Butler, Mark J. 2006a. Unlocking the Groove: Rhythm, Meter, and Musical Design in Electronic Dance Music. Vol. Profiles in popular music. Bloomington, Ind: Indiana University Press.
———. 2006b. Unlocking the Groove: Rhythm, Meter, and Musical Design in Electronic Dance Music. Vol. Profiles in popular music. Bloomington, Ind: Indiana University Press. https://contentstore.cla.co.uk//secure/link?id=fd44f2cb-e940-e911-80cd-005056af4099.
Cadwallader, Allen Clayton and Gagné David. 2011. Analysis of Tonal Music: A Schenkerian Approach. 3rd ed. New York, N.Y.: Oxford University Press. https://contentstore.cla.co.uk//secure/link?id=b1c1f9d8-e940-e911-80cd-005056af4099.
Christensen, Thomas, ed. 2002. The Cambridge History of Western Music Theory. Vol. The Cambridge History of Music. Cambridge: Cambridge University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CHOL9780521623711.
Cook, Nicholas. 1994. A Guide to Musical Analysis. Oxford: Oxford University Press. https://contentstore.cla.co.uk//secure/link?id=a759bbf8-e940-e911-80cd-005056af4099.
———. 2007. The Schenker Project : Culture, Race, and Music Theory in Fin-de-Siècle Vienna. Oxford: Oxford University Press.
Cook, Nicholas, and Mark Everist. 1999. Rethinking Music. Oxford: Oxford University Press. https://contentstore.cla.co.uk//secure/link?id=20c026ed-e940-e911-80cd-005056af4099.
Cook, Nicholas and Oxford University Press. 2014. Beyond the Score: Music as Performance. New York: Oxford University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780199357406.001.0001.
Dunsby, Jonathan, and Arnold Whittall. 1988. Music Analysis in Theory and Practice. London: Faber. https://contentstore.cla.co.uk//secure/link?id=1fc026ed-e940-e911-80cd-005056af4099.
Forte, Allen. 1973. The Structure of Atonal Music. New Haven: Yale University Press.
———. 1998. The Atonal Music of Anton Webern. Vol. Composers of the twentieth century. New Haven: Yale University Press.
Forte, Allen, and Steven E. Gilbert. 1982. Introduction to Schenkerian Analysis. New York: Norton.
Goehr, Lydia and Oxford University Press. 2004. The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music. Oxford: Oxford University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://doi.org/10.1093/0198235410.001.0001.
Gollin, Edward, and Alexander Rehding. 2011. The Oxford Handbook of Neo-Riemannian Music Theories. New York: Oxford University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/oxfordhb/9780195321333.001.0001.
Hasty, Christopher Francis. 1997. Meter as Rhythm. New York: Oxford University Press.
Huron, David Brian. 2007. Sweet Anticipation: Music and the Psychology of Expectation. Cambridge, Massachusetts: The MIT Press. https://ezproxy.lib.gla.ac.uk/login?url=https://cognet.mit.edu/book/sweet-anticipation.
Kramer, Jonathan D. 1988. The Time of Music: New Meanings, New Temporalities, New Listening Strategies. New York: Schirmer. https://contentstore.cla.co.uk//secure/link?id=aa4dd400-ea40-e911-80cd-005056af4099.
Lerdahl, Fred. 2001. Tonal Pitch Space. New York: Oxford University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780195178296.001.0001.
Lewin, David. 2007. Generalized Musical Intervals and Transformations. New York: Oxford University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780195317138.001.0001.
Mamlok, Ursula. n.d. ‘Panta Rhei =: Time in Flux : Violin, Violoncello, and Piano’. New York: C.F. Peters.
Mirka, Danuta. 2014. Metric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787-1791. Vol. Oxford studies in music theory. New York, NY: Oxford University Press.
Mirka, Danuta, and V. Kofi Agawu. 2008. Communication in Eighteenth-Century Music. Cambridge, UK: Cambridge University Press. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9781107187375.
Moore, Allan F. 2001. Rock: The Primary Text : Developing a Musicology of Rock. 2nd ed. Vol. Ashgate popular and folk music series. Aldershot: Ashgate. https://contentstore.cla.co.uk//secure/link?id=024279e0-e940-e911-80cd-005056af4099.
———. 2012. Song Means: Analysing and Interpreting Recorded Popular Song. Vol. Ashgate popular folk music series. Surrey: Ashgate.
Moore, Allan F. and Dawson Books. 2003. Analyzing Popular Music. Cambridge: Cambridge University Press. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780511306297.
Neuwirth, Olga. 2006. ‘Laki: Für Trompete Solo, 2006’. Berlin: Boosey & Hawkes.
Pankhurst, Tom. 2008. SchenkerGUIDE: A Brief Handbook and Website for Schenkerian Analysis. New York: Routledge.
Parsons, Laurel, and Brenda Ravenscroft, eds. 2016. Analytical Essays on Music by Women Composers: Concert Music from 1960-2000. New York, NY: Oxford University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780190236861.001.0001.
Rings, Steven. 2011. Tonality and Transformation. Vol. Oxford studies in music theory. New York: Oxford University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780195384277.001.0001.
Rink, John. 1995. The Practice of Performance: Studies in Musical Interpretation. Cambridge: Cambridge University Press. https://contentstore.cla.co.uk//secure/link?id=014279e0-e940-e911-80cd-005056af4099.
———. 2002. Musical Performance: A Guide to Understanding. Cambridge: Cambridge University Press. http://lib.myilibrary.com/browse/open.asp?id=238937&entityid=https://idp.gla.ac.uk/shibboleth.
Saariaho, Kaija. 2002. ‘Du Cristal’. Copenhagen: Edition Wilhelm Hansen.
Straus, Joseph Nathan. 2005. Introduction to Post-Tonal Theory. 3rd ed. Upper Saddle River, N.J.: Prentice Hall.
