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Parsons L, Ravenscroft B, eds. Analytical Essays on Music by Women Composers: Concert Music from 1960-2000. Oxford University Press; 2016. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780190236861.001.0001
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Cook N. A Guide to Musical Analysis. Oxford University Press; 1994. https://contentstore.cla.co.uk//secure/link?id=a759bbf8-e940-e911-80cd-005056af4099
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Christensen T, ed. The Cambridge History of Western Music Theory. Vol The Cambridge History of Music. Cambridge University Press; 2002. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CHOL9780521623711
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Cadwallader AC, Gagné David. Analysis of Tonal Music: A Schenkerian Approach. 3rd ed. Oxford University Press; 2011. https://contentstore.cla.co.uk//secure/link?id=b1c1f9d8-e940-e911-80cd-005056af4099
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Forte A, Gilbert SE. Introduction to Schenkerian Analysis. Norton; 1982.
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Pankhurst T. SchenkerGUIDE: A Brief Handbook and Website for Schenkerian Analysis. Routledge; 2008.
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Gollin E, Rehding A. The Oxford Handbook of Neo-Riemannian Music Theories. Oxford University Press; 2011. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/oxfordhb/9780195321333.001.0001
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Lewin D. Generalized Musical Intervals and Transformations. Oxford University Press; 2007. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780195317138.001.0001
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Rings S. Tonality and Transformation. Vol Oxford studies in music theory. Oxford University Press; 2011. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780195384277.001.0001
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Dunsby J, Whittall A. Music Analysis in Theory and Practice. Faber; 1988. https://contentstore.cla.co.uk//secure/link?id=1fc026ed-e940-e911-80cd-005056af4099
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Forte A. The Structure of Atonal Music. Yale University Press; 1973.
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Forte A. The Atonal Music of Anton Webern. Vol Composers of the twentieth century. Yale University Press; 1998.
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Straus JN. Introduction to Post-Tonal Theory. 3rd ed. Prentice Hall; 2005.
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Cook N. The Schenker Project : Culture, Race, and Music Theory in Fin-de-Siècle Vienna. Oxford University Press; 2007.
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Kramer JD. The Time of Music: New Meanings, New Temporalities, New Listening Strategies. Schirmer; 1988. https://contentstore.cla.co.uk//secure/link?id=aa4dd400-ea40-e911-80cd-005056af4099
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Mirka D. Metric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787-1791. Vol Oxford studies in music theory. Oxford University Press; 2014.
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Mirka D, Agawu VK. Communication in Eighteenth-Century Music. Cambridge University Press; 2008. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9781107187375
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Butler MJ. Unlocking the Groove: Rhythm, Meter, and Musical Design in Electronic Dance Music. Vol Profiles in popular music. Indiana University Press; 2006.
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Hasty CF. Meter as Rhythm. Oxford University Press; 1997.
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Huron DB. Sweet Anticipation: Music and the Psychology of Expectation. The MIT Press; 2007. https://ezproxy.lib.gla.ac.uk/login?url=https://cognet.mit.edu/book/sweet-anticipation
21.
Lerdahl F. Tonal Pitch Space. Oxford University Press; 2001. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780195178296.001.0001
22.
Butler MJ. Unlocking the Groove: Rhythm, Meter, and Musical Design in Electronic Dance Music. Vol Profiles in popular music. Indiana University Press; 2006. https://contentstore.cla.co.uk//secure/link?id=fd44f2cb-e940-e911-80cd-005056af4099
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Moore AF, Dawson Books. Analyzing Popular Music. Cambridge University Press; 2003. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780511306297
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Moore AF. Rock: The Primary Text : Developing a Musicology of Rock. Vol Ashgate popular and folk music series. 2nd ed. Ashgate; 2001. https://contentstore.cla.co.uk//secure/link?id=024279e0-e940-e911-80cd-005056af4099
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Moore AF. Song Means: Analysing and Interpreting Recorded Popular Song. Vol Ashgate popular folk music series. Ashgate; 2012.
26.
Cook N, Oxford University Press. Beyond the Score: Music as Performance. Oxford University Press; 2014. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780199357406.001.0001
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Cook N, Everist M. Rethinking Music. Oxford University Press; 1999. https://contentstore.cla.co.uk//secure/link?id=20c026ed-e940-e911-80cd-005056af4099
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Rink J. Musical Performance: A Guide to Understanding. Cambridge University Press; 2002. http://lib.myilibrary.com/browse/open.asp?id=238937&entityid=https://idp.gla.ac.uk/shibboleth
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Rink J. The Practice of Performance: Studies in Musical Interpretation. Cambridge University Press; 1995. https://contentstore.cla.co.uk//secure/link?id=014279e0-e940-e911-80cd-005056af4099
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Goehr L, Oxford University Press. The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music. Oxford University Press; 2004. https://ezproxy.lib.gla.ac.uk/login?url=https://doi.org/10.1093/0198235410.001.0001
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Neuwirth O. Laki: für Trompete solo, 2006. Published online 2006.
32.
Mamlok U. Panta rhei =: Time in flux : violin, violoncello, and piano.
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Saariaho K. Du cristal. Published online 2002.
