1
The cultural and creative industries: A literature review.
2
Oakley K, O’Connor J, editors. The Routledge companion to the cultural industries. Paperback edition. Abingdon, Oxon: Routledge 2019.
3
Bilton C. Uncreativity: the shadow side of creativity. International Journal of Cultural Policy. 2015;21:153–67. doi: 10.1080/10286632.2014.892933
4
Townley B, Beech N. Managing creativity: exploring the paradox. Cambridge: Cambridge University Press 2011.
5
Banks M. The politics of cultural work. Basingstoke: Palgrave Macmillan 2007.
6
Banks M. Autonomy Guaranteed? Cultural Work and the "Art–Commerce Relation”. Journal for Cultural Research. 2010;14:251–69. doi: 10.1080/14797581003791487
7
Bennett D, Hennekam S. Self-authorship and creative industries workers’ career decision-making. Human Relations. 2018;71:1454–77. doi: 10.1177/0018726717747369
8
Campbell M. ‘Shit is hard, yo’: young people making a living in the creative industries. International Journal of Cultural Policy. 2018;1–20. doi: 10.1080/10286632.2018.1547380
9
Gill R, Pratt A. In the Social Factory? Theory, Culture & Society. 2008;25:1–30. doi: 10.1177/0263276408097794
10
Hoedemaekers C. Creative work and affect: Social, political and fantasmatic dynamics in the labour of musicians. Human Relations. 2018;71:1348–70. doi: 10.1177/0018726717741355
11
McRobbie A. Be creative: making a living in the new culture industries. Cambridge: Polity Press 2016.
12
Banks M, Milestone K. Individualization, Gender and Cultural Work. Gender, Work & Organization. 2011;18:73–89. doi: 10.1111/j.1468-0432.2010.00535.x
13
Ruth Eikhof D, Warhurst C. The promised land? Why social inequalities are systemic in the creative industries. Employee Relations. 2013;35:495–508. doi: 10.1108/ER-08-2012-0061
14
Finkel R, Jones D, Sang K, et al. Diversifying the creative: Creative work, creative industries, creative identities. Organization. 2017;24:281–8. doi: 10.1177/1350508417690167
15
Oakley K, O’Connor J, editors. The Routledge companion to the cultural industries. London: Routledge, Taylor & Francis Group 2015.
16
Saha A. Race and the cultural industries. Cambridge, UK: Polity Press 2018.
17
Baker S, Bennett A, Homan S. Cultural Precincts, Creative Spaces. Space and Culture. 2009;12:148–65. doi: 10.1177/1206331208314615
18
McLean H. Regulating and resisting queer creativity: Community-engaged arts practice in the neoliberal city. Urban Studies. 2018;55:3563–78. doi: 10.1177/0042098018755066
19
Oakley K, Laurison D, O’Brien D, et al. Cultural Capital: Arts Graduates, Spatial Inequality, and London’s Impact on Cultural Labor Markets. American Behavioral Scientist. 2017;61:1510–31. doi: 10.1177/0002764217734274
20
Bilton C. Management and creativity: from creative industries to creative management. Malden, Mass: Blackwell Publishing 2007.
21
Dawson P, Andriopoulos C. Managing change, creativity & innovation. Second edition. London: SAGE Publications Ltd 2014.
22
Banks M. The politics of cultural work. Basingstoke: Palgrave Macmillan 2007.
23
Bilton C, Cummings S. Creative strategy: reconnecting business and innovation. Hoboken, N.J.: Wiley 2010.
24
Flew T, Askews & Holts Library Services. The creative industries: culture and policy. Thousand Oaks, Califonria: SAGE 2012.
25
Hartley J. Creative industries. Malden, MA: Blackwell Pub 2005.
26
Hartley J. Key Concepts in Creative Industries. Los Angeles: SAGE 2013.
27
Open University. Creative management and development. 3rd ed. London: SAGE 2006.
28
Hesmondhalgh D, Baker S. Creative labour: media work in three cultural industries. London: Routledge 2011.
29
Mathieu C, editor. Careers in creative industries. London: Routledge 2015.
30
McKinlay A, Smith C. Creative labour: working in the creative industries. Basingstoke, Hampshire: Palgrave Macmillan 2009.