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Rosen PT. Narrative, apparatus, ideology: a film theory reader. New York, N.Y.: Columbia University Press; 1986.
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Rosen PT. Narrative, apparatus, ideology: a film theory reader. New York, N.Y.: Columbia University Press; 1986.
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Klinger B. ‘Cinema/Ideology/Crititicism’ Revisited: The Progressive Text. Screen. 1984 Jan 1;25(1):30–44.
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During S. The cultural studies reader. 3rd ed. London: Routledge; 2007.
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Morley D. Television, audiences and cultural studies [Internet]. London: Routledge; 1992. Available from: https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203398357
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Ang I, Dawson Books. Living room wars: rethinking media audiences for a postmodern world [Internet]. London: Routledge; 1996. Available from: https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203129432
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Brooker W, Jermyn D. The audience studies reader. London: Routledge; 2002.
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Ellis J, Ebooks Corporation Limited. Visible fictions: cinema : television : video [Internet]. Revised edition. London: Routledge & Kegan Paul; 1992. Available from: http://gla.eblib.com/patron/FullRecord.aspx?p=178323
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Morley D. Television, audiences and cultural studies [Internet]. London: Routledge; 1992. Available from: https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203398357
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Seiter E, Universität Tübingen. Abteilung für Amerikanistik. Remote control: television, audiences, and cultural power. London: Routledge; 1989.
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Tulloch J. Watching television audiences: cultural theories and methods. London: Arnold; 2000.
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Mulvey L. Visual Pleasure and Narrative Cinema. Screen. 1975 Sep 1;16(3):6–18.
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Nelmes J. Introduction to film studies. 5th ed. London: Routledge; 2012.
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Dyer R. Don’t Look Now. Screen. 1982 Sep 1;23(3–4):61–73.
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Neale S. Masculinity as Spectacle. Screen. 1983 Nov 1;24(6):2–17.
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Stacey J. Star gazing: Hollywood cinema and female spectatorship [Internet]. London: Routledge; 1994. Available from: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1539525
18.
Visual Pleasures at 40’ Dossier. Screen. 2015 Dec;56(4):485–471.
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Heffelfinger E, Wright L. Visual difference: postcolonial studies and intercultural cinema. Vol. Framing film. New York, NY: Peter Lang; 2011.
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Elsaesser T, Barker A. Early cinema: space-frame-narrative. London: BFI Publishing; 1990.
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Allen RC. From exhibition to reception: reflections on the audience in film history. Screen. 1990 Dec 1;31(4):347–56.
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Hansen M, American Council of Learned Societies. Babel and Babylon: spectatorship in American silent film [Internet]. Cambridge, Mass: Harvard University Press; 1991. Available from: http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.08219
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Hansen M. Early cinema, late cinema: permutations of the public sphere. Screen. 1993 Sep 1;34(3):197–210.
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Klinger B. Film history terminable and interminable: recovering the past in reception studies. Screen. 1997 Jun 1;38(2):107–28.
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Manovich L, American Council of Learned Societies. The language of new media [Internet]. 1st MIT Press pbk. ed. Vol. Leonardo. Cambridge, Mass: MIT Press; 2002. Available from: http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.31966
30.
Acland CR, Ebooks Corporation Limited. Screen traffic: movies, multiplexes, and global culture [Internet]. Durham, North Carolina: Duke University Press; 2003. Available from: http://gla.eblib.com/patron/FullRecord.aspx?p=1167926
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Paul RW, British Film Institute. R.W. Paul: the collected films 1895-1908. Vol. Early British Studios. BFI.;
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Santaolalla I. The cinema of Iciar Bollaín. Vol. Spanish and Latin American filmmakers. Manchester: Manchester University Press; 2012.
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Ďurovičová N, Newman K. World cinemas, transnational perspectives [Internet]. New York, NY: Routledge; 2010. Available from: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=449452
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Oria B, Oliete-Aldea E, Tarancón JA, editors. Global genres, local films: the transnational dimension of Spanish cinema. London: Bloomsbury; 2016.
38.
Ebooks Corporation Limited. Cinema and nation [Internet]. Hjort M, MacKenzie S, editors. London: Routledge; 2000. Available from: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=240252
39.
Dennison S, editor. Contemporary Hispanic cinema: interrogating the transnational in Spanish and Latin American film. Vol. Colección Támesis. Serie A: Monografias. Woodbridge: Tamesis; 2013.
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Will Higbee. Concepts of transnational cinema: towards a critical transnationalism in film studies. Transnational Cinemas [Internet]. Available from: http://ezproxy.lib.gla.ac.uk/login?url=http://www.tandfonline.com/doi/abs/10.1386/trac.1.1.7/1
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Ezra E, Rowden T. Transnational cinema: the film reader. Vol. In focus--Routledge film readers. London: Routledge; 2006.
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Hill Collins P, Bilge S. Intersectionality [Internet]. Vol. Key concepts series. Cambridge, UK: Polity Press; 2016. Available from: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=4698012
43.
Torricelli E. Multicultural Glasgow: Imagining Scotland as a Space of Cultural Intersection in Scots-Asian Films of the 2000s. Alphaville [Internet]. 2017;13. Available from: http://www.alphavillejournal.com/Issue13/13_5Article_Torricelli.pdf
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Hill J, British Film Institute. Ken Loach: the politics of film and television. London: BFI; 2011.
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Hill Collins P, Bilge S. Intersectionality [Internet]. Vol. Key concepts series. Cambridge, UK: Polity Press; 2016. Available from: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=4698012
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hooks bell. Reel to real: race, sex, and class at the movies. London: Routledge; 2008.
47.
Sutherland JA, Feltey KM. Here’s looking at her: an intersectional analysis of women, power and feminism in film. Journal of Gender Studies. 2016 Mar 4;1–14.
48.
Barker JM, American Council of Learned Societies. The tactile eye: touch and the cinematic experience [Internet]. Berkeley: University of California Press; 2009. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.08197
49.
Seigworth GJ. The affect theory reader [Internet]. Gregg M, editor. Durham, NC: Duke University Press; 2010. Available from: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1172305
50.
Marks LU. The skin of the film: intercultural cinema, embodiment, and the senses [Internet]. Durham, NC: Duke University Press; 2000. Available from: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1167652
51.
Sobchack VC, American Council of Learned Societies. Carnal thoughts: embodiment and moving image culture [Internet]. Berkeley: University of California Press; 2004. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.08034
52.
Rodowick DN. The virtual life of film [Internet]. Cambridge, Mass: Harvard University Press; 2007. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.08243
53.
Shaviro S. Post cinematic affect [Internet]. Ropley: Zero Books; 2010. Available from: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=664329
54.
Shaviro S. Post cinematic affect [Internet]. Ropley: Zero Books; 2010. Available from: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=664329
55.
Manovich L, American Council of Learned Societies. The language of new media [Internet]. 1st MIT Press pbk. ed. Vol. Leonardo. Cambridge, Mass: MIT Press; 2002. Available from: http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.31966
56.
Wolf MJP, Perron B. The video game theory reader [Internet]. New York, NY: Routledge; 2003. Available from: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1461087
57.
Donovan T. Replay: the history of video games. Lewes, East Sussex: Yellow Ant; 2010.
58.
Wolf MJP. The medium of the video game. 1st ed. Austin, TX: University of Texas Press; 2001.
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Mäyrä F. An introduction to game studies: games in culture. London: SAGE; 2008.
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Juul J. The art of failure: an essay on the pain of playing video games [Internet]. Vol. Playful thinking. Cambridge, Massachusetts: MIT Press; 2013. Available from: https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780262313124
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Johnson D. INVITING AUDIENCES IN. New Review of Film and Television Studies. 2007 Apr;5(1):61–80.
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Jenkins H. Fans, bloggers, and gamers: exploring participatory culture [Internet]. New York: New York University Press; 2006. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.08235
63.
Jenkins H. Textual poachers: television fans and participatory culture [Internet]. Updated twentieh anniversary edition. London: Routledge; 2015. Available from: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1097854
64.
Murray S. ‘Celebrating the story the way it is’: cultural studies, corporate media and the contested utility of fandom. Continuum. 2004 Mar;18(1):7–25.
65.
Hills M, ProQuest (Firm). Fan cultures [Internet]. London: Routledge; 2002. Available from: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=180483
66.
Ebooks Corporation Limited. Television as digital media [Internet]. Bennett J, Strange N, editors. Vol. Console-ing Passions. Durham, NC: Duke University Press; 2011. Available from: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1172303
67.
Aaron M. Spectatorship: the power of looking on. Vol. Short cuts (London, England). London: Wallflower; 2006.
68.
Easthope A. Contemporary film theory. Vol. Longman critical readers. London: Longman; 1993.
69.
Rosen PT. Narrative, apparatus, ideology: a film theory reader. New York, N.Y.: Columbia University Press; 1986.
70.
Stam R. Film theory: an introduction. Malden, Mass: Blackwell; 2000.
71.
Stam R, Miller T. Film and theory: an anthology. Malden, Mass: Blackwell; 2000.
72.
Braudy L, Cohen M. Film theory and criticism: introductory readings. 7th ed. New York: Oxford University Press; 2009.
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Cook P, Bernink M, British Film Institute. The cinema book. 2nd ed. London: British Film Institute Publishing; 1999.
74.
Hill J, Gibson PC. The Oxford guide to film studies. New York, N.Y.: Oxford University Press; 1998.
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Nelmes J. Introduction to film studies. 5th ed. London: Routledge; 2012.
76.
Hollows J, Hutchings P, Jancovich M. The film studies reader. London: Arnold; 2000.
77.
Bogle D. Toms, coons, mulattoes, mammies, & bucks: an interpretive history of Blacks in American films. 4th ed. New York, N.Y.: Continuum; 2003.
78.
Haskell M. From reverence to rape: the treatment of women in the movies. 2nd ed. Chicago: University of Chicago Press; 1987.
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Norden MF. The cinema of isolation: a history of physical disability in the movies. New Brunswick, N.J.: Rutgers University Press; 1994.
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Barrett M, British Sociological Association. Ideology and cultural production. Vol. Explorations in sociology. London: Croom Helm; 1979.
81.
Russo V. The celluloid closet: homosexuality in the movies. Rev. ed. New York: Perennial Library; 1987.
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Carson D, Dittmar L, Welsch JR. Multiple voices in feminist film criticism. Minneapolis, Minn: University of Minnesota Press; 1994.
83.
Kaplan EA. Feminism and film. Vol. Oxford readings in feminism. Oxford: Oxford University Press; 2000.
84.
Penley C, British Film Institute. Feminism and film theory. London: Methuen in association with the British Film Institute; 1988.
85.
Radner H, Stringer R. Feminism at the movies: understanding gender in contemporary popular cinema. New York, NY: Routledge; 2011.
86.
Thornham S. Passionate detachments: an introduction to feminist film theory. London: Arnold; 1997.
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Thornham S. Feminist film theory: a reader. Edinburgh: Edinburgh University Press; 1999.
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Duke University Press, Project MUSE., Thomson Gale (Firm). Camera obscura.
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Cohan S, Hark IR, Ebooks Corporation Limited. Screening the male: exploring masculinities in Hollywood cinema [Internet]. London: Routledge; 1992. Available from: http://www.GLA.eblib.com/EBLWeb/patron/?target=patron&extendedid=E_338076_0
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Dyer R. White. London: Routledge; 1997.
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Easthope A, ebrary, Inc. What a man’s gotta do: the masculine myth in popular culture. New York: Routledge; 1990.
92.
Grant BK. Shadows of doubt: negotiations of masculinity in American genre films [Internet]. Detroit: Wayne State University Press; 2011. Available from: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=3416510
93.
Jeffords S. Hard bodies: Hollywood masculinity in the Reagan era. New Brunswick, N.J.: Rutgers University Press; 1994.
94.
Peberdy D. Masculinity and film performance: Male angst in contemporary American cinema [Internet]. Basingstoke: Palgrave Macmillan; 2011. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://link.springer.com/book/10.1057/9780230308701
95.
Powrie P, Davies A, Babington B. The trouble with men: masculinities in European and Hollywood cinema. London: Wallflower; 2004.
96.
Rehling N. Extra-ordinary men: white heterosexual masculinity in contemporary popular cinema. Lanham, MD: Lexington Books; 2009.
97.
Tasker Y. Spectacular bodies: gender, genre, and the action cinema. Vol. A Comedia book. London: Routledge; 1993.
98.
Dyer R. White. London: Routledge; 1997.
99.
hooks bell. Reel to real: race, sex, and class at the movies. London: Routledge; 2008.
100.
Shohat E, Stam R. Unthinking Eurocentrism: multiculturalism and the media [Internet]. Second edition. Vol. Sightlines. London: Routledge; 2014. Available from: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1707455
101.
Stam R, Spence L. Colonialism, Racism and Representation. Screen. 1983 Mar 1;24(2):2–20.
102.
Aaron M. New queer cinema: a critical reader. Edinburgh: Edinburgh University Press; 2004.
103.
Benshoff HM, Griffin S. Queer cinema: the film reader. Vol. In focus--Routledge film readers. New York: Routledge; 2004.
104.
Creekmur CK, Doty A. Out in culture: gay, lesbian, and queer essays on popular culture. London: Cassell; 1995.
105.
Waugh T. The fruit machine: twenty years of writings on queer cinema. Durham: Duke University Press; 2000.
106.
Acland CR, Ebooks Corporation Limited. Screen traffic: movies, multiplexes, and global culture [Internet]. Durham, North Carolina: Duke University Press; 2003. Available from: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1167926
107.
Ang I, Dawson Books. Living room wars: rethinking media audiences for a postmodern world [Internet]. London: Routledge; 1996. Available from: https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203129432
108.
Austin T. Hollywood, hype and audiences: selling and watching popular film in the 1990s. Vol. Inside popular film. Manchester: Manchester University Press; 2002.
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Bobo J. Black women as cultural readers. Vol. Film and culture. New York, N.Y.: Columbia University Press; 1995.
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Branston G. Cinema and cultural modernity. Vol. Issues in cultural and media studies. Buckingham: Open University Press; 2000.
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Breakwell I, Hammond P. Seeing in the dark: a compendium of cinemagoing. London: Serpent’s Tail; 1990.
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Brooker W, Jermyn D. The audience studies reader. London: Routledge; 2002.
113.
Fuller-Seeley KH, American Council of Learned Societies. Hollywood in the neighborhood: historical case studies of local moviegoing [Internet]. Berkeley: University of California Press; 2008. Available from: http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.08082
114.
Gillespie M. Television, ethnicity and cultural change. Vol. Comedia (Routledge). London: Routledge; 1995.
115.
Hansen M, American Council of Learned Societies. Babel and Babylon: spectatorship in American silent film [Internet]. Cambridge, Mass: Harvard University Press; 1991. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.08219
116.
Jancovich M, Faire L, Stubbings S. The place of the audience: cultural geographies of film consumption. London: British Film Institute; 2003.
117.
Morley D. Television, audiences and cultural studies [Internet]. London: Routledge; 1992. Available from: https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203398357
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Morley D. Family television: cultural power and domestic leisure. London: Comedia; 1986.
119.
Musser C. The emergence of cinema: the American screen to 1907 [Internet]. Vol. v. 1. New York, N.Y.: Charles Scribner’s Sons; 1990. Available from: https://link.gale.com/apps/pub/5FED/GVRL?sid=gale_marc&u=glasuni
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Nightingale V, Ross K. Critical readings: media and audiences. Vol. Issues in cultural and media studies. Maidenhead: Open University Press; 2003.
121.
Ross K, Nightingale V. Media and audiences: new perspectives. Vol. Issues in cultural and media studies. Buckingham: Open University Press; 2003.
122.
Seiter E, Universität Tübingen. Abteilung für Amerikanistik. Remote control: television, audiences, and cultural power. London: Routledge; 1989.
123.
Stacey J. Star gazing: Hollywood cinema and female spectatorship [Internet]. London: Routledge; 1994. Available from: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1539525
124.
Tulloch J. Watching television audiences: cultural theories and methods. London: Arnold; 2000.
125.
Caughie J. Telephilia and Distraction: Terms of Engagement. Journal of British Cinema and Television. 2006 May;3(1):5–18.
126.
Hemmings C. INVOKING AFFECT. Cultural Studies. 2005 Sep;19(5):548–67.
127.
Marks LU. The skin of the film: intercultural cinema, embodiment, and the senses [Internet]. Durham, NC: Duke University Press; 2000. Available from: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1167652
128.
Smit A. Broadcasting the body: affect, embodiment and bodily excess on contemporary television [Internet]. 2010. Available from: https://theses.gla.ac.uk/2278/
129.
Tyler I, Coleman R, Ferreday D. Commentary And Criticism. Feminist Media Studies. 2008 Mar;8(1):85–99.
