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Anna Tummers, Koenraad Jonckheere, eds. Art Market and Connoisseurship: A Closer Look at Paintings by Rembrandt, Rubens and Their Contemporaries. Vol Series: Amsterdam studies in the Dutch golden age. Amsterdam University Press; 2008. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=420130
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Charlotte Gould and Sophie Mesplède, ed. Marketing Art in the British Isles, 1700 to the Present: A Cultural History. Ashgate; 2012.
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Peter Watson. From Manet to Manhattan: The Rise of the Modern Art Market. Hutchinson; 1992.
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Tess Davis. Supply and demand: exposing the illicit trade in Cambodian antiquities through a study of Sotheby’s auction house. Crime, Law and Social Change. 2011;56(2):155-174. doi:10.1007/s10611-011-9321-6
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Thorstein Veblen. The Theory of the Leisure Class. Vol Series: Dover thrift editions. Dover Publications; 1994.
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John Elsner and Roger Cardinal, ed. The Cultures of Collecting. Vol Series: Critical views. Reaktion Books; 1994.
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Neil G. W. Curtis. REPATRIATION FROM SCOTTISH MUSEUMS: Learning from NAGPRA. Museum Anthropology. 2010;33(2):234-248. doi:10.1111/j.1548-1379.2010.01101.x
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Mark Durney, Blythe Proulx. Art crime: a brief introduction. Crime, Law and Social Change. 2011;56(2):115-132. doi:10.1007/s10611-011-9316-3
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Kaun DE, Grace JM. From the Branded Dealer to Crowd Funding: the Market for Art as Broad as it is Diverse. International Journal of Humanities and Social Science. 2013;3(14). https://www.ijhssnet.com/journal/index/1960
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Valentina Vadi, Hildegard E. G. S. Schneider, eds. Art, Cultural Heritage and the Market: Ethical and Legal Issues. Springer; 2014. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1007/978-3-642-45094-5
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Ben Lewis Investigates the Rise and Fall of the Contemporary Art Market. http://artdaily.com/news/36052/Ben-Lewis-Investigates-the-Rise-and-Fall-of-the-Contemporary-Art-Market#.VAXOPGPN4_8
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Sarah Thornton. Seven Days in the Art World. Granta; 2009.
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Matthew Collings. Review: Seven Days in the Art World by Sarah Thornton. http://www.theguardian.com/books/2008/oct/18/art1
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Crime in the Art and Antiquities World: Illegal Trafficking in Cultural Property. Springer; 2011. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1007/978-1-4419-7946-9
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Ruiz C. My life as a tombarolo. The Art Newspaper. 2000;(112). http://old.theartnewspaper.com/login/default.aspx
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Peter Watson, Cecilia Todeschini. The Medici Conspiracy: The Illicit Journey of Looted Antiquities, from Italy’s Tomb Raiders to the World’s Greatest Museums. BBS PublicAffairs; 2006.
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D. C. Lane, D. G. Bromley, R. D. Hicks, J. S. Mahoney. Time Crime: The Transnational Organization of Art and Antiquities Theft. Journal of Contemporary Criminal Justice. 2008;24(3):243-262. doi:10.1177/1043986208318219
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Brodie N. Pity the poor middlemen. Culture without context. 1998;3. https://s3-eu-west-2.amazonaws.com/wpmedia.outlandish.com/trafficking/2012/08/27133345/1998-Pity-the-poor-middlemen.pdf
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R. T. Naylor. The underworld of art. Crime, Law and Social Change. 2008;50(4-5):263-291. doi:10.1007/s10611-008-9140-6
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B. A. Bowman. Transnational Crimes Against Culture: Looting at Archaeological Sites and the ‘Grey’ Market in Antiquities. Journal of Contemporary Criminal Justice. 2008;24(3):225-242. doi:10.1177/1043986208318210
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Campbell PB. The Illicit Antiquities Trade as a Transnational Criminal Network: Characterizing and Anticipating Trafficking of Cultural Heritage. International Journal of Cultural Property. 2013;20(02):113-153. doi:10.1017/S0940739113000015
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Thierry Lenain. Art Forgery: The History of a Modern Obsession. Reaktion Books; 2011.
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Charlotte Gould and Sophie Mesplède, ed. Marketing Art in the British Isles, 1700 to the Present: A Cultural History. Ashgate; 2012.
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S. R. M. Mackenzie. Going, Going, Gone: Regulating the Market in Illicit Antiquities. Institute of Art and Law; 2005.
28.
Tess Davis. Supply and demand: exposing the illicit trade in Cambodian antiquities through a study of Sotheby’s auction house. Crime, Law and Social Change. 2011;56(2):155-174. doi:10.1007/s10611-011-9321-6