Buchan, Suzanne H. ‘The Quay Brothers: Choreographed Chiaroscuro, Enigmatic and Sublime’. Film Quarterly; Berkeley, vol. 51, no. 3, pp. 16–31, https://login.uofglasgow.idm.oclc.org/login?url=https://search.proquest.com/docview/1709209?pq-origsite=summon.
Cholodenko, Alan. The Illusion of Life II: More Essays on Animation. Power Publications, 2007, https://contentstore.cla.co.uk//secure/link?id=06ce8673-cb40-e911-80cd-005056af4099.
Gardiner, Judith Kegan. ‘Why Saddam Is Gay: Masculinity Politics In’. Quarterly Review of Film and Video, vol. 22, no. 1, Jan. 2005, pp. 51–62, https://doi.org/10.1080/10509200590449958.
Holliday, Christopher. The Computer-Animated Film: Industry, Style and Genre. Edinburgh University Press, 2018, https://ebookcentral.proquest.com/lib/gla/detail.action?docID=5400037.
Hu, Tze-yue G. Frames of Anime: Culture and Image-Building. Hong Kong University Press, 2010, https://login.uofglasgow.idm.oclc.org/login?url=https://dx.doi.org/10.5790/hongkong/9789622090972.001.0001. Electronic resource.
Klein, Norman M. Seven Minutes: The Life and Death of the American Animated Cartoon. Verso, 1993, https://contentstore.cla.co.uk//secure/link?id=e274b26b-cb40-e911-80cd-005056af4099.
Lustyik, Katalin, and Philippa Smith. ‘From The Simpsons to "The Simpsons of the South Pacific”: New Zealand’s First Primetime Animation, Bro’Town’. Television & New Media, vol. 11, no. 5, Sept. 2010, pp. 331–49, https://doi.org/10.1177/1527476409351288.
Manovich, Lev. The Language of New Media. 1st MIT Press pbk. ed, MIT Press, 2002, https://login.uofglasgow.idm.oclc.org/login?url=http://hdl.handle.net/2027/heb.31966. Electronic resource.
Stabile, Carol A., and Mark Harrison. Prime Time Animation: Television Animation and American Culture. Routledge, 2003, https://login.uofglasgow.idm.oclc.org/login?url=https://www.taylorfrancis.com/books/9781315015545.
Susan J. Napier. ‘Confronting Master Narratives: History as Vision in Miyazaki Hayao’s Cinema of De-Assurance’. Positions: East Asia Cultures Critique[Journal Detail], no. 2, 2001, pp. 467–93, https://login.uofglasgow.idm.oclc.org/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=mlf&AN=2002421728&site=ehost-live.
Ward, Annalee R. Mouse Morality: The Rhetoric of Disney Animated Film. 1st ed, University of Texas Press, 2002, https://contentstore.cla.co.uk//secure/link?id=e174b26b-cb40-e911-80cd-005056af4099.
Wells, Paul. The Animated Bestiary: Animals, Cartoons, and Culture. Rutgers University Press, 2009, https://ebookcentral.proquest.com/lib/gla/detail.action?docID=413877.
Wilson, Ewan. ‘“Diagrams of Motion”: Stop-Motion Animation as a Form of Kinetic Sculpture in the Short Films of Jan Švankmajer and the Brothers Quay’. Animation, vol. 13, no. 2, July 2018, pp. 148–61, https://doi.org/10.1177/1746847718782890.
