Bibliography for Advanced Topics in Television Studies BETA

[1]

C. Geraghty and D. Lusted, The television studies book. London: Arnold, 1998 [Online]. Available: https://contentstore.cla.co.uk//secure/link?id=4a6d6a21-cd40-e911-80cd-005056af4099

[2]

M. Buonanno and J. Radice, The age of television: experiences and theories. Bristol: Intellect Books, 2008 [Online]. Available: http://www.dawsonera.com/guard/protected/dawson.jsp?name=University%20of%20Glasgow&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781841509990

[3]

J. Bennett and N. Strange, Eds., Television as digital media. Durham, NC: Duke University Press, 2011 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1172303

[4]

H. M. Newcomb and P. M. Hirsch, ‘Television as a cultural forum: Implications for research’, Quarterly Review of Film Studies, vol. 8, no. 3, pp. 45–55, Jun. 1983, doi: 10.1080/10509208309361170.

[5]

G. Turner, L. van Zoonen, and J. Harvey, ‘Confusion, control and comfort: premediating identity management in film and television’, Information, Communication & Society, vol. 17, no. 8, pp. 986–1000, Sep. 2014, doi: 10.1080/1369118X.2013.870592.

[6]

‘Cinema Journal’, pp. 1–25 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://muse.jhu.edu/issue/32205

[7]

D. Charlesworth, ‘Stand Up to Cancer 2012 and 2014: The medical telethon as UK public service broadcasting in a neo-liberal age’, Critical Studies in Television: The International Journal of Television Studies, vol. 11, no. 2, pp. 217–229, Jul. 2016, doi: 10.1177/1749602016645750.

[8]

P. K. Longmore, Telethons: spectacle, disability, and the business of charity. New York, NY: Oxford University Press, 2016 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780190262075.001.0001

[9]

B. Mills, Animals on Television: The Cultural Making of the Non-Human. London: Palgrave Macmillan UK, 2017 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1057/978-1-137-51683-1

[10]

J.-C. Horak, ‘Wildlife Documentaries: From Classical Forms to Reality TV’, Film History, vol. 18, no. 4, pp. 459–475, 2006 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/25165402

[11]

E. Probyn, Sexing the self: gendered positions in cultural studies. London: Routledge, 1993.

[12]

M. Briggs, ‘Meaning, Play & Experience: Audience Activity and the “Ontological Bias” in Children’s Media Research’, participations, vol. 4, no. 2, 2007 [Online]. Available: http://www.participations.org/Volume%204/Issue%202/4_02_briggs.htm

[13]

R. C. Allen and Ebooks Corporation Limited, Channels of discourse, reassembled: television and contemporary criticism, 2nd ed. Chapel Hill: University of North Carolina Press, 1992 [Online]. Available: http://www.gla.eblib.com/patron/FullRecord.aspx?p=880024

[14]

L. Pearce, Feminism and the politics of reading. London: Arnold, 1997.

[15]

L. Stanley, The auto/biographical I: the theory and practice of feminist auto/biography. Manchester: Manchester University Press, 1992.

[16]

P. Scannell, Radio, television and modern life: a phenomenological approach. Oxford: Blackwell Publishers, 1996 [Online]. Available: https://contentstore.cla.co.uk//secure/link?id=4b6d6a21-cd40-e911-80cd-005056af4099

[17]

R. Silverstone, Television and everyday life. London: Routledge, 1994 [Online]. Available: https://contentstore.cla.co.uk//secure/link?id=7348ff18-cd40-e911-80cd-005056af4099

[18]

C. Lee Harrington and D. D. Bielby, ‘A life course perspective on fandom’, International Journal of Cultural Studies, vol. 13, no. 5, pp. 429–450, Sep. 2010, doi: 10.1177/1367877910372702.

[19]

C. L. Harrington, D. D. Bielby, and A. R. Bardo, ‘Life course transitions and the future of fandom’, International Journal of Cultural Studies, vol. 14, no. 6, pp. 567–590, Nov. 2011, doi: 10.1177/1367877911419158.

[20]

E. Probyn, Carnal appetites: foodsexidentities. London: Routledge, 2000 [Online]. Available: http://ebookcentral.proquest.com/lib/gla/detail.action?docID=180394

[21]

L. Ouellette, A companion to reality television. Malden, MA: Wiley-Blackwell, 2013 [Online]. Available: http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.1002/9781118599594

[22]

C. Ketchum, ‘The Essence of Cooking Shows: How the Food Network Constructs Consumer Fantasies’, Journal of Communication Inquiry, vol. 29, no. 3, pp. 217–234, Jul. 2005, doi: 10.1177/0196859905275972.

[23]

R. Boulos, E. K. Vikre, S. Oppenheimer, H. Chang, and R. B. Kanarek, ‘ObesiTV: How television is influencing the obesity epidemic’, Physiology & Behavior, vol. 107, no. 1, pp. 146–153, Aug. 2012, doi: 10.1016/j.physbeh.2012.05.022.

[24]

A. Hastie, ‘Eating in the Dark: A Theoretical Concession’, Journal of Visual Culture, vol. 6, no. 2, pp. 283–302, Aug. 2007, doi: 10.1177/1470412907078570.

[25]

S. A. Gore, J. A. Foster, V. G. DiLillo, K. Kirk, and D. Smith West, ‘Television viewing and snacking’, Eating Behaviors, vol. 4, no. 4, pp. 399–405, Nov. 2003, doi: 10.1016/S1471-0153(03)00053-9.

[26]

M. Kilgour and Ebooks Corporation Limited, From communion to cannibalism: an anatomy of metaphors of incorporation. Princeton, New Jersey: Princeton University Press, 1990 [Online]. Available: http://ebookcentral.proquest.com/lib/gla/detail.action?docID=3030878

[27]

C. Tryon, ‘TV Got Better: Netflix’s Original Programming  Strategies and the On-Demand Television Transition’, Media Industries, vol. 2, no. 2, pp. 104–116, 2015 [Online]. Available: http://www.mediaindustriesjournal.org/index.php/mij/article/view/126/201

[28]

P. Bradley, Ed., Food, media and contemporary culture: the edible image. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2016 [Online]. Available: http://ezproxy.lib.gla.ac.uk/login?url=http://link.springer.com/10.1057/9781137463234

[29]

A. Bammer, ‘Editorial: Question of Home’, New formations, vol. 17, pp. vii–xi.

[30]

D. Morley, ‘Belongings: Place, space and identity in a mediated world’, European Journal of Cultural Studies, vol. 4, no. 4, pp. 425–448, Nov. 2001 [Online]. Available: http://ezproxy.lib.gla.ac.uk/login?url=http://journals.sagepub.com/doi/10.1177/136754940100400404

[31]

D. Morley and Dawson Books, Home territories: media, mobility, and identity. London: Routledge, 2000 [Online]. Available: http://www.dawsonera.com/guard/protected/dawson.jsp?name=University%20of%20Glasgow&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203444177

[32]

I. M. Young and Oxford University Press, On female body experience: ‘Throwing like a girl’ and other essays. New York: Oxford University Press, 2005 [Online]. Available: http://ezproxy.lib.gla.ac.uk/login?url=http://www.oxfordscholarship.com/oso/public/content/philosophy/9780195161922/toc.html

[33]

M. Douglas, ‘The Idea of a Home: A Kind of Space’, Social Research, vol. 58, no. 1, 1991 [Online]. Available: http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/docview/1297197518?accountid=14540

[34]

H. Naficy, The making of exile cultures: Iranian television in Los Angeles. Minneapolis ; London: University of Minnesota Press, 1993.

[35]

J. Wood, ‘On Not Going Home’, London Review of Books, 20AD [Online]. Available: http://www.lrb.co.uk/v36/n04/james-wood/on-not-going-home

[36]

R. Cohen, ‘In Search of Home’, The New York Times, 3AD [Online]. Available: http://www.nytimes.com/2014/04/04/opinion/cohen-in-search-of-home.html?_r=2

[37]

S. Ahmed, ‘Home and away: Narratives of migration and estrangement’, International Journal of Cultural Studies, vol. 2, no. 3, pp. 329–347, Dec. 1999, doi: 10.1177/136787799900200303.

[38]

V. Ball, ‘The "Feminization” of British Television and the Re-Traditionalization of Gender’, Feminist Media Studies, vol. 12, no. 2, pp. 248–264, Jun. 2012, doi: 10.1080/14680777.2011.597104.

[39]

H. Piper, ‘Broadcast drama and the problem of television aesthetics: home, nation, universe’, Screen, vol. 57, no. 2, pp. 163–183, Jun. 2016, doi: 10.1093/screen/hjw021.

[40]

N. Patterson, ‘Representations of care labour on Lifetime’s’, Feminist Media Studies, vol. 17, no. 2, pp. 305–308, Mar. 2017, doi: 10.1080/14680777.2017.1283748.

[41]

K. Gorton, ‘Feeling Northern: “heroic women” in Sally Wainwright’s Happy Valley (BBC One, 2014—)’, Journal for Cultural Research, vol. 20, no. 1, pp. 73–85, Jan. 2016, doi: 10.1080/14797585.2015.1134061.

[42]

D. D. Bielby, ‘Gender inequality in culture industries: Women and men writers in film and television’, Sociologie du Travail, vol. 51, no. 2, pp. 237–252, Apr. 2009 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/41931423

[43]

M. K. MacMurraugh-Kavanagh, ‘Boys on top: gender and authorship on the BBC Wednesday Play, 1964-70’, Media, Culture & Society, vol. 21, no. 3, pp. 409–425, May 1999, doi: 10.1177/016344399021003006.

[44]

J. Bignell and S. Lacey, Eds., British television drama: past, present and future, Second edition. Basingstoke: Palgrave Macmillan, 2014 [Online]. Available: http://ezproxy.lib.gla.ac.uk/login?url=http://www.palgraveconnect.com/doifinder/10.1057/9781137327581

[45]

G. Creeber, ‘“Taking our personal lives seriously”: intimacy, continuity and memory in the television drama serial’, Media, Culture & Society, vol. 23, no. 4, pp. 439–455, Jul. 2001, doi: 10.1177/016344301023004002.

[46]

B. Mills and S. Ralph, ‘“I Think Women Are Possibly Judged More Harshly with Comedy”: Women and British Television Comedy Production’, Critical Studies in Television: An International Journal of Television Studies, vol. 10, no. 2, pp. 102–117, Jun. 2015, doi: 10.7227/CST.10.2.8.

[47]

K. K. Rowe, ‘Roseanne: unruly woman as domestic goddess’, Screen, vol. 31, no. 4, pp. 408–419, Dec. 1990, doi: 10.1093/screen/31.4.408.

[48]

R. White, ‘Women are angry!’, Feminist Media Studies, vol. 13, no. 3, pp. 415–426, Jul. 2013, doi: 10.1080/14680777.2011.651732.

[49]

J. Arthurs, ‘Sex and the City and Consumer Culture: Remediating Postfeminist Drama’, Feminist Media Studies, vol. 3, no. 1, pp. 83–98, Jan. 2003, doi: 10.1080/1468077032000080149.

[50]

S. Wagg, Because I tell a joke or two: comedy, politics, and social difference. London: Routledge, 1998 [Online]. Available: http://ebookcentral.proquest.com/lib/gla/detail.action?docID=167585

[51]

Felicia D. Henderson, ‘The Culture Behind Closed Doors: Issues of Gender and Race in the Writers’ Room’, Cinema Journal, vol. 50, no. 2, pp. 145–152, 2011 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/41240701

[52]

‘Feminist Media Studies: Vol 13, No 2’, 2013 [Online]. Available: http://ezproxy.lib.gla.ac.uk/login?url=https://www.tandfonline.com/toc/rfms20/13/2?nav=tocList

[53]

C. Happer, A. Hoskins, and W. Merrin, Eds., Trump’s media war. Cham: Palgrave Macmillan, 2019 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=5558574

[54]

D. Jermyn, ‘Past Their Prime Time?: Women, Ageing and Absence on British Factual Television’, Critical Studies in Television: The International Journal of Television Studies, vol. 8, no. 1, pp. 73–90, Mar. 2013, doi: 10.7227/CST.8.1.7.

[55]

L. Ouellette and J. Hay, Better living through reality TV: television and post-welfare citizenship. Malden, Mass: Blackwell Publishing, 2008 [Online]. Available: https://contentstore.cla.co.uk//secure/link?id=d93c4612-cd40-e911-80cd-005056af4099

[56]

S. Murray, L. Ouellette, and American Council of Learned Societies, Reality TV: remaking television culture, 2nd ed. New York: New York University Press, 2009 [Online]. Available: http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.08301

[57]

K. Sender and M. Sullivan, ‘Epidemics of will, failures of self-esteem: Responding to fat bodies in The Biggest Loser and What Not to Wear’, Continuum, vol. 22, no. 4, pp. 573–584, Aug. 2008, doi: 10.1080/10304310802190046.

[58]

S. Thornham, C. Bassett, and P. Marris, Eds., Media studies: a reader, Third edition. New York: New York University Press, 2009 [Online]. Available: https://contentstore.cla.co.uk//secure/link?id=4c6d6a21-cd40-e911-80cd-005056af4099

[59]

C. Brunsdon, C. Johnson, R. Moseley, and H. Wheatley, ‘Factual entertainment on British television: The Midlands TV Research Group’s’8-9 Project’’, European Journal of Cultural Studies, vol. 4, no. 1, pp. 29–62, Feb. 2001, doi: 10.1177/136754940100400102.

[60]

The Personal Experience of Time, Softcover reprint of the original 1st ed. 1977., vol. NATO ASI Subseries B. New York, NY: Springer, 2013 [Online]. Available: https://contentstore.cla.co.uk//secure/link?id=da3c4612-cd40-e911-80cd-005056af4099

[61]

M. E. Price, Television, the public sphere, and national identity. Oxford: Clarendon Press, 1995 [Online]. Available: https://contentstore.cla.co.uk//secure/link?id=7448ff18-cd40-e911-80cd-005056af4099

[62]

J. Corner, Critical ideas in television studies, vol. Oxford television studies. Oxford: Clarendon Press, 1999 [Online]. Available: https://contentstore.cla.co.uk//secure/link?id=7248ff18-cd40-e911-80cd-005056af4099

[63]

B. Skeggs and H. Wood, Reacting to reality television: performance, audience and value. Abingdon, Oxon: Routledge, 2012 [Online]. Available: http://ebookcentral.proquest.com/lib/gla/detail.action?docID=957761

[64]

J. Gripsrud, Television and common knowledge, vol. Comedia series. London: Routledge, 1999 [Online]. Available: http://ebookcentral.proquest.com/lib/gla/detail.action?docID=169010

[65]

H. Wheatley, Spectacular television: exploring televisual pleasure, vol. International library of the moving image. London: I.B. Tauris, 2016 [Online]. Available: https://contentstore.cla.co.uk//secure/link?id=bc2c8d29-cd40-e911-80cd-005056af4099