Butler, Mark J. Unlocking the Groove: Rhythm, Meter, and Musical Design in Electronic Dance Music. Profiles in popular music. Bloomington, Ind: Indiana University Press, 2006. Print.
---. Unlocking the Groove: Rhythm, Meter, and Musical Design in Electronic Dance Music. Profiles in popular music. Bloomington, Ind: Indiana University Press, 2006. Web. <https://contentstore.cla.co.uk//secure/link?id=fd44f2cb-e940-e911-80cd-005056af4099>.
Cadwallader, Allen Clayton and Gagné David. Analysis of Tonal Music: A Schenkerian Approach. 3rd ed. New York, N.Y.: Oxford University Press, 2011. Web. <https://contentstore.cla.co.uk//secure/link?id=b1c1f9d8-e940-e911-80cd-005056af4099>.
Christensen, Thomas, ed. The Cambridge History of Western Music Theory. The Cambridge History of Music. Cambridge: Cambridge University Press, 2002. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CHOL9780521623711>.
Cook, Nicholas. A Guide to Musical Analysis. Oxford: Oxford University Press, 1994. Web. <https://contentstore.cla.co.uk//secure/link?id=a759bbf8-e940-e911-80cd-005056af4099>.
---. The Schenker Project : Culture, Race, and Music Theory in Fin-de-Siècle Vienna. Oxford: Oxford University Press, 2007. Print.
Cook, Nicholas, and Mark Everist. Rethinking Music. Oxford: Oxford University Press, 1999. Web. <https://contentstore.cla.co.uk//secure/link?id=20c026ed-e940-e911-80cd-005056af4099>.
Cook, Nicholas and Oxford University Press. Beyond the Score: Music as Performance. New York: Oxford University Press, 2014. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780199357406.001.0001>.
Dunsby, Jonathan, and Arnold Whittall. Music Analysis in Theory and Practice. London: Faber, 1988. Web. <https://contentstore.cla.co.uk//secure/link?id=1fc026ed-e940-e911-80cd-005056af4099>.
Forte, Allen. The Atonal Music of Anton Webern. Composers of the twentieth century. New Haven: Yale University Press, 1998. Print.
---. The Structure of Atonal Music. New Haven: Yale University Press, 1973. Print.
Forte, Allen, and Steven E. Gilbert. Introduction to Schenkerian Analysis. New York: Norton, 1982. Print.
Goehr, Lydia and Oxford University Press. The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music. Oxford: Oxford University Press, 2004. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://doi.org/10.1093/0198235410.001.0001>.
Gollin, Edward, and Alexander Rehding. The Oxford Handbook of Neo-Riemannian Music Theories. New York: Oxford University Press, 2011. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/oxfordhb/9780195321333.001.0001>.
Hasty, Christopher Francis. Meter as Rhythm. New York: Oxford University Press, 1997. Print.
Huron, David Brian. Sweet Anticipation: Music and the Psychology of Expectation. Cambridge, Massachusetts: The MIT Press, 2007. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://cognet.mit.edu/book/sweet-anticipation>.
Kramer, Jonathan D. The Time of Music: New Meanings, New Temporalities, New Listening Strategies. New York: Schirmer, 1988. Web. <https://contentstore.cla.co.uk//secure/link?id=aa4dd400-ea40-e911-80cd-005056af4099>.
Lerdahl, Fred. Tonal Pitch Space. New York: Oxford University Press, 2001. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780195178296.001.0001>.
Lewin, David. Generalized Musical Intervals and Transformations. New York: Oxford University Press, 2007. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780195317138.001.0001>.
Mamlok, Ursula. ‘Panta Rhei =: Time in Flux : Violin, Violoncello, and Piano’. : n. pag. Print.
Mirka, Danuta. Metric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787-1791. Oxford studies in music theory. New York, NY: Oxford University Press, 2014. Print.
Mirka, Danuta, and V. Kofi Agawu. Communication in Eighteenth-Century Music. Cambridge, UK: Cambridge University Press, 2008. Web. <https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9781107187375>.
Moore, Allan F. Rock: The Primary Text : Developing a Musicology of Rock. 2nd ed. Ashgate popular and folk music series. Aldershot: Ashgate, 2001. Web. <https://contentstore.cla.co.uk//secure/link?id=024279e0-e940-e911-80cd-005056af4099>.
---. Song Means: Analysing and Interpreting Recorded Popular Song. Ashgate popular folk music series. Surrey: Ashgate, 2012. Print.
Moore, Allan F. and Dawson Books. Analyzing Popular Music. Cambridge: Cambridge University Press, 2003. Web. <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&amp;dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780511306297>.
Neuwirth, Olga. ‘Laki: Für Trompete Solo, 2006’. 2006 : n. pag. Print.
Pankhurst, Tom. SchenkerGUIDE: A Brief Handbook and Website for Schenkerian Analysis. New York: Routledge, 2008. Print.
Parsons, Laurel, and Brenda Ravenscroft, eds. Analytical Essays on Music by Women Composers: Concert Music from 1960-2000. New York, NY: Oxford University Press, 2016. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780190236861.001.0001>.
Rings, Steven. Tonality and Transformation. Oxford studies in music theory. New York: Oxford University Press, 2011. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780195384277.001.0001>.
Rink, John. Musical Performance: A Guide to Understanding. Cambridge: Cambridge University Press, 2002. Web. <http://lib.myilibrary.com/browse/open.asp?id=238937&amp;entityid=https://idp.gla.ac.uk/shibboleth>.
---. The Practice of Performance: Studies in Musical Interpretation. Cambridge: Cambridge University Press, 1995. Web. <https://contentstore.cla.co.uk//secure/link?id=014279e0-e940-e911-80cd-005056af4099>.
Saariaho, Kaija. ‘Du Cristal’. 2002 : n. pag. Print.
Straus, Joseph Nathan. Introduction to Post-Tonal Theory. 3rd ed. Upper Saddle River, N.J.: Prentice Hall, 2005. Print.