Buchan, Suzanne H. (n.d.). The Quay Brothers: Choreographed Chiaroscuro, Enigmatic and Sublime. Film Quarterly; Berkeley, 51(3), 16–31. https://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/1709209?pq-origsite=summon
Cholodenko, A. (2007). The illusion of life II: more essays on animation. Power Publications. https://contentstore.cla.co.uk//secure/link?id=06ce8673-cb40-e911-80cd-005056af4099
Gardiner, J. K. (2005). Why Saddam Is Gay: Masculinity Politics in. Quarterly Review of Film and Video, 22(1), 51–62. https://doi.org/10.1080/10509200590449958
Holliday, C. (2018). The computer-animated film: industry, style and genre. Edinburgh University Press. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=5400037
Hu, T. G. (2010). Frames of anime: culture and image-building. Hong Kong University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.5790/hongkong/9789622090972.001.0001
Klein, N. M. (1993). Seven minutes: the life and death of the American animated cartoon. Verso. https://contentstore.cla.co.uk//secure/link?id=e274b26b-cb40-e911-80cd-005056af4099
Lustyik, K., & Smith, P. (2010). From The Simpsons to "The Simpsons of the South Pacific”: New Zealand’s First Primetime Animation, bro’Town. Television & New Media, 11(5), 331–349. https://doi.org/10.1177/1527476409351288
Manovich, L. (2002). The language of new media (1st MIT Press pbk. ed). MIT Press. http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.31966
Stabile, C. A., & Harrison, M. (2003). Prime time animation: television animation and American culture. Routledge. https://ezproxy.lib.gla.ac.uk/login?url=https://www.taylorfrancis.com/books/9781315015545
Susan J. Napier. (2001). Confronting Master Narratives: History as Vision in Miyazaki Hayao’s Cinema of De-Assurance. Positions: East Asia Cultures Critique[Journal Detail], 2, 467–493. https://ezproxy.lib.gla.ac.uk/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=mlf&AN=2002421728&site=ehost-live
Ward, A. R. (2002). Mouse morality: the rhetoric of Disney animated film (1st ed). University of Texas Press. https://contentstore.cla.co.uk//secure/link?id=e174b26b-cb40-e911-80cd-005056af4099
Wells, P. (2009). The animated bestiary: animals, cartoons, and culture. Rutgers University Press. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=413877
Wilson, E. (2018). ‘Diagrams of Motion’: Stop-Motion Animation as a Form of Kinetic Sculpture in the Short Films of Jan Švankmajer and the Brothers Quay. Animation, 13(2), 148–161. https://doi.org/10.1177/1746847718782890
