[1]
‘The cultural and creative industries: A literature review’. [Online]. Available: https://www.creativitycultureeducation.org//wp-content/uploads/2018/10/CCE-lit-review-creative-cultural-industries-257.pdf
[2]
K. Oakley and J. O’Connor, Eds., The Routledge companion to the cultural industries, Paperback edition. Abingdon, Oxon: Routledge, 2019.
[3]
C. Bilton, ‘Uncreativity: the shadow side of creativity’, International Journal of Cultural Policy, vol. 21, no. 2, pp. 153–167, Mar. 2015, doi: 10.1080/10286632.2014.892933.
[4]
B. Townley and N. Beech, Managing creativity: exploring the paradox. Cambridge: Cambridge University Press, 2011.
[5]
M. Banks, The politics of cultural work. Basingstoke: Palgrave Macmillan, 2007 [Online]. Available: https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780230288713
[6]
M. Banks, ‘Autonomy Guaranteed? Cultural Work and the "Art–Commerce Relation”’, Journal for Cultural Research, vol. 14, no. 3, pp. 251–269, Jul. 2010, doi: 10.1080/14797581003791487.
[7]
D. Bennett and S. Hennekam, ‘Self-authorship and creative industries workers’ career decision-making’, Human Relations, vol. 71, no. 11, pp. 1454–1477, Nov. 2018, doi: 10.1177/0018726717747369.
[8]
M. Campbell, ‘“Shit is hard, yo”: young people making a living in the creative industries’, International Journal of Cultural Policy, pp. 1–20, Nov. 2018, doi: 10.1080/10286632.2018.1547380.
[9]
R. Gill and A. Pratt, ‘In the Social Factory?’, Theory, Culture & Society, vol. 25, no. 7–8, pp. 1–30, Dec. 2008, doi: 10.1177/0263276408097794.
[10]
C. Hoedemaekers, ‘Creative work and affect: Social, political and fantasmatic dynamics in the labour of musicians’, Human Relations, vol. 71, no. 10, pp. 1348–1370, Oct. 2018, doi: 10.1177/0018726717741355.
[11]
A. McRobbie, Be creative: making a living in the new culture industries. Cambridge: Polity Press, 2016 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=4353616
[12]
M. Banks and K. Milestone, ‘Individualization, Gender and Cultural Work’, Gender, Work & Organization, vol. 18, no. 1, pp. 73–89, Jan. 2011, doi: 10.1111/j.1468-0432.2010.00535.x.
[13]
D. Ruth Eikhof and C. Warhurst, ‘The promised land? Why social inequalities are systemic in the creative industries’, Employee Relations, vol. 35, no. 5, pp. 495–508, Aug. 2013, doi: 10.1108/ER-08-2012-0061.
[14]
R. Finkel, D. Jones, K. Sang, and D. Stoyanova Russell, ‘Diversifying the creative: Creative work, creative industries, creative identities’, Organization, vol. 24, no. 3, pp. 281–288, May 2017, doi: 10.1177/1350508417690167.
[15]
K. Oakley and J. O’Connor, Eds., The Routledge companion to the cultural industries. London: Routledge, Taylor & Francis Group, 2015 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://www.taylorfrancis.com/books/9781317533986
[16]
A. Saha, Race and the cultural industries. Cambridge, UK: Polity Press, 2018 [Online]. Available: https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9781509505340
[17]
S. Baker, A. Bennett, and S. Homan, ‘Cultural Precincts, Creative Spaces’, Space and Culture, vol. 12, no. 2, pp. 148–165, May 2009, doi: 10.1177/1206331208314615.
[18]
H. McLean, ‘Regulating and resisting queer creativity: Community-engaged arts practice in the neoliberal city’, Urban Studies, vol. 55, no. 16, pp. 3563–3578, Dec. 2018, doi: 10.1177/0042098018755066.
[19]
K. Oakley, D. Laurison, D. O’Brien, and S. Friedman, ‘Cultural Capital: Arts Graduates, Spatial Inequality, and London’s Impact on Cultural Labor Markets’, American Behavioral Scientist, vol. 61, no. 12, pp. 1510–1531, Nov. 2017, doi: 10.1177/0002764217734274.
[20]
C. Bilton, Management and creativity: from creative industries to creative management. Malden, Mass: Blackwell Publishing, 2007.
[21]
P. Dawson and C. Andriopoulos, Managing change, creativity & innovation, Second edition. London: SAGE Publications Ltd, 2014.
[22]
M. Banks, The politics of cultural work. Basingstoke: Palgrave Macmillan, 2007 [Online]. Available: https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780230288713
[23]
C. Bilton and S. Cummings, Creative strategy: reconnecting business and innovation. Hoboken, N.J.: Wiley, 2010.
[24]
T. Flew and Askews & Holts Library Services, The creative industries: culture and policy. Thousand Oaks, Califonria: SAGE, 2012 [Online]. Available: http://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9781446254226
[25]
J. Hartley, Creative industries. Malden, MA: Blackwell Pub, 2005.
[26]
J. Hartley, Key Concepts in Creative Industries, vol. SAGE key concepts. Los Angeles: SAGE, 2013.
[27]
Open University, Creative management and development, 3rd ed. London: SAGE, 2006 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://sk.sagepub.com/books/creative-management-and-development-3e
[28]
D. Hesmondhalgh and S. Baker, Creative labour: media work in three cultural industries, vol. Culture, economy and the social. London: Routledge, 2011.
[29]
C. Mathieu, Ed., Careers in creative industries. London: Routledge, 2015.
[30]
A. McKinlay and C. Smith, Creative labour: working in the creative industries, vol. Critical perspectives on work and employment. Basingstoke, Hampshire: Palgrave Macmillan, 2009.