Bibliography for The Art Market and the Question of Provenance BETA

Anna Tummers and Koenraad Jonckheere (eds) (2008) Art market and connoisseurship: a closer look at paintings by Rembrandt, Rubens and their contemporaries. Amsterdam: Amsterdam University Press. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=420130.

B. A. Bowman (2008) ‘Transnational Crimes Against Culture: Looting at Archaeological Sites and the “Grey” Market in Antiquities’, Journal of Contemporary Criminal Justice, 24(3), pp. 225–242. Available at: https://doi.org/10.1177/1043986208318210.

Ben Lewis Investigates the Rise and Fall of the Contemporary Art Market (no date). Available at: http://artdaily.com/news/36052/Ben-Lewis-Investigates-the-Rise-and-Fall-of-the-Contemporary-Art-Market#.VAXOPGPN4_8.

Brodie, N. (1998) ‘Pity the poor middlemen’, Culture without context, 3. Available at: https://s3-eu-west-2.amazonaws.com/wpmedia.outlandish.com/trafficking/2012/08/27133345/1998-Pity-the-poor-middlemen.pdf.

Campbell, P.B. (2013) ‘The Illicit Antiquities Trade as a Transnational Criminal Network: Characterizing and Anticipating Trafficking of Cultural Heritage’, International Journal of Cultural Property, 20(02), pp. 113–153. Available at: https://doi.org/10.1017/S0940739113000015.

Charlotte Gould and Sophie Mesplède (ed.) (2012a) Marketing art in the British Isles, 1700 to the present: a cultural history. Farnham, Surrey: Ashgate.

Charlotte Gould and Sophie Mesplède (ed.) (2012b) Marketing art in the British Isles, 1700 to the present: a cultural history. Farnham, Surrey: Ashgate.

Crime in the art and antiquities world: illegal trafficking in cultural property [electronic resource] (2011). New York: Springer. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1007/978-1-4419-7946-9.

D. C. Lane et al. (2008) ‘Time Crime: The Transnational Organization of Art and Antiquities Theft’, Journal of Contemporary Criminal Justice, 24(3), pp. 243–262. Available at: https://doi.org/10.1177/1043986208318219.

John Elsner and Roger Cardinal (ed.) (1994) The cultures of collecting. London: Reaktion Books.

Kaun, D.E. and Grace, J.M. (2013) ‘From the Branded Dealer to Crowd Funding: the Market for Art as Broad as it is Diverse’, International Journal of Humanities and Social Science, 3(14). Available at: https://www.ijhssnet.com/journal/index/1960.

Mark Durney and Blythe Proulx (2011) ‘Art crime: a brief introduction’, Crime, Law and Social Change, 56(2), pp. 115–132. Available at: https://doi.org/10.1007/s10611-011-9316-3.

Matthew Collings (no date) Review: Seven Days in the Art World by Sarah Thornton. Available at: http://www.theguardian.com/books/2008/oct/18/art1.

Neil G. W. Curtis (2010) ‘REPATRIATION FROM SCOTTISH MUSEUMS: Learning from NAGPRA’, Museum Anthropology, 33(2), pp. 234–248. Available at: https://doi.org/10.1111/j.1548-1379.2010.01101.x.

Noah Horowitz (2011) Art of the deal: contemporary art in a global financial market. Princeton, N.J.: Princeton University Press.

Pamela Fletcher and Anne Helmreich (ed.) (2011) The rise of the modern art market in London, 1850-1939. Manchester: Manchester University Press.

Peter Watson (1992) From Manet to Manhattan: the rise of the modern art market. London: Hutchinson.

Peter Watson and Cecilia Todeschini (2006a) The Medici conspiracy: the illicit journey of looted antiquities, from Italy’s tomb raiders to the world’s greatest museums. New York: BBS PublicAffairs.

Peter Watson and Cecilia Todeschini (2006b) The Medici conspiracy: the illicit journey of looted antiquities, from Italy’s tomb raiders to the world’s greatest museums. New York: BBS PublicAffairs.

R. T. Naylor (2008) ‘The underworld of art’, Crime, Law and Social Change, 50(4–5), pp. 263–291. Available at: https://doi.org/10.1007/s10611-008-9140-6.

Ruiz, C. (2000) ‘My life as a tombarolo’, The Art Newspaper [Preprint], (112). Available at: http://old.theartnewspaper.com/login/default.aspx.

S. R. M. Mackenzie (2005) Going, going, gone: regulating the market in illicit antiquities. Builth Wells, Powys: Institute of Art and Law.

Sarah Thornton (2009) Seven days in the art world. London: Granta.

Tess Davis (2011a) ‘Supply and demand: exposing the illicit trade in Cambodian antiquities through a study of Sotheby’s auction house’, Crime, Law and Social Change, 56(2), pp. 155–174. Available at: https://doi.org/10.1007/s10611-011-9321-6.

Tess Davis (2011b) ‘Supply and demand: exposing the illicit trade in Cambodian antiquities through a study of Sotheby’s auction house’, Crime, Law and Social Change, 56(2), pp. 155–174. Available at: https://doi.org/10.1007/s10611-011-9321-6.

Thierry Lenain (2011) Art forgery: the history of a modern obsession. London: Reaktion Books.

Thorstein Veblen (1994) The theory of the leisure class. New York: Dover Publications.

Valentina Vadi and Hildegard E. G. S. Schneider (eds) (2014) Art, cultural heritage and the market: ethical and legal issues. Heidelberg: Springer. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1007/978-3-642-45094-5.