Amihay, Ofra, and Lauren Walsh. The Future of Text and Image: Collected Essays on Literary and Visual Conjunctures. Newcastle upon Tyne: Cambridge Scholars Publishing, 2012. Print.
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Applegate, Matt. ‘The Emancipatory Power of Critical Art’. Socialism and Democracy 26.3 (2012): 209–212. Web.
Barthes, Roland, and Stephen Heath. Image Music Text. Fontana communications series. London: Fontana Press, 1977. Print.
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Barthes, Roland, Annette Lavers, and Sian Reynolds. Mythologies. Rev. Vintage ed. Vintage classics. London: Vintage, 2009. Print.
Bateman, John A. Text and Image: A Critical Introduction to the Visual-Verbal Divide. London: Routledge, 2014. Print.
Bohn, Willard. Modern Visual Poetry. Newark, Delaware: University of Delaware Press, 2001. Print.
Brecht, Bertolt, John Willett, and Askews & Holts Library Services. War Primer. London: Verso, 2017. Web. <https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9781784782092>.
Colberg, Jörg and Askews & Holts Library Services. Understanding Photobooks: The Form and Content of the Photographic Book. New York, NY: Routledge, 2017. Web. <https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9781317484721>.
Cottington, David. Cubism and Its Histories. Critical perspectives in art history. Manchester: Manchester University Press, 2004. Print.
Cox, Neil. Cubism. Art&ideas. London: Phaidon Press, 2000. Print.
Davis, Oliver and ProQuest (Firm). Jacques Rancière. Cambridge: Polity, 2010. Web. <https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1175985>.
Deranty, Jean-Philippe and ProQuest (Firm). Jacques Rancière: Key Concepts. Durham: Acumen, 2010. Web. <https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1886882>.
Drakulić, Slavenka, and Christina Pribićević-Zorić. Frida’s Bed: A Novel. New York, N.Y.: Penguin Books, 2008. Print.
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Evans, David. Appropriation. Documents of contemporary art. London: Whitechapel  Gallery, 2009. Print.
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Evans, David, John Heartfield, and Anna Lundgren. John Heartfield: AIZ : Arbeiter-Illustriete Zeitung, Volks Illustrierte, 1930-38. New York: Kent Fine Art, 1992. Print.
Frascina, Francis, and Jonathan Harris. Art in Modern Culture: An Anthology of Critical Texts. London: Phaidon Press, 1992. Web. <https://contentstore.cla.co.uk//secure/link?id=8c80194a-e940-e911-80cd-005056af4099>.
Game, Jérôme. Porous Boundaries: Texts and Images in Twentieth-Century French Culture. Modern French identities. Oxford ; Berlin: Peter Lang, 2007. Print.
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Hemus, Ruth. Dada’s Women. New Haven, Conn: Yale University Press, 2009. Print.
Heusser, Martin. Text and Visuality: Word & Image Interactions 3. Word&image. Amsterdam: Rodopi, 1999. Web. <https://contentstore.cla.co.uk//secure/link?id=8b80194a-e940-e911-80cd-005056af4099>.
Höch, Hannah et al. Hannah Höch: Aller Anfang Ist DADA! Ostfildern: Hatje Cantz, 2007. Print.
Joseph, John Earl. Saussure. Oxford: Oxford University Press, 2012. Print.
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Kahlo, Frida et al. The Diary of Frida Kahlo: An Intimate Self-Portrait. 2005 ed. New York: Harry N. Abrams, 2005. Print.
Karmel, Pepe, and Pablo Picasso. Picasso and the Invention of Cubism. New Haven, Conn: Yale University Press, 2003. Print.
Kress, Gunther R., and Theo Van Leeuwen. Reading Images: The Grammar of Visual Design. Second edition. Abingdon, Oxon: Routledge, 2006. Web. <https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203619728>.
Lavin, Maud, and Hannah Höch. Cut with the Kitchen Knife: The Weimar Photomontages of Hannah Höch. New Haven: Yale University Press, 1993. Print.
Long, J. J. ‘Paratextual Profusion: Photography and Text in Bertolt Brecht’s War Primer’. Poetics Today 29.1 (2008): 197–224. Web.
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Meskimmon, Marsha. The Art of Reflection: Women Artists’ Self-Portraiture in the  Twentieth Century. London: Scarlet, 1996. Web. <https://contentstore.cla.co.uk//secure/link?id=4b928d57-e940-e911-80cd-005056af4099>.
Mitchell, W. J. T. Picture Theory: Essays on Verbal and Visual Representation. Chicago, Ill: University of Chicago Press, 1994. Print.
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Nelson, Robert S., and Richard Shiff. ‘Word and Image’. Critical Terms for Art History. 2nd ed. Chicago, Ill: University of Chicago Press, 2003. Print.
Penrose, Roland, John Goulding, and Daniel-Henry Kahnweiler. Picasso, 1881-1973. London: Elek, 1973. Print.
Purgar, Krešimir, ed. W.J.T. Mitchell’s Image Theory: Living Pictures. Vol. 22. New York: Routledge, 2017. Print.
Rancière, Jacques. The Future of the Image. English ed. London: Verso, 2007. Print.
Rancière, Jacques, and Gregory Elliott. The Emancipated Spectator. London: Verso, 2011. Web. <https://ebookcentral.proquest.com/lib/gla/detail.action?docID=5177140>.
Rubin, William Stanley et al. Picasso and Braque: A Symposium. New York, N.Y.: Museum of Modern Art, 1992. Print.
Saussure, Ferdinand de et al. Course in General Linguistics. London: Duckworth, 2005. Print.
Scott, David H. T. Poetics of the Poster: The Rhetoric of Image-Text. Contemporary French and francophone cultures. Liverpool: Liverpool University Press, 2010. Print.
Smith, Sidonie, and Julia Watson. ‘Articulate Image, Painted Diary. Frida Kahlo’s Autobiographical Interface’. Interfaces : Women, Autobiography, Image, Performance. Ann Arbor, Mich: University of Michigan Press, 2005. Print.
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Tanke, Joseph J. Jacques Rancière: An Introduction. London: Continuum, 2011. Web. <https://ebookcentral.proquest.com/lib/gla/detail.action?docID=686947>.
‘The “Photobook”: What’s in a Name? - David Campany’. N.p., n.d. Web. <http://davidcampany.com/the-photobook-whats-in-a-name/>.
Töpffer, Rodolphe, and Rodolphe Töpffer. Monsieur Crépin: Monsieur Pencil : Deux Égarements de La Science. Paris: Seuil, 1996. Print.
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