Bibliography for The Art Market and the Question of Provenance BETA

Anna Tummers and Koenraad Jonckheere, eds. 2008. Art Market and Connoisseurship: A Closer Look at Paintings by Rembrandt, Rubens and Their Contemporaries. Vol. Series: Amsterdam studies in the Dutch golden age. Amsterdam: Amsterdam University Press. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=420130.

B. A. Bowman. 2008. ‘Transnational Crimes Against Culture: Looting at Archaeological Sites and the “Grey” Market in Antiquities’. Journal of Contemporary Criminal Justice 24 (3): 225–42. https://doi.org/10.1177/1043986208318210.

‘Ben Lewis Investigates the Rise and Fall of the Contemporary Art Market’. n.d. http://artdaily.com/news/36052/Ben-Lewis-Investigates-the-Rise-and-Fall-of-the-Contemporary-Art-Market#.VAXOPGPN4_8.

Brodie, Neil. 1998. ‘Pity the Poor Middlemen’. Culture without Context 3. https://s3-eu-west-2.amazonaws.com/wpmedia.outlandish.com/trafficking/2012/08/27133345/1998-Pity-the-poor-middlemen.pdf.

Campbell, Peter B. 2013. ‘The Illicit Antiquities Trade as a Transnational Criminal Network: Characterizing and Anticipating Trafficking of Cultural Heritage’. International Journal of Cultural Property 20 (02): 113–53. https://doi.org/10.1017/S0940739113000015.

Charlotte Gould and Sophie Mesplède, ed. 2012a. Marketing Art in the British Isles, 1700 to the Present: A Cultural History. Farnham, Surrey: Ashgate.

———, ed. 2012b. Marketing Art in the British Isles, 1700 to the Present: A Cultural History. Farnham, Surrey: Ashgate.

Crime in the Art and Antiquities World: Illegal Trafficking in Cultural Property. 2011. Electronic resource. New York: Springer. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1007/978-1-4419-7946-9.

D. C. Lane, D. G. Bromley, R. D. Hicks, and J. S. Mahoney. 2008. ‘Time Crime: The Transnational Organization of Art and Antiquities Theft’. Journal of Contemporary Criminal Justice 24 (3): 243–62. https://doi.org/10.1177/1043986208318219.

John Elsner and Roger Cardinal, ed. 1994. The Cultures of Collecting. Vol. Series: Critical views. London: Reaktion Books.

Kaun, David E., and Joseph M. Grace. 2013. ‘From the Branded Dealer to Crowd Funding: The Market for Art as Broad as It Is Diverse’. International Journal of Humanities and Social Science 3 (14). https://www.ijhssnet.com/journal/index/1960.

Mark Durney and Blythe Proulx. 2011. ‘Art Crime: A Brief Introduction’. Crime, Law and Social Change 56 (2): 115–32. https://doi.org/10.1007/s10611-011-9316-3.

Matthew Collings. n.d. ‘Review: Seven Days in the Art World by Sarah Thornton’. http://www.theguardian.com/books/2008/oct/18/art1.

Neil G. W. Curtis. 2010. ‘REPATRIATION FROM SCOTTISH MUSEUMS: Learning from NAGPRA’. Museum Anthropology 33 (2): 234–48. https://doi.org/10.1111/j.1548-1379.2010.01101.x.

Noah Horowitz. 2011. Art of the Deal: Contemporary Art in a Global Financial Market. Princeton, N.J.: Princeton University Press.

Pamela Fletcher and Anne Helmreich, ed. 2011. The Rise of the Modern Art Market in London, 1850-1939. Manchester: Manchester University Press.

Peter Watson. 1992. From Manet to Manhattan: The Rise of the Modern Art Market. London: Hutchinson.

Peter Watson and Cecilia Todeschini. 2006a. The Medici Conspiracy: The Illicit Journey of Looted Antiquities, from Italy’s Tomb Raiders to the World’s Greatest Museums. New York: BBS PublicAffairs.

———. 2006b. The Medici Conspiracy: The Illicit Journey of Looted Antiquities, from Italy’s Tomb Raiders to the World’s Greatest Museums. New York: BBS PublicAffairs.

R. T. Naylor. 2008. ‘The Underworld of Art’. Crime, Law and Social Change 50 (4–5): 263–91. https://doi.org/10.1007/s10611-008-9140-6.

Ruiz, Cristina. 2000. ‘My Life as a Tombarolo’. The Art Newspaper, no. 112. http://old.theartnewspaper.com/login/default.aspx.

S. R. M. Mackenzie. 2005. Going, Going, Gone: Regulating the Market in Illicit Antiquities. Builth Wells, Powys: Institute of Art and Law.

Sarah Thornton. 2009. Seven Days in the Art World. London: Granta.

Tess Davis. 2011a. ‘Supply and Demand: Exposing the Illicit Trade in Cambodian Antiquities through a Study of Sotheby’s Auction House’. Crime, Law and Social Change 56 (2): 155–74. https://doi.org/10.1007/s10611-011-9321-6.

———. 2011b. ‘Supply and Demand: Exposing the Illicit Trade in Cambodian Antiquities through a Study of Sotheby’s Auction House’. Crime, Law and Social Change 56 (2): 155–74. https://doi.org/10.1007/s10611-011-9321-6.

Thierry Lenain. 2011. Art Forgery: The History of a Modern Obsession. London: Reaktion Books.

Thorstein Veblen. 1994. The Theory of the Leisure Class. Vol. Series: Dover thrift editions. New York: Dover Publications.

Valentina Vadi and Hildegard E. G. S. Schneider, eds. 2014. Art, Cultural Heritage and the Market: Ethical and Legal Issues. Heidelberg: Springer. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1007/978-3-642-45094-5.