Balsom, Erika. n.d. ‘Original Copies: How Film and Video Became Art Objects’. Cinema Journal 53: 97–118. https://search-proquest-com.ezproxy.lib.gla.ac.uk/docview/1465556547?accountid=14540.
Block, Bruce A. and Ebooks Corporation Limited. 2013. The Visual Story: Creating the Visual Structure of Film, TV, and Digital Media. Second edition. New York: Focal Press. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=313789.
Brown, Blain and Dawson Books. 2012. Cinematography: Theory and Practice : Image Making for Cinematographers and Directors. 2nd ed. Waltham, Mass: Elsevier/Focal Press. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780080958958.
Buckland, Warren and Ebooks Corporation Limited. 2009. Puzzle Films: Complex Storytelling in Contemporary Cinema. Chichester: Wiley-Blackwell. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=437494.
Dancyger, Ken and ProQuest (Firm). 2019. The Technique of Film & Video Editing: History, Theory, and Practice. Sixth edition. New York: Routledge. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=5583297.
Demos, T. J. and ProQuest (Firm). 2013. The Migrant Image: The Art and Politics of Documentary during Global Crisis. Durham, North Carolina: Duke University Press. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1173300.
Elwes, Catherine and ProQuest (Firm). 2015. Installation and the Moving Image. London: Wallflower Press. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1922326.
Gaafar, Rania, and Martin Schulz, eds. 2014. Technology and Desire: The Transgressive Art of Moving Images. Bristol: Intellect. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=4307301.
Hongisto, Ilona and ProQuest (Firm). 2015. Soul of the Documentary: Framing, Expression, Ethics. Amsterdam: Amsterdam University Press. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=4391575.
Jensen, Charlotte Sun. 2014. ‘Reduced Narration, Intensified Emotion: The Film Trailer’. Projections 8 (1). https://doi.org/10.3167/proj.2014.080107.
Millerson, Gerald. 1994. Video Camera Techniques. 2nd ed. Oxford: Focal Press.
Ohanian, Thomas A., and Michael E. Phillips. 2000. Digital Filmmaking: The Changing Art and Craft of Making Motion Pictures. 2nd ed. Boston: Focal Press.
Renov, Michael. 1993. Theorizing Documentary. New York: Routledge. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1039379.
Suckfüll, Monika. n.d. ‘Films That Move Us: Moments of Narrative Impact in an Animated Short Film*’. Projections 4: 41–63. https://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/766748263?pq-origsite=summon.
The Cool Stuff in Premiere Pro. n.d. https://ezproxy.lib.gla.ac.uk/login?url=https://link.springer.com/book/10.1007%2F978-1-4842-2890-6.
