Amihay, Ofra, and Lauren Walsh. 2012. The Future of Text and Image: Collected Essays on Literary and Visual Conjunctures. Newcastle upon Tyne: Cambridge Scholars Publishing.
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Barthes, Roland, and Stephen Heath. 1977a. Image Music Text. Vol. Fontana communications series. London: Fontana Press.
———. 1977b. ‘Rhetoric of Image’. In Image Music Text. Vol. Fontana communications series. London: Fontana Press.
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Brecht, Bertolt, John Willett, and Askews & Holts Library Services. 2017. War Primer. London: Verso. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9781784782092.
Colberg, Jörg and Askews & Holts Library Services. 2017. Understanding Photobooks: The Form and Content of the Photographic Book. New York, NY: Routledge. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9781317484721.
Cottington, David. 2004. Cubism and Its Histories. Vol. Critical perspectives in art history. Manchester: Manchester University Press.
Cox, Neil. 2000. Cubism. Vol. Art&ideas. London: Phaidon Press.
Davis, Oliver and ProQuest (Firm). 2010. Jacques Rancière. Cambridge: Polity. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1175985.
Deranty, Jean-Philippe and ProQuest (Firm). 2010. Jacques Rancière: Key Concepts. Durham: Acumen. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1886882.
Drakulić, Slavenka, and Christina Pribićević-Zorić. 2008. Frida’s Bed: A Novel. New York, N.Y.: Penguin Books.
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———. n.d. ‘Brecht’s War Primer: The “Photo-Epigram” as Poor Monument’. Afterimage 30 (5). https://ezproxy.lib.gla.ac.uk/login?url=https://link.gale.com/apps/doc/A99309203/AONE?u=glasuni&sid=bookmark-AONE&xid=c0ddc3d6.
Evans, David, John Heartfield, and Anna Lundgren. 1992. John Heartfield: AIZ : Arbeiter-Illustriete Zeitung, Volks Illustrierte, 1930-38. New York: Kent Fine Art.
Frascina, Francis, and Jonathan Harris. 1992. Art in Modern Culture: An Anthology of Critical Texts. London: Phaidon Press. https://contentstore.cla.co.uk//secure/link?id=8c80194a-e940-e911-80cd-005056af4099.
Game, Jérôme. 2007. Porous Boundaries: Texts and Images in Twentieth-Century French Culture. Vol. Modern French identities. Oxford ; Berlin: Peter Lang.
Heath, William. 1825. ‘Glasgow Looking Glass’. http://special.lib.gla.ac.uk/exhibns/month/june2005.html.
———. 1906. Glasgow Looking Glass: Afterwards Called Northern Look[in]g Glass 1825-1826. Glasgow: David Bryce and Son.
Hemus, Ruth. 2009. Dada’s Women. New Haven, Conn: Yale University Press.
Heusser, Martin. 1999. Text and Visuality: Word & Image Interactions 3. Vol. Word&image. Amsterdam: Rodopi. https://contentstore.cla.co.uk//secure/link?id=8b80194a-e940-e911-80cd-005056af4099.
Höch, Hannah, Ralf Burmeister, Berlinische Galerie, and Museum Jean Tinguely Basel. 2007. Hannah Höch: Aller Anfang Ist DADA! Ostfildern: Hatje Cantz.
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Kahlo, Frida, Carlos Fuentes, Sarah M. Lowe, and Phyllis Freeman. 2005. The Diary of Frida Kahlo: An Intimate Self-Portrait. 2005 ed. New York: Harry N. Abrams.
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Kress, Gunther R., and Theo Van Leeuwen. 2006. Reading Images: The Grammar of Visual Design. Second edition. Abingdon, Oxon: Routledge. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203619728.
Lavin, Maud, and Hannah Höch. 1993. Cut with the Kitchen Knife: The Weimar Photomontages of Hannah Höch. New Haven: Yale University Press.
Long, J. J. 2008. ‘Paratextual Profusion: Photography and Text in Bertolt Brecht’s War Primer’. Poetics Today 29 (1): 197–224. https://doi.org/10.1215/03335372-2007-023.
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Matejka, Ladislav. 1976. Sound, Sign, and Meaning: Quinquagenary of the Prague Linguistic Circle. Vol. Michigan Slavic contributions. Ann Arbor: Dept. of Slavic Languages and Literatures, University of Michigan.
Meskimmon, Marsha. 1996. The Art of Reflection: Women Artists’ Self-Portraiture in the  Twentieth Century. London: Scarlet. https://contentstore.cla.co.uk//secure/link?id=4b928d57-e940-e911-80cd-005056af4099.
Mitchell, W. J. T. 1994. Picture Theory: Essays on Verbal and Visual Representation. Chicago, Ill: University of Chicago Press.
Mukařovský, Jan. 1979. Aesthetic Function, Norm and Value as Social Facts. Vol. Michigan Slavic contributions. Ann Arbor: Dept. of Slavic Languages and Literature, University of Michigan.
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Penrose, Roland, John Goulding, and Daniel-Henry Kahnweiler. 1973. Picasso, 1881-1973. London: Elek.
Purgar, Krešimir, ed. 2017. W.J.T. Mitchell’s Image Theory: Living Pictures. Vol. 22. New York: Routledge.
Rancière, Jacques. 2007. The Future of the Image. English ed. London: Verso.
Rancière, Jacques, and Gregory Elliott. 2011. The Emancipated Spectator. London: Verso. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=5177140.
Rubin, William Stanley, Kirk Varnedoe, Lynn Zelevansky, and Museum of Modern Art (New York, N.Y.). 1992. Picasso and Braque: A Symposium. New York, N.Y.: Museum of Modern Art.
Saussure, Ferdinand de, Charles Bally, Albert Sechehaye, Albert Riedlinger, and Roy Harris. 2005. Course in General Linguistics. London: Duckworth.
Scott, David H. T. 2010. Poetics of the Poster: The Rhetoric of Image-Text. Vol. Contemporary French and francophone cultures. Liverpool: Liverpool University Press.
Smith, Sidonie, and Julia Watson. 2005a. ‘Articulate Image, Painted Diary. Frida Kahlo’s Autobiographical Interface’. In Interfaces : Women, Autobiography, Image, Performance. Ann Arbor, Mich: University of Michigan Press.
———. 2005b. Interfaces: Women, Autobiography, Image, Performance. Ann Arbor, Mich: University of Michigan Press.
Tanke, Joseph J. 2011. Jacques Rancière: An Introduction. London: Continuum. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=686947.
‘The “Photobook”: What’s in a Name? - David Campany’. n.d. http://davidcampany.com/the-photobook-whats-in-a-name/.
Töpffer, Rodolphe, and Rodolphe Töpffer. 1996a. Monsieur Crépin: Monsieur Pencil : Deux Égarements de La Science. Paris: Seuil.
———. 1996b. Monsieur Jabot: Monsieur Vieux Bois : Deux Histoires D’amour. Paris: Seuil.