@article{Acevedo-Muñoz, Ernesto_2004, title={Sex, Class, and Mexico in Alfonso Cuarón’s ‘Y Tu Mamá También’}, volume={34}, url={https://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/2149996/fulltextPDF/FBF9147B4A1E40C7PQ/1?accountid=14540}, number={1}, journal={Film & History}, author={Acevedo-Muñoz, Ernesto}, year={2004}, pages={39–48} }
@article{Baer_Long_2004, title={Transnational Cinema and the Mexican State in Alfonso Cuaron’s Y tu mama tambien}, volume={21}, DOI={10.1353/scr.2004.0031}, number={3}, journal={South Central Review}, author={Baer, Hester and Long, Ryan Fred}, year={2004}, pages={150–168} }
@book{Bellour_Penley_2000, address={Bloomington}, title={The analysis of film}, publisher={Indiana University Press}, author={Bellour, Raymond and Penley, Constance}, year={2000} }
@article{Catherine Davies_1996, title={Recent Cuban Fiction Films: Identification, Interpretation, Disorder}, volume={15}, url={https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/3339505}, number={2}, journal={Bulletin of Latin American Research}, publisher={Wiley}, author={Catherine Davies}, year={1996}, pages={177–192} }
@book{Cine-Lit_2000, address={Corvallis, OR}, title={Cine-Lit 2000: essays on Hispanic film and fiction}, publisher={Cine-Lit Publications, Department of Foreign Languages and Literatures, Oregon State University}, author={Cine-Lit}, year={2000} }
@book{Dawson Books_2007a, address={Lanham, Maryland}, title={Contemporary Latin American cinema: breaking into the global market}, url={https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780742575097}, publisher={Rowman & Littlefield Publishers, Inc}, author={Dawson Books}, editor={Shaw, Deborah}, year={2007} }
@book{Dawson Books_2007b, address={Lanham, Maryland}, title={Contemporary Latin American cinema: breaking into the global market}, url={https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780742575097}, publisher={Rowman & Littlefield Publishers, Inc}, author={Dawson Books}, editor={Shaw, Deborah}, year={2007} }
@article{Donapetry_2006, title={And Your Motherland Too: The Body of the Spanish Woman in Y Tu Mamá También (And Your Mother Too)}, volume={35}, DOI={10.2307/29742151}, journal={Chasqui}, author={Donapetry, María}, year={2006} }
@book{Elena_Díaz López_2003, address={London}, title={The cinema of Latin America}, publisher={Wallflower}, author={Elena, Alberto and Díaz López, Marina}, year={2003} }
@article{Enrico Mario Santí_1998, title={‘Fresa y Chocolate’: The Rhetoric of Cuban Reconciliation}, volume={113}, url={https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/3251482}, number={2}, journal={MLN}, publisher={The Johns Hopkins University Press}, author={Enrico Mario Santí}, year={1998}, pages={407–425} }
@article{Foster_2003, title={Negociaciones queer en Fresa y Chocolate: Ideología y homoerotismo}, volume={69}, DOI={10.5195/REVIBEROAMER.2003.5632}, number={205}, journal={Revista Iberoamericana}, author={Foster, David William}, year={2003}, month={Dec}, pages={985–999} }
@book{Geiger_Rutsky_2005, address={New York}, edition={1st ed}, title={Film analysis: a Norton reader}, publisher={W.W. Norton}, author={Geiger, Jeffrey and Rutsky, R. L.}, year={2005} }
@book{Hart_2004, address={Rochester, N.Y.}, title={A companion to Latin American film}, volume={Colección Támesis}, publisher={Tamesis}, author={Hart, Stephen M.}, year={2004} }
@article{Hortiguera_2012, title={Después de la globalización, la destrucción de lo social en dos filmes argentinos: Las viudas de los jueves y Carancho}, volume={8}, url={http://www.modlang.txstate.edu/letrashispanas/previousvolumes/vol8-1.html}, number={1}, journal={Letras Hispanas}, author={Hortiguera, H}, year={2012} }
@article{Kokalov_2008, title={La imagen artística de Gael García Bernal: Dimensiones de la masculinidad}, volume={29}, url={https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/44287587}, number={2}, journal={Hispanic Journal}, publisher={Indiana University of Pennsylvania}, author={Kokalov, Assen Ivanov}, year={2008}, pages={141–155} }
@article{Leung_2016, title={Always in Translation}, volume={3}, DOI={10.1215/23289252-3545143}, number={3–4}, journal={TSQ: Transgender Studies Quarterly}, author={Leung, Helen Hok-Sze}, year={2016}, month={Nov}, pages={433–447} }
@article{Lorena Cuya Gavilano_2011, title={Ser para otro: Máscaras, Fresa y Chocolate y la retórica de la metáfora homosexual}, volume={88}, url={https://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/911180995?pq-origsite=summon}, number={7}, journal={Bulletin of Hispanic Studies}, author={Lorena Cuya Gavilano}, year={2011} }
@article{María Josefina Saldaña-Portillo_2005, title={In the Shadow of NAFTA: ‘Y tu mamá también’ Revisits the National Allegory of Mexican Sovereignty}, volume={57}, url={https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/40068315}, number={3}, journal={American Quarterly}, publisher={The Johns Hopkins University Press}, author={María Josefina Saldaña-Portillo}, year={2005}, pages={751–777} }
@article{Nadia Lie_2016, title={Violencia y transnacionalidad en el cine latinoamericano contemporáneo: sobre Carancho (P. Trapero, 2010) y Los bastardos (A. Escalante, 2008) / Violence and Transnationalism in Contemporary Latin-American Cinema: Carancho (P. Trapero, 2010) and Los bastardos (A. Escalante, 2008)}, url={https://revistas.uam.es/secuencias/article/view/5927}, number={35}, journal={Secuencias}, author={Nadia Lie}, year={2016} }
@book{Nagib_Mello_2009, address={Basingstoke, Hampshire}, title={Realism and the audiovisual media}, publisher={Palgrave Macmillan}, author={Nagib, Lúcia and Mello, Cecília}, year={2009} }
@article{Quintanilla, title={LA LLORONA COMO ESFINGE SUBVERSIVA EN Y TU MAMÁ TAMBIÉN (2002) DE ALFONSO CUARÓN}, url={https://ezproxy.lib.gla.ac.uk/login?url=https://www.proquest.com/scholarly-journals/la-llorona-como-esfinge-subversiva-en-y-tu-mamá/docview/1553399169/se-2?accountid=14540}, author={Quintanilla, Felipe Q} }
@article{Ribas_2009, title={‘El pinche acentito ese’: deseo transatlántico y exotismo satírico en el cine mexicano del cambio de milenio:                              ,}, volume={10}, DOI={10.1179/146827309X12541438883067}, number={5}, journal={Hispanic Research Journal}, author={Ribas, Alberto}, year={2009}, month={Dec}, pages={457–481} }
@book{Richards_2011, address={Jefferson, N.C.}, title={Themes in Latin American cinema: a critical survey}, url={https://ebookcentral.proquest.com/lib/gla/detail.action?docID=771382}, publisher={McFarland & Company}, author={Richards, Keith John}, year={2011} }
@book{Ryan_Lenos_2012, address={New York, NY}, title={An introduction to film analysis: technique and meaning in narrative film}, publisher={Continuum}, author={Ryan, Michael and Lenos, Melissa}, year={2012} }
@article{Scheman_2016, title={Looking Back on "Queering the Center”}, volume={3}, DOI={10.1215/23289252-3334403}, number={1–2}, journal={TSQ: Transgender Studies Quarterly}, author={Scheman, Naomi}, year={2016}, month={May}, pages={212–219} }
@book{Schroeder_2016, address={Oakland, California}, title={Latin American cinema: a comparative history}, publisher={University of California Press}, author={Schroeder, Paul A.}, year={2016} }
@book{Shaw_2003, address={New York}, title={Contemporary cinema of Latin America: ten key films}, publisher={Continuum}, author={Shaw, Deborah}, year={2003} }
@misc{Slade, title={Mixing Mourning and Desire: Alfonso Cuarón’s ‘Y Tu Mamá También’}, url={http://ecommons.udayton.edu/cgi/viewcontent.cgi?article=1031&context=eng_fac_pub}, author={Slade, Andrew} }
@book{Smith_1996, address={London}, title={Vision machines: cinema, literature, and sexuality in Spain and Cuba, 1983-93}, volume={Critical studies in Latin American and Iberian cultures}, publisher={Verso}, author={Smith, Paul Julian}, year={1996} }
@article{Toscano Alonso, María_2018, title={Marina Vidal a través del espejo: identidad trans en Una mujer fantástica}, url={https://idus.us.es/xmlui/handle/11441/79543}, author={Toscano Alonso, María}, year={2018} }
@article{WILKINSON_1999, title={Homosexuality and the Repression of Intellectuals in Fresa y chocolate and Máscaras}, volume={18}, DOI={10.1016/S0261-3050(97)00115-0}, number={1}, journal={Bulletin of Latin American Research}, author={WILKINSON, S}, year={1999}, month={Jan}, pages={17–33} }
@book{Wood_2006, address={London}, title={The Faber book of Mexican cinema}, publisher={Faber}, author={Wood, Jason}, year={2006} }
@book{Igler_Stauder_2008, address={Madrid}, title={Negociando identidades, traspasando fronteras: tendencias en la literatura y el cine mexicanos en torno al nuevo milenio}, volume={Estudios latinoamericanos}, publisher={Iberoamericana}, year={2008} }
@book{Lema-Hincapié_Castillo_2015, address={Albany}, title={Despite all adversities: Spanish-American queer cinema}, volume={SUNY series, genders in the Global South}, publisher={SUNY Press}, year={2015} }
@book{Hodgin_Thakkar_2017, address={Basingstoke}, title={Scars and wounds: film and legacies of trauma}, publisher={Palgrave Macmillan}, year={2017} }
@book{Delgado_Hart_Johnson_2017, address={Hoboken, New Jersey}, title={A companion to Latin American cinema}, volume={CNCZ Wiley Blackwell companions to national cinemas}, publisher={John Wiley & Sons, Inc}, year={2017} }
@misc{El espacio utópico como medio catalizador de la sexualidad masculina y la lucha de clases en Y tu mamá también, url={http://www.lehman.cuny.edu/ciberletras/v11/serna.html}, journal={Ciberletras} }