1.
Suckfüll, Monika: Films That Move Us: Moments of Narrative Impact in an Animated Short Film*. Projections. 4, 41–63.
2.
Jensen, C.S.: Reduced Narration, Intensified Emotion: The Film Trailer. Projections. 8, (2014). https://doi.org/10.3167/proj.2014.080107.
3.
Buckland, W., Ebooks Corporation Limited: Puzzle films: complex storytelling in contemporary cinema. Wiley-Blackwell, Chichester (2009).
4.
Renov, M.: Theorizing documentary. Routledge, New York (1993).
5.
Hongisto, I., ProQuest (Firm): Soul of the documentary: framing, expression, ethics. Amsterdam University Press, Amsterdam (2015).
6.
Demos, T.J., ProQuest (Firm): The migrant image: the art and politics of documentary during global crisis. Duke University Press, Durham, North Carolina (2013).
7.
Elwes, C., ProQuest (Firm): Installation and the moving image. Wallflower Press, London (2015).
8.
Gaafar, R., Schulz, M. eds: Technology and desire: the transgressive art of moving images. Intellect, Bristol (2014).
9.
Balsom, Erika: Original Copies: How Film and Video Became Art Objects. Cinema Journal. 53, 97–118.
10.
Ohanian, T.A., Phillips, M.E.: Digital filmmaking: the changing art and craft of making motion pictures. Focal Press, Boston (2000).
11.
Millerson, G.: Video camera techniques. Focal Press, Oxford (1994).
12.
Block, B.A., Ebooks Corporation Limited: The visual story: creating the visual structure of film, TV, and digital media. Focal Press, New York (2013).
13.
Brown, B., Dawson Books: Cinematography: theory and practice : image making for cinematographers and directors. Elsevier/Focal Press, Waltham, Mass (2012).
14.
Dancyger, K., ProQuest (Firm): The technique of film & video editing: history, theory, and practice. Routledge, New York (2019).
15.
The Cool Stuff in Premiere Pro.
