Bibliography for The Art Market and the Question of Provenance BETA

Anna Tummers and Koenraad Jonckheere, eds. 2008. Art Market and Connoisseurship: A Closer Look at Paintings by Rembrandt, Rubens and Their Contemporaries. Series: Amsterdam studies in the Dutch golden age. Amsterdam University Press. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=420130.

B. A. Bowman. 2008. ‘Transnational Crimes Against Culture: Looting at Archaeological Sites and the “Grey” Market in Antiquities’. Journal of Contemporary Criminal Justice 24 (3): 225–42. https://doi.org/10.1177/1043986208318210.

‘Ben Lewis Investigates the Rise and Fall of the Contemporary Art Market’. n.d. http://artdaily.com/news/36052/Ben-Lewis-Investigates-the-Rise-and-Fall-of-the-Contemporary-Art-Market#.VAXOPGPN4_8.

Brodie, Neil. 1998. ‘Pity the Poor Middlemen’. Culture without Context 3. https://s3-eu-west-2.amazonaws.com/wpmedia.outlandish.com/trafficking/2012/08/27133345/1998-Pity-the-poor-middlemen.pdf.

Campbell, Peter B. 2013. ‘The Illicit Antiquities Trade as a Transnational Criminal Network: Characterizing and Anticipating Trafficking of Cultural Heritage’. International Journal of Cultural Property 20 (02): 113–53. https://doi.org/10.1017/S0940739113000015.

Charlotte Gould and Sophie Mesplède, ed. 2012a. Marketing Art in the British Isles, 1700 to the Present: A Cultural History. Ashgate.

Charlotte Gould and Sophie Mesplède, ed. 2012b. Marketing Art in the British Isles, 1700 to the Present: A Cultural History. Ashgate.

Crime in the Art and Antiquities World: Illegal Trafficking in Cultural Property. 2011. Springer. Electronic resource. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1007/978-1-4419-7946-9.

D. C. Lane, D. G. Bromley, R. D. Hicks, and J. S. Mahoney. 2008. ‘Time Crime: The Transnational Organization of Art and Antiquities Theft’. Journal of Contemporary Criminal Justice 24 (3): 243–62. https://doi.org/10.1177/1043986208318219.

John Elsner and Roger Cardinal, ed. 1994. The Cultures of Collecting. Series: Critical views. Reaktion Books.

Kaun, David E., and Joseph M. Grace. 2013. ‘From the Branded Dealer to Crowd Funding: The Market for Art as Broad as It Is Diverse’. International Journal of Humanities and Social Science 3 (14). https://www.ijhssnet.com/journal/index/1960.

Mark Durney and Blythe Proulx. 2011. ‘Art Crime: A Brief Introduction’. Crime, Law and Social Change 56 (2): 115–32. https://doi.org/10.1007/s10611-011-9316-3.

Matthew Collings. n.d. ‘Review: Seven Days in the Art World by Sarah Thornton’. http://www.theguardian.com/books/2008/oct/18/art1.

Neil G. W. Curtis. 2010. ‘REPATRIATION FROM SCOTTISH MUSEUMS: Learning from NAGPRA’. Museum Anthropology 33 (2): 234–48. https://doi.org/10.1111/j.1548-1379.2010.01101.x.

Noah Horowitz. 2011. Art of the Deal: Contemporary Art in a Global Financial Market. Princeton University Press.

Pamela Fletcher and Anne Helmreich, ed. 2011. The Rise of the Modern Art Market in London, 1850-1939. Manchester University Press.

Peter Watson. 1992. From Manet to Manhattan: The Rise of the Modern Art Market. Hutchinson.

Peter Watson and Cecilia Todeschini. 2006a. The Medici Conspiracy: The Illicit Journey of Looted Antiquities, from Italy’s Tomb Raiders to the World’s Greatest Museums. BBS PublicAffairs.

Peter Watson and Cecilia Todeschini. 2006b. The Medici Conspiracy: The Illicit Journey of Looted Antiquities, from Italy’s Tomb Raiders to the World’s Greatest Museums. BBS PublicAffairs.

R. T. Naylor. 2008. ‘The Underworld of Art’. Crime, Law and Social Change 50 (4–5): 263–91. https://doi.org/10.1007/s10611-008-9140-6.

Ruiz, Cristina. 2000. ‘My Life as a Tombarolo’. The Art Newspaper, no. 112. http://old.theartnewspaper.com/login/default.aspx.

S. R. M. Mackenzie. 2005. Going, Going, Gone: Regulating the Market in Illicit Antiquities. Institute of Art and Law.

Sarah Thornton. 2009. Seven Days in the Art World. Granta.

Tess Davis. 2011a. ‘Supply and Demand: Exposing the Illicit Trade in Cambodian Antiquities through a Study of Sotheby’s Auction House’. Crime, Law and Social Change 56 (2): 155–74. https://doi.org/10.1007/s10611-011-9321-6.

Tess Davis. 2011b. ‘Supply and Demand: Exposing the Illicit Trade in Cambodian Antiquities through a Study of Sotheby’s Auction House’. Crime, Law and Social Change 56 (2): 155–74. https://doi.org/10.1007/s10611-011-9321-6.

Thierry Lenain. 2011. Art Forgery: The History of a Modern Obsession. Reaktion Books.

Thorstein Veblen. 1994. The Theory of the Leisure Class. Series: Dover thrift editions. Dover Publications.

Valentina Vadi and Hildegard E. G. S. Schneider, eds. 2014. Art, Cultural Heritage and the Market: Ethical and Legal Issues. Springer. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1007/978-3-642-45094-5.