Aitchison, N.B. 1987. ‘The Ulster Cycle: Heroic Image and Historical Reality’. Journal of Medieval History 13 (2): 87–116. https://doi.org/10.1016/0304-4181(87)90019-4.
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———. 1975b. Orlando Furioso (The Frenzy of Orlando): A Romantic Epic. Vol. Penguin classics. Harmondsworth: Penguin Books.
Bishop, Paul. 2002. ‘“Yonder Lies the Grave-Island, the Silent Island; Yonder, Too, Are the Graves of My Youth”: A Commentary on Zarathustra’s Grave-Song’. Orbis Litterarum 57 (5): 317–42. https://doi.org/10.1034/j.1600-0730.2002.t01-1-570501.x.
Carson, Ciaran. 2008a. The Tain: A New Translation of the Táin Bó Cúailnge. London: Penguin.
———. 2008b. The Tain: A New Translation of the Táin Bó Cúailnge. London: Penguin.
Čulík, Jan. 2013. A Society in Distress: The Image of the Czech Republic in Contemporary Czech Feature Film. Brighton: Sussex Academic.
Erben, Karel Jaromír, and Susan Reynolds. 2013. Kytice. Czech&English bil. ed. [New Romney, Kent]: Jantar Publishing.
Forsdick, Charles, Grove, Laurence, and McQuillan, Libbie. 2005. The Francophone Bande Dessinée. Vol. Faux titre. Amsterdam: Rodopi.
Gilroy, Marie. n.d. The Ironic Vision in Lermontov’s A Hero of Our Time. Vol. Birmingham Slavonic monographs. Birmingham: Department of Russian Language and Literature, University of Birmingham.
Hames, Peter. 1995. Dark Alchemy: The Films of Jan Švankmajer. Vol. Contributions to the study of popular culture. Westport, Conn: Greenwood Press.
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Jackson, Roy. 2001. Nietzsche: A Beginner’s Guide. Vol. Beginner’s guide. London: Hodder & Stoughton Educational.
Kallista, Jaromír, Jan Švankmajer, Pavel Liška, Jan Tříska, Aňa Geislerová, Jaroslav Dušek, Martin Huba, et al. 201AD. ‘Lunacy, 01:25 18/11/2014, FilmFour, 155 Mins’. [London]: New Wave Films. https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.gla.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F00B9DB69%3Fbcast%3D114544273.
Kinsella, Thomas and Le Brocquy, Louis. 2002. The Táin. London: Oxford University Press.
Koch, John T. 2006. Celtic Culture: A Historical Encyclopedia. Santa Barbara, Calif: ABC-CLIO. http://www.GLA.eblib.com/EBLWeb/patron/?target=patron&extendedid=P_265494_0.
Lermontov, Mikhail I͡Urʹevich and Labute, Neil. 2009. A Hero of Our Time. Vol. Penguin classics. New York, N.Y.: Penguin Books.
‘Little Otik , 00:35 19/03/2010,  (Accessed 13 Sep 2016)’. n.d. Film4. https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.gla.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F001EE5DD%3Fbcast%3D57154758.
Lowe, Jeremy. 2000. ‘Kicking over the Traces: The Instability of Cú Chulainn’. Studia Celtica 34: 119–29. https://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/1297888304/4184E2FCFC4E4DD4PQ/6?accountid=14540.
Mallory, J. P. 1992a. Aspects of the Táin. Belfast: December Publications.
———. 1992b. Aspects of the Táin. Belfast: December Publications.
———. 1992c. Aspects of the Táin. Belfast: December Publications.
Mallory, J. P., Stockman, Gerard, and International Conference on the Ulster Cycle of Tales. n.d. Ulidia: Proceedings of the First International Conference on the Ulster Cycle of Tales, Belfast and Emain Macha, 8-12 April 1994. Belfast: December.
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McCone, Kim. 1990. Pagan Past and Christian Present in Early Irish Literature. Vol. Maynooth monographs. Maynooth: An Sagart.
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Nietzsche, Friedrich Wilhelm, Del Caro, Adrian, and Pippin, Robert B. 2006. Thus Spoke Zarathustra: A Book for All and None. Vol. Cambridge texts in the history of philosophy. Cambridge: Cambrige University Press. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=6896749.
Nietzsche, Friedrich Wilhelm and Parkes, Graham. 2005. Thus Spoke Zarathustra: A Book for Everyone and Nobody. Vol. Oxford world’s classics. New York, N.Y.: Oxford University Press. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=6896749.
Ó Cathasaigh, Tomás. 1977. The Heroic Biography of Cormac Mac Airt. Dublin: Dublin Institute for Advanced Studies.
Ó Cathasaigh, Tomás. 1978. ‘Between God and Man: The Herò of Irish Tradition’. The Crane Bag 2 (1): 72–79. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/30059464.
———. 1993. ‘Mythology in Táin Bó Cúailnge’. In Studien Zur Táin Bó Cuailnge, ScriptOralia:114–32. Tübingen: Gunter Narr Verlag.
Philip O’Leary. 1983. ‘“What Stalked through the Post Office?”: Pearse’s Cú Chulainn’. Proceedings of the Harvard Celtic Colloquium 3: 21–38. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/20557129.
Portuges, Catherine, and Peter Hames. 2013. Cinemas in Transition in Central and Eastern Europe after 1989. Philadelphia, Pa: Temple University Press.
Radner, Joan N. n.d. ‘’Fury Destroys the World’ : Historical Strategy in Ireland’s Ulster Epic’. Mankind QuarterlyMankind Quarterly 23 (1). https://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/1306218806?accountid=14540.
Sabin, Roger. 1996. Comics, Comix & Graphic Novels. London: Phaidon.
Sisson, Elaine. n.d. ‘The Boy as National Hero’. http://www.ucd.ie/scholarcast/transcripts/The_Boy_As_National_Hero_Elaine.pdf.
Sjoestedt, Marie-Louise and Dillon, Myles. 1949. Gods and Heroes of the Celts. London: Methuen.
Spiegelman, Art. 2003. Maus: A Survivor’s Tale. London: Penguin.
Švankmajer, Jan. 2007. ‘Jan Švankmajer: The Complete Short Films’. [UK]: BFI.
Švankmajer, Jan and Bontonfilm (Firm). 2009. ‘Surviving Life, 01:50 20/11/2014, FilmFour, 130 Mins’. Praha: Bontonfilm. https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.gla.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F02DACA6D%3Fbcast%3D114552265.
Švankmajer, Jan, Lewis Carroll, and British Film Institute. 2011. ‘Alice: Nĕco z Alenky’. London: BFI.
Švankmajer, Jan, František Dryje, Bertrand Schmitt, Krzysztof Fijalkowski, Galerie hlavního města Prahy. Dům u kamenného zvonu, and Muzeum umění Olomouc. 2012. Jan Švankmajer: Dimensions of Dialogue : Between Film and Fine Art. Řevnice: Arbor Vitae.