Buchan, Suzanne H. n.d. ‘The Quay Brothers: Choreographed Chiaroscuro, Enigmatic and Sublime’. Film Quarterly; Berkeley 51 (3): 16–31. https://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/1709209?pq-origsite=summon.
Cholodenko, Alan. 2007. The Illusion of Life II: More Essays on Animation. [Sydney] N.S.W.: Power Publications. https://contentstore.cla.co.uk//secure/link?id=06ce8673-cb40-e911-80cd-005056af4099.
Gardiner, Judith Kegan. 2005. ‘Why Saddam Is Gay: Masculinity Politics In’. Quarterly Review of Film and Video 22 (1): 51–62. https://doi.org/10.1080/10509200590449958.
Holliday, Christopher. 2018. The Computer-Animated Film: Industry, Style and Genre. Edinburgh: Edinburgh University Press. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=5400037.
Hu, Tze-yue G. 2010. Frames of Anime: Culture and Image-Building. Hong Kong: Hong Kong University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.5790/hongkong/9789622090972.001.0001.
Klein, Norman M. 1993. Seven Minutes: The Life and Death of the American Animated Cartoon. London: Verso. https://contentstore.cla.co.uk//secure/link?id=e274b26b-cb40-e911-80cd-005056af4099.
Lustyik, Katalin, and Philippa Smith. 2010. ‘From The Simpsons to "The Simpsons of the South Pacific”: New Zealand’s First Primetime Animation, Bro’Town’. Television & New Media 11 (5): 331–49. https://doi.org/10.1177/1527476409351288.
Manovich, Lev. 2002. The Language of New Media. 1st MIT Press pbk. ed. Cambridge, Mass: MIT Press. http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.31966.
Stabile, Carol A., and Mark Harrison. 2003. Prime Time Animation: Television Animation and American Culture. London: Routledge. https://ezproxy.lib.gla.ac.uk/login?url=https://www.taylorfrancis.com/books/9781315015545.
Susan J. Napier. 2001. ‘Confronting Master Narratives: History as Vision in Miyazaki Hayao’s Cinema of De-Assurance’. Positions: East Asia Cultures Critique[Journal Detail], no. 2: 467–93. https://ezproxy.lib.gla.ac.uk/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=mlf&AN=2002421728&site=ehost-live.
Ward, Annalee R. 2002. Mouse Morality: The Rhetoric of Disney Animated Film. 1st ed. Austin, TX: University of Texas Press. https://contentstore.cla.co.uk//secure/link?id=e174b26b-cb40-e911-80cd-005056af4099.
Wells, Paul. 2009. The Animated Bestiary: Animals, Cartoons, and Culture. New Brunswick, New Jersey: Rutgers University Press. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=413877.
Wilson, Ewan. 2018. ‘“Diagrams of Motion”: Stop-Motion Animation as a Form of Kinetic Sculpture in the Short Films of Jan Švankmajer and the Brothers Quay’. Animation 13 (2): 148–61. https://doi.org/10.1177/1746847718782890.
