema. Peter Lang, New York, NY (2011).
20.
Stam, R., Spence, L.: Colonialism, Racism and Representation. Screen. 24, 2–20 (1983). https://doi.org/10.1093/screen/24.2.2.
21.
Ponzanesi, S., Waller, M.R.: Postcolonial cinema studies. Routledge, Abingdon, Oxon (2012).
22.
Ashcroft, B., Griffiths, G., Tiffin, H.: Key concepts in post-colonial studies. Routledge, London (1998).
23.
Hargreaves, A.G., McKinney, M.: Post-colonial cultures in France. Routledge, London (1997).
24.
Elsaesser, T., Barker, A.: Early cinema: space-frame-narrative. BFI Publishing, London (1990).
25.
Allen, R.C.: From exhibition to reception: reflections on the audience in film history. Screen. 31, 347–356 (1990). https://doi.org/10.1093/screen/31.4.347.
26.
Hansen, M., American Council of Learned Societies: Babel and Babylon: spectatorship in American silent film. Harvard University Press, Cambridge, Mass (1991).
27.
Hansen, M.: Early cinema, late cinema: permutations of the public sphere. Screen. 34, 197–210 (1993). https://doi.org/10.1093/screen/34.3.197.
28.
Klinger, B.: Film history terminable and interminable: recovering the past in reception studies. Screen. 38, 107–128 (1997). https://doi.org/10.1093/screen/38.2.107.
29.
Manovich, L., American Council of Learned Societies: The language of new media. MIT Press, Cambridge, Mass (2002).
30.
Acland, C.R., Ebooks Corporation Limited: Screen traffic: movies, multiplexes, and global culture. Duke University Press, Durham, North Carolina (2003).
31.
BEFORE THE NICKELODEON, https://www.youtube.com/watch?v=CMKPiUj4s20, (28)AD.
32.
Paul, R.W., British Film Institute: R.W. Paul: the collected films 1895-1908.
33.
Silent Feminists, The: America’s First Women Directors DVD - School Media Associates.
34.
Electric Edwardians The Films of Mitchell & Kenyon, https://www.youtube.com/watch?v=oTf9o_mIE4I, (26)AD.
35.
Santaolalla, I.: The cinema of Iciar Bollaín. Manchester University Press, Manchester (2012).
36.
Ďurovičová, N., Newman, K.: World cinemas, transnational perspectives. Routledge, New York, NY (2010).
37.
Oria, B., Oliete-Aldea, E., Tarancón, J.A. eds: Global genres, local films: the transnational dimension of Spanish cinema. Bloomsbury, London (2016).
38.
Ebooks Corporation Limited: Cinema and nation. Routledge, London (2000).
39.
Dennison, S. ed: Contemporary Hispanic cinema: interrogating the transnational in Spanish and Latin American film. Tamesis, Woodbridge (2013).
40.
Will Higbee: Concepts of transnational cinema: towards a critical transnationalism in film studies. Transnational Cinemas.
41.
Ezra, E., Rowden, T.: Transnational cinema: the film reader. Routledge, London (2006).
42.
Hill Collins, P., Bilge, S.: Intersectionality. Polity Press, Cambridge, UK (2016).
43.
Torricelli, E.: Multicultural Glasgow: Imagining Scotland as a Space of Cultural Intersection in Scots-Asian Films of the 2000s. Alphaville. 13, (2017).
44.
Hill, J., British Film Institute: Ken Loach: the politics of film and television. BFI, London (2011).
45.
Hill Collins, P., Bilge, S.: Intersectionality. Polity Press, Cambridge, UK (2016).
46.
hooks, bell: Reel to real: race, sex, and class at the movies. Routledge, London (2008).
47.
Sutherland, J.-A., Feltey, K.M.: Here’s looking at her: an intersectional analysis of women, power and feminism in film. Journal of Gender Studies. 1–14 (2016). https://doi.org/10.1080/09589236.2016.1152956.
48.
Barker, J.M., American Council of Learned Societies: The tactile eye: touch and the cinematic experience. University of California Press, Berkeley (2009).
49.
Seigworth, G.J.: The affect theory reader. Duke University Press, Durham, NC (2010).
50.
Marks, L.U.: The skin of the film: intercultural cinema, embodiment, and the senses. Duke University Press, Durham, NC (2000).
51.
Sobchack, V.C., American Council of Learned Societies: Carnal thoughts: embodiment and moving image culture. University of California Press, Berkeley (2004).
52.
Rodowick, D.N.: The virtual life of film. Harvard University Press, Cambridge, Mass (2007).
53.
Shaviro, S.: Post cinematic affect. Zero Books, Ropley (2010).
54.
Shaviro, S.: Post cinematic affect. Zero Books, Ropley (2010).
55.
Manovich, L., American Council of Learned Societies: The language of new media. MIT Press, Cambridge, Mass (2002).
56.
Wolf, M.J.P., Perron, B.: The video game theory reader. Routledge, New York, NY (2003).
57.
Donovan, T.: Replay: the history of video games. Yellow Ant, Lewes, East Sussex (2010).
58.
Wolf, M.J.P.: The medium of the video game. University of Texas Press, Austin, TX (2001).
59.
Mäyrä, F.: An introduction to game studies: games in culture. SAGE, London (2008).
60.
Juul, J.: The art of failure: an essay on the pain of playing video games. MIT Press, Cambridge, Massachusetts (2013).
61.
Johnson, D.: INVITING AUDIENCES IN. New Review of Film and Television Studies. 5, 61–80 (2007). https://doi.org/10.1080/17400300601140183.
62.
Jenkins, H.: Fans, bloggers, and gamers: exploring participatory culture. New York University Press, New York (2006).
63.
Jenkins, H.: Textual poachers: television fans and participatory culture. Routledge, London (2015).
64.
Murray, S.: ‘Celebrating the story the way it is’: cultural studies, corporate media and the contested utility of fandom. Continuum. 18, 7–25 (2004). https://doi.org/10.1080/1030431032000180978.
65.
Hills, M., ProQuest (Firm): Fan cultures. Routledge, London (2002).
66.
Ebooks Corporation Limited: Television as digital media. Duke University Press, Durham, NC (2011).
67.
Aaron, M.: Spectatorship: the power of looking on. Wallflower, London (2006).
68.
Easthope, A.: Contemporary film theory. Longman, London (1993).
69.
Rosen, P.T.: Narrative, apparatus, ideology: a film theory reader. Columbia University Press, New York, N.Y. (1986).
70.
Stam, R.: Film theory: an introduction. Blackwell, Malden, Mass (2000).
71.
Stam, R., Miller, T.: Film and theory: an anthology. Blackwell, Malden, Mass (2000).
72.
Braudy, L., Cohen, M.: Film theory and criticism: introductory readings. Oxford University Press, New York (2009).
73.
Cook, P., Bernink, M., British Film Institute: The cinema book. British Film Institute Publishing, London (1999).
74.
Hill, J., Gibson, P.C.: The Oxford guide to film studies. Oxford University Press, New York, N.Y. (1998).
75.
Nelmes, J.: Introduction to film studies. Routledge, London (2012).
76.
Hollows, J., Hutchings, P., Jancovich, M.: The film studies reader. Arnold, London (2000).
77.
Bogle, D.: Toms, coons, mulattoes, mammies, & bucks: an interpretive history of Blacks in American films. Continuum, New York, N.Y. (2003).
78.
Haskell, M.: From reverence to rape: the treatment of women in the movies. University of Chicago Press, Chicago (1987).
79.
Norden, M.F.: The cinema of isolation: a history of physical disability in the movies. Rutgers University Press, New Brunswick, N.J. (1994).
80.
Barrett, M., British Sociological Association: Ideology and cultural production. Croom Helm, London (1979).
81.
Russo, V.: The celluloid closet: homosexuality in the movies. Perennial Library, New York (1987).
82.
Carson, D., Dittmar, L., Welsch, J.R.: Multiple voices in feminist film criticism. University of Minnesota Press, Minneapolis, Minn (1994).
83.
Kaplan, E.A.: Feminism and film. Oxford University Press, Oxford (2000).
84.
Penley, C., British Film Institute: Feminism and film theory. Methuen in association with the British Film Institute, London (1988).
85.
Radner, H., Stringer, R.: Feminism at the movies: understanding gender in contemporary popular cinema. Routledge, New York, NY (2011).
86.
Thornham, S.: Passionate detachments: an introduction to feminist film theory. Arnold, London (1997).
87.
Thornham, S.: Feminist film theory: a reader. Edinburgh University Press, Edinburgh (1999).
88.
Duke University Press, Project MUSE., Thomson Gale (Firm): Camera obscura.
89.
Cohan, S., Hark, I.R., Ebooks Corporation Limited: Screening the male: exploring masculinities in Hollywood cinema. Routledge, London (1992).
90.
Dyer, R.: White. Routledge, London (1997).
91.
Easthope, A., ebrary, Inc: What a man’s gotta do: the masculine myth in popular culture. Routledge, New York (1990).
92.
Grant, B.K.: Shadows of doubt: negotiations of masculinity in American genre films. Wayne State University Press, Detroit (2011).
93.
Jeffords, S.: Hard bodies: Hollywood masculinity in the Reagan era. Rutgers University Press, New Brunswick, N.J. (1994).
94.
Peberdy, D.: Masculinity and film performance: Male angst in contemporary American cinema. Palgrave Macmillan, Basingstoke (2011).
95.
Powrie, P., Davies, A., Babington, B.: The trouble with men: masculinities in European and Hollywood cinema. Wallflower, London (2004).
96.
Rehling, N.: Extra-ordinary men: white heterosexual masculinity in contemporary popular cinema. Lexington Books, Lanham, MD (2009).
97.
Tasker, Y.: Spectacular bodies: gender, genre, and the action cinema. Routledge, London (1993).
98.
Dyer, R.: White. Routledge, London (1997).
99.
hooks, bell: Reel to real: race, sex, and class at the movies. Routledge, London (2008).
100.
Shohat, E., Stam, R.: Unthinking Eurocentrism: multiculturalism and the media. Routledge, London (2014).
101.
Stam, R., Spence, L.: Colonialism, Racism and Representation. Screen. 24, 2–20 (1983). https://doi.org/10.1093/screen/24.2.2.
102.
Aaron, M.: New queer cinema: a critical reader. Edinburgh University Press, Edinburgh (2004).
103.
Benshoff, H.M., Griffin, S.: Queer cinema: the film reader. Routledge, New York (2004).
104.
Creekmur, C.K., Doty, A.: Out in culture: gay, lesbian, and queer essays on popular culture. Cassell, London (1995).
105.
Waugh, T.: The fruit machine: twenty years of writings on queer cinema. Duke University Press, Durham (2000).
106.
Acland, C.R., Ebooks Corporation Limited: Screen traffic: movies, multiplexes, and global culture. Duke University Press, Durham, North Carolina (2003).
107.
Ang, I., Dawson Books: Living room wars: rethinking media audiences for a postmodern world. Routledge, London (1996).
108.
Austin, T.: Hollywood, hype and audiences: selling and watching popular film in the 1990s. Manchester University Press, Manchester (2002).
109.
Bobo, J.: Black women as cultural readers. Columbia University Press, New York, N.Y. (1995).
110.
Branston, G.: Cinema and cultural modernity. Open University Press, Buckingham (2000).
111.
Breakwell, I., Hammond, P.: Seeing in the dark: a compendium of cinemagoing. Serpent’s Tail, London (1990).
112.
Brooker, W., Jermyn, D.: The audience studies reader. Routledge, London (2002).
113.
Fuller-Seeley, K.H., American Council of Learned Societies: Hollywood in the neighborhood: historical case studies of local moviegoing. University of California Press, Berkeley (2008).
114.
Gillespie, M.: Television, ethnicity and cultural change. Routledge, London (1995).
115.
Hansen, M., American Council of Learned Societies: Babel and Babylon: spectatorship in American silent film. Harvard University Press, Cambridge, Mass (1991).
116.
Jancovich, M., Faire, L., Stubbings, S.: The place of the audience: cultural geographies of film consumption. British Film Institute, London (2003).
117.
Morley, D.: Television, audiences and cultural studies. Routledge, London (1992).
118.
Morley, D.: Family television: cultural power and domestic leisure. Comedia, London (1986).
119.
Musser, C.: The emergence of cinema: the American screen to 1907. Charles Scribner’s Sons, New York, N.Y. (1990).
120.
Nightingale, V., Ross, K.: Critical readings: media and audiences. Open University Press, Maidenhead (2003).
121.
Ross, K., Nightingale, V.: Media and audiences: new perspectives. Open University Press, Buckingham (2003).
122.
Seiter, E., Universität Tübingen. Abteilung für Amerikanistik: Remote control: television, audiences, and cultural power. Routledge, London (1989).
123.
Stacey, J.: Star gazing: Hollywood cinema and female spectatorship. Routledge, London (1994).
124.
Tulloch, J.: Watching television audiences: cultural theories and methods. Arnold, London (2000).
125.
Caughie, J.: Telephilia and Distraction: Terms of Engagement. Journal of British Cinema and Television. 3, 5–18 (2006). https://doi.org/10.3366/JBCTV.2006.3.1.5.
126.
Hemmings, C.: INVOKING AFFECT. Cultural Studies. 19, 548–567 (2005). https://doi.org/10.1080/09502380500365473.
127.
Marks, L.U.: The skin of the film: intercultural cinema, embodiment, and the senses. Duke University Press, Durham, NC (2000).
128.
Smit, A.: Broadcasting the body: affect, embodiment and bodily excess on contemporary television. (2010).
129.
Tyler, I., Coleman, R., Ferreday, D.: Commentary And Criticism. Feminist Media Studies. 8, 85–99 (2008). https://doi.org/10.1080/14680770801899226.
