Ahmed, S. (1999). Home and away: Narratives of migration and estrangement. International Journal of Cultural Studies, 2(3), 329–347. https://doi.org/10.1177/136787799900200303
Allen, R. C. & Ebooks Corporation Limited. (1992). Channels of discourse, reassembled: television and contemporary criticism (2nd ed). University of North Carolina Press. http://www.gla.eblib.com/patron/FullRecord.aspx?p=880024
Arthurs, J. (2003). Sex and the City and Consumer Culture: Remediating Postfeminist Drama. Feminist Media Studies, 3(1), 83–98. https://doi.org/10.1080/1468077032000080149
Ball, V. (2012). The "Feminization” of British Television and the Re-Traditionalization of Gender. Feminist Media Studies, 12(2), 248–264. https://doi.org/10.1080/14680777.2011.597104
Bammer, A. (n.d.). Editorial: Question of Home. New Formations, 17, vii–xi.
Bennett, J., & Strange, N. (Eds.). (2011). Television as digital media. Duke University Press. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1172303
Bielby, D. D. (2009). Gender inequality in culture industries: Women and men writers in film and television. Sociologie Du Travail, 51(2), 237–252. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/41931423
Bignell, J., & Lacey, S. (Eds.). (2014). British television drama: past, present and future (Second edition). Palgrave Macmillan. http://ezproxy.lib.gla.ac.uk/login?url=http://www.palgraveconnect.com/doifinder/10.1057/9781137327581
Boulos, R., Vikre, E. K., Oppenheimer, S., Chang, H., & Kanarek, R. B. (2012). ObesiTV: How television is influencing the obesity epidemic. Physiology & Behavior, 107(1), 146–153. https://doi.org/10.1016/j.physbeh.2012.05.022
Bradley, P. (Ed.). (2016). Food, media and contemporary culture: the edible image. Palgrave Macmillan. http://ezproxy.lib.gla.ac.uk/login?url=http://link.springer.com/10.1057/9781137463234
Briggs, M. (2007). Meaning, Play & Experience: Audience Activity and the ‘Ontological Bias’ in Children’s Media Research. Participations, 4(2). http://www.participations.org/Volume%204/Issue%202/4_02_briggs.htm
Brunsdon, C., Johnson, C., Moseley, R., & Wheatley, H. (2001). Factual entertainment on British television: The Midlands TV Research Group’s’8-9 Project’. European Journal of Cultural Studies, 4(1), 29–62. https://doi.org/10.1177/136754940100400102
Buonanno, M., & Radice, J. (2008). The age of television: experiences and theories. Intellect Books. http://www.dawsonera.com/guard/protected/dawson.jsp?name=University%20of%20Glasgow&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781841509990
Charlesworth, D. (2016). Stand Up to Cancer 2012 and 2014: The medical telethon as UK public service broadcasting in a neo-liberal age. Critical Studies in Television: The International Journal of Television Studies, 11(2), 217–229. https://doi.org/10.1177/1749602016645750
Cinema Journal. (n.d.). 1–25. https://ezproxy.lib.gla.ac.uk/login?url=https://muse.jhu.edu/issue/32205
Cohen, R. (3 C.E.). In Search of Home. The New York Times. http://www.nytimes.com/2014/04/04/opinion/cohen-in-search-of-home.html?_r=2
Corner, J. (1999). Critical ideas in television studies: Vol. Oxford television studies. Clarendon Press. https://contentstore.cla.co.uk//secure/link?id=7248ff18-cd40-e911-80cd-005056af4099
Creeber, G. (2001). ‘Taking our personal lives seriously’: intimacy, continuity and memory in the television drama serial. Media, Culture & Society, 23(4), 439–455. https://doi.org/10.1177/016344301023004002
Douglas, M. (1991). The Idea of a Home: A Kind of Space. Social Research, 58(1). http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/docview/1297197518?accountid=14540
Felicia D. Henderson. (2011). The Culture Behind Closed Doors: Issues of Gender and Race in the Writers’ Room. Cinema Journal, 50(2), 145–152. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/41240701
Feminist Media Studies: Vol 13, No 2. (2013). http://ezproxy.lib.gla.ac.uk/login?url=https://www.tandfonline.com/toc/rfms20/13/2?nav=tocList
Geraghty, C., & Lusted, D. (1998). The television studies book. Arnold. https://contentstore.cla.co.uk//secure/link?id=4a6d6a21-cd40-e911-80cd-005056af4099
Gore, S. A., Foster, J. A., DiLillo, V. G., Kirk, K., & Smith West, D. (2003). Television viewing and snacking. Eating Behaviors, 4(4), 399–405. https://doi.org/10.1016/S1471-0153(03)00053-9
Gorton, K. (2016). Feeling Northern: ‘heroic women’ in Sally Wainwright’s Happy Valley (BBC One, 2014—). Journal for Cultural Research, 20(1), 73–85. https://doi.org/10.1080/14797585.2015.1134061
Gripsrud, J. (1999). Television and common knowledge: Vol. Comedia series. Routledge. http://ebookcentral.proquest.com/lib/gla/detail.action?docID=169010
Happer, C., Hoskins, A., & Merrin, W. (Eds.). (2019). Trump’s media war. Palgrave Macmillan. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=5558574
Harrington, C. L., Bielby, D. D., & Bardo, A. R. (2011). Life course transitions and the future of fandom. International Journal of Cultural Studies, 14(6), 567–590. https://doi.org/10.1177/1367877911419158
Hastie, A. (2007). Eating in the Dark: A Theoretical Concession. Journal of Visual Culture, 6(2), 283–302. https://doi.org/10.1177/1470412907078570
Horak, J.-C. (2006). Wildlife Documentaries: From Classical Forms to Reality TV. Film History, 18(4), 459–475. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/25165402
Jermyn, D. (2013). Past Their Prime Time?: Women, Ageing and Absence on British Factual Television. Critical Studies in Television: The International Journal of Television Studies, 8(1), 73–90. https://doi.org/10.7227/CST.8.1.7
Ketchum, C. (2005). The Essence of Cooking Shows: How the Food Network Constructs Consumer Fantasies. Journal of Communication Inquiry, 29(3), 217–234. https://doi.org/10.1177/0196859905275972
Kilgour, M. & Ebooks Corporation Limited. (1990). From communion to cannibalism: an anatomy of metaphors of incorporation. Princeton University Press. http://ebookcentral.proquest.com/lib/gla/detail.action?docID=3030878
Lee Harrington, C., & Bielby, D. D. (2010). A life course perspective on fandom. International Journal of Cultural Studies, 13(5), 429–450. https://doi.org/10.1177/1367877910372702
Longmore, P. K. (2016). Telethons: spectacle, disability, and the business of charity. Oxford University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780190262075.001.0001
MacMurraugh-Kavanagh, M. K. (1999). Boys on top: gender and authorship on the BBC Wednesday Play, 1964-70. Media, Culture & Society, 21(3), 409–425. https://doi.org/10.1177/016344399021003006
Mills, B. (2017). Animals on Television: The Cultural Making of the Non-Human. Palgrave Macmillan UK. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1057/978-1-137-51683-1
Mills, B., & Ralph, S. (2015). ‘I Think Women Are Possibly Judged More Harshly with Comedy’: Women and British Television Comedy Production. Critical Studies in Television: An International Journal of Television Studies, 10(2), 102–117. https://doi.org/10.7227/CST.10.2.8
Morley, D. (2001). Belongings: Place, space and identity in a mediated world. European Journal of Cultural Studies, 4(4), 425–448. http://ezproxy.lib.gla.ac.uk/login?url=http://journals.sagepub.com/doi/10.1177/136754940100400404
Morley, D. & Dawson Books. (2000). Home territories: media, mobility, and identity. Routledge. http://www.dawsonera.com/guard/protected/dawson.jsp?name=University%20of%20Glasgow&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203444177
Murray, S., Ouellette, L., & American Council of Learned Societies. (2009). Reality TV: remaking television culture (2nd ed). New York University Press. http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.08301
Naficy, H. (1993). The making of exile cultures: Iranian television in Los Angeles. University of Minnesota Press.
Newcomb, H. M., & Hirsch, P. M. (1983). Television as a cultural forum: Implications for research. Quarterly Review of Film Studies, 8(3), 45–55. https://doi.org/10.1080/10509208309361170
Ouellette, L. (2013). A companion to reality television. Wiley-Blackwell. http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.1002/9781118599594
Ouellette, L., & Hay, J. (2008). Better living through reality TV: television and post-welfare citizenship. Blackwell Publishing. https://contentstore.cla.co.uk//secure/link?id=d93c4612-cd40-e911-80cd-005056af4099
Patterson, N. (2017). Representations of care labour on Lifetime’s. Feminist Media Studies, 17(2), 305–308. https://doi.org/10.1080/14680777.2017.1283748
Pearce, L. (1997). Feminism and the politics of reading. Arnold.
Piper, H. (2016). Broadcast drama and the problem of television aesthetics: home, nation, universe. Screen, 57(2), 163–183. https://doi.org/10.1093/screen/hjw021
Price, M. E. (1995). Television, the public sphere, and national identity. Clarendon Press. https://contentstore.cla.co.uk//secure/link?id=7448ff18-cd40-e911-80cd-005056af4099
Probyn, E. (1993). Sexing the self: gendered positions in cultural studies. Routledge.
Probyn, E. (2000). Carnal appetites: foodsexidentities. Routledge. http://ebookcentral.proquest.com/lib/gla/detail.action?docID=180394
Rowe, K. K. (1990). Roseanne: unruly woman as domestic goddess. Screen, 31(4), 408–419. https://doi.org/10.1093/screen/31.4.408
Scannell, P. (1996). Radio, television and modern life: a phenomenological approach. Blackwell Publishers. https://contentstore.cla.co.uk//secure/link?id=4b6d6a21-cd40-e911-80cd-005056af4099
Sender, K., & Sullivan, M. (2008). Epidemics of will, failures of self-esteem: Responding to fat bodies in The Biggest Loser and What Not to Wear. Continuum, 22(4), 573–584. https://doi.org/10.1080/10304310802190046
Silverstone, R. (1994). Television and everyday life. Routledge. https://contentstore.cla.co.uk//secure/link?id=7348ff18-cd40-e911-80cd-005056af4099
Skeggs, B., & Wood, H. (2012). Reacting to reality television: performance, audience and value. Routledge. http://ebookcentral.proquest.com/lib/gla/detail.action?docID=957761
Stanley, L. (1992). The auto/biographical I: the theory and practice of feminist auto/biography. Manchester University Press.
The Personal Experience of Time: Vol. NATO ASI Subseries B (Softcover reprint of the original 1st ed. 1977). (2013). Springer. https://contentstore.cla.co.uk//secure/link?id=da3c4612-cd40-e911-80cd-005056af4099
Thornham, S., Bassett, C., & Marris, P. (Eds.). (2009). Media studies: a reader (Third edition). New York University Press. https://contentstore.cla.co.uk//secure/link?id=4c6d6a21-cd40-e911-80cd-005056af4099
Tryon, C. (2015). TV Got Better: Netflix’s Original Programming Strategies and the On-Demand Television Transition. Media Industries, 2(2), 104–116. http://www.mediaindustriesjournal.org/index.php/mij/article/view/126/201
Turner, G., van Zoonen, L., & Harvey, J. (2014). Confusion, control and comfort: premediating identity management in film and television. Information, Communication & Society, 17(8), 986–1000. https://doi.org/10.1080/1369118X.2013.870592
Wagg, S. (1998). Because I tell a joke or two: comedy, politics, and social difference. Routledge. http://ebookcentral.proquest.com/lib/gla/detail.action?docID=167585
Wheatley, H. (2016). Spectacular television: exploring televisual pleasure: Vol. International library of the moving image. I.B. Tauris. https://contentstore.cla.co.uk//secure/link?id=bc2c8d29-cd40-e911-80cd-005056af4099
White, R. (2013). Women are angry! Feminist Media Studies, 13(3), 415–426. https://doi.org/10.1080/14680777.2011.651732
Wood, J. (20 C.E.). On Not Going Home. London Review of Books. http://www.lrb.co.uk/v36/n04/james-wood/on-not-going-home
Young, I. M. & Oxford University Press. (2005). On female body experience: ‘Throwing like a girl’ and other essays. Oxford University Press. http://ezproxy.lib.gla.ac.uk/login?url=http://www.oxfordscholarship.com/oso/public/content/philosophy/9780195161922/toc.html
