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Frankétienne, Les affres d’un défi. La Roque-d’Anthéron: Vents d’ailleurs, 2010.
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M. J. A. Chancy, Framing silence: revolutionary        novels by Haitian women. New Brunswick: Rutgers U.P., 1997.
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M. Conde, La parole des femmes: essai sur des romancieres des Antilles de langue francaise. Paris: L’Harmattan, 1979.
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V. Kaussen, Migrant revolutions: Haitian literature, globalization, and U.S. imperialism. Lanham, Md: Lexington Books, 2008 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1207410
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R. B. Larrier, Francophone women writers of Africa and the Caribbean. Gainesville: University Press of Florida, 2000.
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P. B. Miller, Elusive origins: the Enlightenment in the modern Caribbean historical imagination, vol. New World studies. Charlottesville: University of Virginia Press, 2010.
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M. P. Mortimer, Writing from the hearth: public, domestic, and imaginative space in francophone women’s fiction of Africa and the Caribbean, vol. After the empire. Lanham: Lexington Books, 2007.
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V. Orlando, Of suffocated hearts and tortured souls: seeking subjecthood through madness in francophone women’s writing of Africa and the Caribbean. Lanham: Lexington Books, 2003.
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Elles écrivent des Antilles--. Paris: Editions L’Harmattan, 1997.
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M. J. M. Green, Postcolonial subjects: francophone women writers. Minneapolis, Minn: University of Minnesota Press, 1996.
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D. Chancé, Ecritures du chaos: lecture des oeuvres de Frankétienne, Reinaldo Arenas, Joël Des Rosiers, vol. Littérature hors frontière. Saint-Denis: Presses universitaires de Vincennes, 2009.
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G. Voisset and M. Gontard, Eds., Ecritures Caraïbes. Rennes: Presses universitaires de Rennes, 2002.
[32]
R. Douglas, Frankétienne and rewriting: a work in progress. Lanham, Md: Lexington Books, 2009 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=466850
[33]
L. Bolton and 2001 Group (Great Britain), Framed!: essays in French studies, vol. Modern French identities. Bern: Peter Lang, 2007.
[34]
J. Jonassaint, Typo, topo, poethique: sur Franke+ѓtienne, vol. Critiques litte+ѓraires. Paris: Harmattan, 2008.
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C. Lerat, Le monde caraibe: eѓchanges transatlantiques et horizons post-coloniaux : seѓminaires et actes du colloque international, Bordeaux, 7 et 8 de+ѓcembre 2001. Pessac: Maison des sciences de l’homme d’Aquitaine, 2003.
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M. Munro, Writing on the fault line: Haitian literature and the earthquake of 2010, First edition., vol. Contemporary French and francophone cultures. Liverpool: Liverpool University Press, 2014 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.5949/liverpool/9781781381465.001.0001
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O. P. Adisa and D. Weir-Soley, Caribbean erotic: poetry, prose & essays. Leeds, UK: Peepal Tree Press, 2010.
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J. M. Dash, Literature and ideology in Haiti, 1915-1961. Totowa, N.J.: Barnes & Noble Books, 1981.
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Ici-Là: place and displacement in Caribbean writing in French, vol. Cross/cultures. Amsterdam: Rodopi, 2003.
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M. Munro, Shaping and Reshaping the Caribbean: The Work of Aime Cesaire and Rene Depestre, vol. The Work of Aime Cesaire and Rene Depestre. Leeds: Maney Publishing, 2000.
[41]
M. Munro and E. Walcott-Hackshaw, Reinterpreting the Haitian revolution and its cultural aftershocks. Kingston: University of the West Indies Press, 2006.
[42]
R. Peck and C. Temerson, Stolen images: Lumumba and the early films of Raoul Peck : featuring the screenplays, Haitian corner, Lumumba: death of a prophet, The man by the shore, Lumumba. New York: Seven Stories Press, 2012.
[43]
J. E. Braziel, Artists, performers, and black masculinity in the Haitian diaspora. Bloomington: Indiana University Press, 2008.
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Les films de Raoul Peck: Haïti ici et ailleurs : catalogue des films de Raoul Peck. Éditions Velvet, 2001 [Online]. Available: https://www.haiti-reference.com/pages/plan/arts-et-culture/litterature/marche-du-livre-haitien/livres-sur-haiti-2001/
[45]
R. Gabara, From split to screened selves: French and Francophone autobiography in the third person. Stanford, CA: Stanford University Press, 2006.
[46]
M. Gibney, Watching human rights: the 101 best films, vol. International studies intensives. Boulder, CO: Paradigm Publishers, 2013.
[47]
S. Petty, Contact zones: memory, origin and discourses in Black diasporic cinema, vol. Contemporary approaches to film and television series. Detroit, MI: Wayne State University Press, 2008.
[48]
T. Pressley-Sanon and S. Saint-Just, Eds., Raoul Peck: power, politics, and the cinematic imagination. Lanham: Lexington Books, 2015 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=4085794
[49]
V. Hémar, ‘Arnold Antonin Le Cinema de La Liberte’, Journal of Haitian Studies, vol. 22, no. 1, 2013 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://muse.jhu.edu/article/628192
[50]
M. B. Cham and Celebration of Black Cinema, Inc, Ex-iles: essays on Caribbean cinema. Trenton, N.J.: Africa World Press, 1992.
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K. Q. Warner, On location: cinema and film in the anglophone Caribbean, vol. Warwick University Caribbean studies. London: Macmillan, 2000.
[52]
M. Munro, Tropical apocalypse: Haiti and the Caribbean end times, vol. New world studies. Charlottesville: University of Virginia Press, 2015.