Butler, Mark J. 2006a. Unlocking the Groove: Rhythm, Meter, and Musical Design in Electronic Dance Music. Profiles in popular music. Indiana University Press.
Butler, Mark J. 2006b. Unlocking the Groove: Rhythm, Meter, and Musical Design in Electronic Dance Music. Profiles in popular music. Indiana University Press. https://contentstore.cla.co.uk//secure/link?id=fd44f2cb-e940-e911-80cd-005056af4099.
Cadwallader, Allen Clayton and Gagné David. 2011. Analysis of Tonal Music: A Schenkerian Approach. 3rd ed. Oxford University Press. https://contentstore.cla.co.uk//secure/link?id=b1c1f9d8-e940-e911-80cd-005056af4099.
Christensen, Thomas, ed. 2002. The Cambridge History of Western Music Theory. The Cambridge History of Music. Cambridge University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CHOL9780521623711.
Cook, Nicholas. 1994. A Guide to Musical Analysis. Oxford University Press. https://contentstore.cla.co.uk//secure/link?id=a759bbf8-e940-e911-80cd-005056af4099.
Cook, Nicholas. 2007. The Schenker Project : Culture, Race, and Music Theory in Fin-de-Siècle Vienna. Oxford University Press.
Cook, Nicholas, and Mark Everist. 1999. Rethinking Music. Oxford University Press. https://contentstore.cla.co.uk//secure/link?id=20c026ed-e940-e911-80cd-005056af4099.
Cook, Nicholas and Oxford University Press. 2014. Beyond the Score: Music as Performance. Oxford University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780199357406.001.0001.
Dunsby, Jonathan, and Arnold Whittall. 1988. Music Analysis in Theory and Practice. Faber. https://contentstore.cla.co.uk//secure/link?id=1fc026ed-e940-e911-80cd-005056af4099.
Forte, Allen. 1973. The Structure of Atonal Music. Yale University Press.
Forte, Allen. 1998. The Atonal Music of Anton Webern. Composers of the twentieth century. Yale University Press.
Forte, Allen, and Steven E. Gilbert. 1982. Introduction to Schenkerian Analysis. Norton.
Goehr, Lydia and Oxford University Press. 2004. The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music. Oxford University Press. Electronic resource. https://ezproxy.lib.gla.ac.uk/login?url=https://doi.org/10.1093/0198235410.001.0001.
Gollin, Edward, and Alexander Rehding. 2011. The Oxford Handbook of Neo-Riemannian Music Theories. Oxford University Press. Electronic resource. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/oxfordhb/9780195321333.001.0001.
Hasty, Christopher Francis. 1997. Meter as Rhythm. Oxford University Press.
Huron, David Brian. 2007. Sweet Anticipation: Music and the Psychology of Expectation. The MIT Press. https://ezproxy.lib.gla.ac.uk/login?url=https://cognet.mit.edu/book/sweet-anticipation.
Kramer, Jonathan D. 1988. The Time of Music: New Meanings, New Temporalities, New Listening Strategies. Schirmer. https://contentstore.cla.co.uk//secure/link?id=aa4dd400-ea40-e911-80cd-005056af4099.
Lerdahl, Fred. 2001. Tonal Pitch Space. Oxford University Press. Electronic resource. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780195178296.001.0001.
Lewin, David. 2007. Generalized Musical Intervals and Transformations. Oxford University Press. Electronic resource. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780195317138.001.0001.
Mamlok, Ursula. n.d. Panta Rhei =: Time in Flux : Violin, Violoncello, and Piano. C.F. Peters.
Mirka, Danuta. 2014. Metric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787-1791. Oxford studies in music theory. Oxford University Press.
Mirka, Danuta, and V. Kofi Agawu. 2008. Communication in Eighteenth-Century Music. Cambridge University Press. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9781107187375.
Moore, Allan F. 2001. Rock: The Primary Text : Developing a Musicology of Rock. 2nd ed. Ashgate popular and folk Music series. Ashgate. https://contentstore.cla.co.uk//secure/link?id=024279e0-e940-e911-80cd-005056af4099.
Moore, Allan F. 2012. Song Means: Analysing and Interpreting Recorded Popular Song. Ashgate popular folk music series. Ashgate.
Moore, Allan F. and Dawson Books. 2003. Analyzing Popular Music. Cambridge University Press. Electronic resource. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780511306297.
Neuwirth, Olga. 2006. Laki: Für Trompete Solo, 2006. Boosey & Hawkes.
Pankhurst, Tom. 2008. SchenkerGUIDE: A Brief Handbook and Website for Schenkerian Analysis. Routledge.
Parsons, Laurel, and Brenda Ravenscroft, eds. 2016. Analytical Essays on Music by Women Composers: Concert Music from 1960-2000. Oxford University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780190236861.001.0001.
Rings, Steven. 2011. Tonality and Transformation. Oxford studies in music theory. Oxford University Press. Electronic resource. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780195384277.001.0001.
Rink, John. 1995. The Practice of Performance: Studies in Musical Interpretation. Cambridge University Press. https://contentstore.cla.co.uk//secure/link?id=014279e0-e940-e911-80cd-005056af4099.
Rink, John. 2002. Musical Performance: A Guide to Understanding. Cambridge University Press. Electronic resource. http://lib.myilibrary.com/browse/open.asp?id=238937&entityid=https://idp.gla.ac.uk/shibboleth.
Saariaho, Kaija. 2002. Du Cristal. Edition Wilhelm Hansen.
Straus, Joseph Nathan. 2005. Introduction to Post-Tonal Theory. 3rd ed. Prentice Hall.
