Amihay, Ofra, and Lauren Walsh. 2012. The Future of Text and Image: Collected Essays on Literary and Visual Conjunctures. Cambridge Scholars Publishing.
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Applegate, Matt. 2012. ‘The Emancipatory Power of Critical Art’. Socialism and Democracy 26 (3): 209–12. https://doi.org/10.1080/08854300.2012.714566.
Barthes, Roland, and Stephen Heath. 1977a. Image Music Text. Fontana communications series. Fontana Press.
Barthes, Roland, and Stephen Heath. 1977b. ‘Rhetoric of Image’. In Image Music Text, Fontana communications series. Fontana Press.
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Brecht, Bertolt, John Willett, and Askews & Holts Library Services. 2017. War Primer. Verso. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9781784782092.
Colberg, Jörg and Askews & Holts Library Services. 2017. Understanding Photobooks: The Form and Content of the Photographic Book. Routledge. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9781317484721.
Cottington, David. 2004. Cubism and Its Histories. Critical perspectives in art history. Manchester University Press.
Cox, Neil. 2000. Cubism. Art&Ideas. Phaidon Press.
Davis, Oliver and ProQuest (Firm). 2010. Jacques Rancière. Polity. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1175985.
Deranty, Jean-Philippe and ProQuest (Firm). 2010. Jacques Rancière: Key Concepts. Acumen. Electronic resource. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1886882.
Drakulić, Slavenka, and Christina Pribićević-Zorić. 2008. Frida’s Bed: A Novel. Penguin Books.
Dyer, Gillian. 1988. Advertising as Communication. Studies in culture and Communication. Routledge.
Evans, David. 2009. Appropriation. Documents of contemporary art. Whitechapel  Gallery.
Evans, David. n.d. ‘Brecht’s War Primer: The “Photo-Epigram” as Poor Monument’. Afterimage (Rochester, N.Y.) 30 (5). Electronic resource. https://ezproxy.lib.gla.ac.uk/login?url=https://link.gale.com/apps/doc/A99309203/AONE?u=glasuni&sid=bookmark-AONE&xid=c0ddc3d6.
Evans, David, John Heartfield, and Anna Lundgren. 1992. John Heartfield: AIZ : Arbeiter-Illustriete Zeitung, Volks Illustrierte, 1930-38. Kent Fine Art.
Frascina, Francis, and Jonathan Harris. 1992. Art in Modern Culture: An Anthology of Critical Texts. Phaidon Press. https://contentstore.cla.co.uk//secure/link?id=8c80194a-e940-e911-80cd-005056af4099.
Game, Jérôme. 2007. Porous Boundaries: Texts and Images in Twentieth-Century French Culture. Modern French identities. Peter Lang.
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Heusser, Martin. 1999. Text and Visuality: Word & Image Interactions 3. Word&Image. Rodopi. https://contentstore.cla.co.uk//secure/link?id=8b80194a-e940-e911-80cd-005056af4099.
Höch, Hannah, Ralf Burmeister, Berlinische Galerie, and Museum Jean Tinguely Basel. 2007. Hannah Höch: Aller Anfang Ist DADA! Hatje Cantz.
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Kahlo, Frida, Carlos Fuentes, Sarah M. Lowe, and Phyllis Freeman. 2005. The Diary of Frida Kahlo: An Intimate Self-Portrait. 2005 ed. Harry N. Abrams.
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Kress, Gunther R., and Theo Van Leeuwen. 2006. Reading Images: The Grammar of Visual Design. Second edition. Routledge. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203619728.
Lavin, Maud, and Hannah Höch. 1993. Cut with the Kitchen Knife: The Weimar Photomontages of Hannah Höch. Yale University Press.
Long, J. J. 2008. ‘Paratextual Profusion: Photography and Text in Bertolt Brecht’s War Primer’. Poetics Today 29 (1): 197–224. https://doi.org/10.1215/03335372-2007-023.
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Meskimmon, Marsha. 1996. The Art of Reflection: Women Artists’ Self-Portraiture in the  Twentieth Century. Scarlet. https://contentstore.cla.co.uk//secure/link?id=4b928d57-e940-e911-80cd-005056af4099.
Mitchell, W. J. T. 1994. Picture Theory: Essays on Verbal and Visual Representation. University of Chicago Press.
Mukařovský, Jan. 1979. Aesthetic Function, Norm and Value as Social Facts. Michigan Slavic contributions. Dept. of Slavic Languages and Literature, University of Michigan.
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Penrose, Roland, John Goulding, and Daniel-Henry Kahnweiler. 1973. Picasso, 1881-1973. Elek.
Purgar, Krešimir, ed. 2017. W.J.T. Mitchell’s Image Theory: Living Pictures. Vol. 22. Routledge.
Rancière, Jacques. 2007. The Future of the Image. English ed. Verso.
Rancière, Jacques, and Gregory Elliott. 2011. The Emancipated Spectator. Verso. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=5177140.
Rubin, William Stanley, Kirk Varnedoe, Lynn Zelevansky, and Museum of Modern Art (New York, N.Y.). 1992. Picasso and Braque: A Symposium. Museum of Modern Art.
Saussure, Ferdinand de, Charles Bally, Albert Sechehaye, Albert Riedlinger, and Roy Harris. 2005. Course in General Linguistics. Duckworth.
Scott, David H. T. 2010. Poetics of the Poster: The Rhetoric of Image-Text. Contemporary French and Francophone cultures. Liverpool University Press.
Smith, Sidonie, and Julia Watson. 2005a. ‘Articulate Image, Painted Diary. Frida Kahlo’s Autobiographical Interface’. In Interfaces : Women, Autobiography, Image, Performance. University of Michigan Press.
Smith, Sidonie, and Julia Watson. 2005b. Interfaces: Women, Autobiography, Image, Performance. University of Michigan Press.
Tanke, Joseph J. 2011. Jacques Rancière: An Introduction. Continuum. Electronic resource. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=686947.
‘The “Photobook”: What’s in a Name? - David Campany’. n.d. http://davidcampany.com/the-photobook-whats-in-a-name/.
Töpffer, Rodolphe, and Rodolphe Töpffer. 1996a. Monsieur Crépin: Monsieur Pencil : Deux Égarements de La Science. Seuil.
Töpffer, Rodolphe, and Rodolphe Töpffer. 1996b. Monsieur Jabot: Monsieur Vieux Bois : Deux Histoires D’amour. Seuil.