Amihay, Ofra, and Lauren Walsh. The Future of Text and Image: Collected Essays on Literary and Visual Conjunctures. Cambridge Scholars Publishing, 2012.
Antliff, Mark, and Patricia Dee Leighten. Cubism and Culture. Thames & Hudson, 2001.
Applegate, Matt. ‘The Emancipatory Power of Critical Art’. Socialism and Democracy, vol. 26, no. 3, 2012, pp. 209–12, https://doi.org/10.1080/08854300.2012.714566.
Barthes, Roland, et al. Mythologies. Rev. Vintage ed, Vintage classics, Vintage, 2009.
Barthes, Roland, and Stephen Heath. Image Music Text. Fontana Press, 1977.
———. ‘Rhetoric of Image’. Image Music Text, Fontana communications series, Fontana Press, 1977.
Bateman, John A. Text and Image: A Critical Introduction to the Visual-Verbal Divide. Routledge, 2014.
Bohn, Willard. Modern Visual Poetry. University of Delaware Press, 2001.
Brecht, Bertolt, et al. War Primer. Verso, 2017, https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9781784782092.
Colberg, Jörg and Askews & Holts Library Services. Understanding Photobooks: The Form and Content of the Photographic Book. Routledge, 2017, https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9781317484721.
Cottington, David. Cubism and Its Histories. Manchester University Press, 2004.
Cox, Neil. Cubism. Phaidon Press, 2000.
Davis, Oliver and ProQuest (Firm). Jacques Rancière. Polity, 2010, https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1175985.
Deranty, Jean-Philippe and ProQuest (Firm). Jacques Rancière: Key Concepts. Acumen, 2010, https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1886882. Electronic resource.
Drakulić, Slavenka, and Christina Pribićević-Zorić. Frida’s Bed: A Novel. Penguin Books, 2008.
Dyer, Gillian. Advertising as Communication. Routledge, 1988.
Evans, David. Appropriation. Whitechapel  Gallery, 2009.
———. ‘Brecht’s War Primer: The “Photo-Epigram” as Poor Monument’. Afterimage [Rochester, N.Y.], vol. 30, no. 5, https://login.uofglasgow.idm.oclc.org/login?url=https://link.gale.com/apps/doc/A99309203/AONE?u=glasuni&sid=bookmark-AONE&xid=c0ddc3d6. Electronic resource.
———. John Heartfield: AIZ : Arbeiter-Illustriete Zeitung, Volks Illustrierte, 1930-38. Kent Fine Art, 1992.
Frascina, Francis, and Jonathan Harris. Art in Modern Culture: An Anthology of Critical Texts. Phaidon Press, 1992, https://contentstore.cla.co.uk//secure/link?id=8c80194a-e940-e911-80cd-005056af4099.
Game, Jérôme. Porous Boundaries: Texts and Images in Twentieth-Century French Culture. Peter Lang, 2007.
Heath, William. Glasgow Looking Glass. [Glasgow], 1825, http://special.lib.gla.ac.uk/exhibns/month/june2005.html.
———. Glasgow Looking Glass: Afterwards Called Northern Look[in]g Glass 1825-1826. David Bryce and Son, 1906.
Hemus, Ruth. Dada’s Women. Yale University Press, 2009.
Heusser, Martin. Text and Visuality: Word & Image Interactions 3. Rodopi, 1999, https://contentstore.cla.co.uk//secure/link?id=8b80194a-e940-e911-80cd-005056af4099.
Höch, Hannah, et al. Hannah Höch: Aller Anfang Ist DADA! Hatje Cantz, 2007.
Joseph, John Earl. Saussure. Oxford University Press, 2012.
JSTOR (Organization) and Oxford University Press. Oxford Art Journal. [[Oxford, U.K.]], 1978. Electronic resource.
Kahlo, Frida, et al. The Diary of Frida Kahlo: An Intimate Self-Portrait. 2005 ed, Harry N. Abrams, 2005.
Karmel, Pepe, and Pablo Picasso. Picasso and the Invention of Cubism. Yale University Press, 2003.
Kress, Gunther R., and Theo Van Leeuwen. Reading Images: The Grammar of Visual Design. Second edition, Routledge, 2006, https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203619728.
Lavin, Maud, and Hannah Höch. Cut with the Kitchen Knife: The Weimar Photomontages of Hannah Höch. Yale University Press, 1993.
Long, J. J. ‘Paratextual Profusion: Photography and Text in Bertolt Brecht’s War Primer’. Poetics Today, vol. 29, no. 1, Mar. 2008, pp. 197–224, https://doi.org/10.1215/03335372-2007-023.
Manghani, Sunil. Image Studies: Theory and Practice. Routledge, 2013.
Matejka, Ladislav. Sound, Sign, and Meaning: Quinquagenary of the Prague Linguistic Circle. Dept. of Slavic Languages and Literatures, University of Michigan, 1976.
Meskimmon, Marsha. The Art of Reflection: Women Artists’ Self-Portraiture in the  Twentieth Century. Scarlet, 1996, https://contentstore.cla.co.uk//secure/link?id=4b928d57-e940-e911-80cd-005056af4099.
Mitchell, W. J. T. Picture Theory: Essays on Verbal and Visual Representation. University of Chicago Press, 1994.
Mukařovský, Jan. Aesthetic Function, Norm and Value as Social Facts. Dept. of Slavic Languages and Literature, University of Michigan, 1979.
Nelson, Robert S., and Richard Shiff. ‘Word and Image’. Critical Terms for Art History, 2nd ed, University of Chicago Press, 2003.
Penrose, Roland, et al. Picasso, 1881-1973. Elek, 1973.
Purgar, Krešimir, editor. W.J.T. Mitchell’s Image Theory: Living Pictures. vol. 22, Routledge, 2017.
Rancière, Jacques. The Future of the Image. English ed, Verso, 2007.
Rancière, Jacques, and Gregory Elliott. The Emancipated Spectator. Verso, 2011, https://ebookcentral.proquest.com/lib/gla/detail.action?docID=5177140.
Rubin, William Stanley, et al. Picasso and Braque: A Symposium. Museum of Modern Art, 1992.
Saussure, Ferdinand de, et al. Course in General Linguistics. Duckworth, 2005.
Scott, David H. T. Poetics of the Poster: The Rhetoric of Image-Text. Liverpool University Press, 2010.
Smith, Sidonie, and Julia Watson. ‘Articulate Image, Painted Diary. Frida Kahlo’s Autobiographical Interface’. Interfaces : Women, Autobiography, Image, Performance, University of Michigan Press, 2005.
———. Interfaces: Women, Autobiography, Image, Performance. University of Michigan Press, 2005.
Tanke, Joseph J. Jacques Rancière: An Introduction. Continuum, 2011, https://ebookcentral.proquest.com/lib/gla/detail.action?docID=686947. Electronic resource.
The ‘Photobook’: What’s in a Name? - David Campany. http://davidcampany.com/the-photobook-whats-in-a-name/.
Töpffer, Rodolphe, and Rodolphe Töpffer. Monsieur Crépin: Monsieur Pencil : Deux Égarements de La Science. Seuil, 1996.
———. Monsieur Jabot: Monsieur Vieux Bois : Deux Histoires D’amour. Seuil, 1996.