Bibliography for Comparative Literature 1A: Heroes (Heroic Men)

[1]
Carson, Ciaran, The tain: a new translation of the Táin bó cúailnge. London: Penguin, 2008.

[2]
Lermontov, Mikhail I͡Urʹevich and Labute, Neil, A hero of our time, vol. Penguin classics. New York, N.Y.: Penguin Books, 2009.

[3]
Nietzsche, Friedrich Wilhelm, Del Caro, Adrian, and Pippin, Robert B., Thus spoke Zarathustra: a book for all and none, vol. Cambridge texts in the history of philosophy. Cambridge: Cambrige University Press, 2006 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=6896749

[4]
Nietzsche, Friedrich Wilhelm and Parkes, Graham, Thus spoke Zarathustra: a book for everyone and nobody, vol. Oxford world’s classics. New York, N.Y.: Oxford University Press, 2005 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=6896749

[5]
Spiegelman, Art, Maus: a survivor’s tale. London: Penguin, 2003.

[6]
Carson, Ciaran, The tain: a new translation of the Táin bó cúailnge. London: Penguin, 2008.

[7]
Kinsella, Thomas and Le Brocquy, Louis, The Táin. London: Oxford University Press, 2002.

[8]
Mallory, J. P., Aspects of the Táin. Belfast: December Publications, 1992.

[9]
J. T. Koch, Celtic culture: a historical encyclopedia. Santa Barbara, Calif: ABC-CLIO, 2006 [Online]. Available: http://www.GLA.eblib.com/EBLWeb/patron/?target=patron&extendedid=P_265494_0

[10]
Mallory, J. P., Aspects of the Táin. Belfast: December Publications, 1992.

[11]
Mallory, J. P., Aspects of the Táin. Belfast: December Publications, 1992.

[12]
N. B. Aitchison, ‘The ulster cycle: heroic image and historical reality’, Journal of Medieval History, vol. 13, no. 2, pp. 87–116, Jan. 1987, doi: 10.1016/0304-4181(87)90019-4.

[13]
Mallory, J. P., Stockman, Gerard, and International Conference on the Ulster Cycle of Tales, Ulidia: proceedings of the First International Conference on the Ulster Cycle of Tales, Belfast and Emain Macha, 8-12 April 1994. Belfast: December.

[14]
McCone, Kim, Pagan past and Christian present in early Irish literature, vol. Maynooth monographs. Maynooth: An Sagart, 1990.

[15]
Ó Cathasaigh, Tomás, The heroic biography of Cormac mac Airt. Dublin: Dublin Institute for Advanced Studies, 1977.

[16]
T. Ó Cathasaigh, ‘Between God and Man: The Herò of Irish Tradition’, The Crane Bag, vol. 2, no. 1, pp. 72–79, 1978 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/30059464

[17]
Radner, Joan N, ‘’Fury Destroys the World’ : Historical Strategy in Ireland’s Ulster Epic’, Mankind QuarterlyMankind Quarterly, vol. 23, no. 1 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/1306218806?accountid=14540

[18]
Lowe, Jeremy, ‘Kicking over the Traces: The Instability of Cú Chulainn’, Studia Celtica, vol. 34, pp. 119–129, 2000 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/1297888304/4184E2FCFC4E4DD4PQ/6?accountid=14540

[19]
T. Ó Cathasaigh, ‘Mythology in Táin Bó Cúailnge’, in Studien zur Táin bó Cuailnge, vol. ScriptOralia, Tübingen: Gunter Narr Verlag, 1993, pp. 114–132.

[20]
Sjoestedt, Marie-Louise and Dillon, Myles, Gods and heroes of the Celts. London: Methuen, 1949.

[21]
E. Sisson, ‘The Boy as National Hero’. [Online]. Available: http://www.ucd.ie/scholarcast/transcripts/The_Boy_As_National_Hero_Elaine.pdf

[22]
Philip O’Leary, ‘“What Stalked through the Post Office?”: Pearse’s Cú Chulainn’, Proceedings of the Harvard Celtic Colloquium, vol. 3, pp. 21–38, 1983 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/20557129

[23]
Gilroy, Marie, The ironic vision in Lermontov’s A hero of our time, vol. Birmingham Slavonic monographs. Birmingham: Department of Russian Language and Literature, University of Birmingham.

[24]
Mersereau, John, Mikhail Lermontov, vol. Crosscurrents : modern critiques. Carbondale, Ill: Southern Illinois University Press, 1962.

[25]
F. W. Nietzsche, K. Ansell-Pearson, and D. Large, The Nietzsche reader, vol. Blackwell readers. Oxford: Blackwell, 2006 [Online]. Available: http://lib.myilibrary.com/browse/open.asp?id=121376&entityid=https://idp.gla.ac.uk/shibboleth

[26]
P. Bishop, ‘“Yonder lies the grave-island, the silent island; yonder, too, are the graves of my youth”: A Commentary on Zarathustra’s Grave-Song’, Orbis Litterarum, vol. 57, no. 5, pp. 317–342, Oct. 2002, doi: 10.1034/j.1600-0730.2002.t01-1-570501.x.

[27]
Hollingdale, R. J., Nietzsche: the man and his philosophy. London: Routledge & Kegan Paul, 1985.

[28]
Jackson, Roy, Nietzsche: a beginner’s guide, vol. Beginner’s guide. London: Hodder & Stoughton Educational, 2001.

[29]
Forsdick, Charles, Grove, Laurence, and McQuillan, Libbie, The Francophone bande dessinée, vol. Faux titre. Amsterdam: Rodopi, 2005.

[30]
‘International journal of comic art’, 1999.

[31]
McCloud, Scott, Understanding comics: the invisible art, 1st HarperPerennial ed. New York, N.Y.: HarperPerennial, 1994.

[32]
Sabin, Roger, Comics, comix & graphic novels. London: Phaidon, 1996.

[33]
‘Little Otik , 00:35 19/03/2010, (Accessed 13 Sep 2016)’. Film4 [Online]. Available: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.gla.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F001EE5DD%3Fbcast%3D57154758

[34]
J. Čulík, A society in distress: the image of the Czech Republic in contemporary Czech feature film. Brighton: Sussex Academic, 2013.

[35]
C. Portuges and P. Hames, Cinemas in transition in Central and Eastern Europe after 1989. Philadelphia, Pa: Temple University Press, 2013.

[36]
J. Švankmajer, F. Dryje, B. Schmitt, K. Fijalkowski, Galerie hlavního města Prahy. Dům u kamenného zvonu, and Muzeum umění Olomouc., Jan Švankmajer: dimensions of dialogue : between film and fine art. Řevnice: Arbor Vitae, 2012.

[37]
P. Hames, Dark alchemy: the films of Jan Švankmajer, vol. Contributions to the study of popular culture. Westport, Conn: Greenwood Press, 1995.

[38]
K. J. Erben and S. Reynolds, Kytice, Czech&English bil. ed. [New Romney, Kent]: Jantar Publishing, 2013.

[39]
J. Švankmajer, ‘Jan Švankmajer: the complete short films’. BFI, [UK], 2007.

[40]
J. Švankmajer, L. Carroll, and British Film Institute, ‘Alice: Nĕco z Alenky’. BFI, London, 2011.

[41]
J. Kallista et al., ‘Lunacy, 01:25 18/11/2014, FilmFour, 155 mins’. New Wave Films, [London], 201AD [Online]. Available: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.gla.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F00B9DB69%3Fbcast%3D114544273

[42]
J. Švankmajer and Bontonfilm (Firm), ‘Surviving Life, 01:50 20/11/2014, FilmFour, 130 mins’. Bontonfilm, Praha, 2009 [Online]. Available: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.gla.ac.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand%2Findex.php%2Fprog%2F02DACA6D%3Fbcast%3D114552265

[43]
L. Ariosto and B. Reynolds, Orlando furioso (The frenzy of Orlando): a romantic epic, vol. Penguin classics. Harmondsworth: Penguin Books, 1975.

[44]
L. Ariosto and B. Reynolds, Orlando furioso (The frenzy of Orlando): a romantic epic, vol. Penguin classics. Harmondsworth: Penguin Books, 1975.

Bibliography for Comparative Literature 1A: Heroes (Heroic Men) BETA