Bibliography for Latin American Cinema BETA

Acevedo-Muñoz, Ernesto. ‘Sex, Class, and Mexico in Alfonso Cuarón’s “Y Tu Mamá También”’. Film & History, vol. 34, no. 1, 2004, pp. 39–48, https://login.uofglasgow.idm.oclc.org/login?url=https://search.proquest.com/docview/2149996/fulltextPDF/FBF9147B4A1E40C7PQ/1?accountid=14540.

Baer, Hester, and Ryan Fred Long. ‘Transnational Cinema and the Mexican State in Alfonso Cuaron’s Y Tu Mama Tambien’. South Central Review, vol. 21, no. 3, 2004, pp. 150–68, https://doi.org/10.1353/scr.2004.0031.

Bellour, Raymond, and Constance Penley. The Analysis of Film. Indiana University Press, 2000.

Catherine Davies. ‘Recent Cuban Fiction Films: Identification, Interpretation, Disorder’. Bulletin of Latin American Research, vol. 15, no. 2, 1996, pp. 177–92, https://login.uofglasgow.idm.oclc.org/login?url=https://www.jstor.org/stable/3339505.

Cine-Lit. Cine-Lit 2000: Essays on Hispanic Film and Fiction. Cine-Lit Publications, Department of Foreign Languages and Literatures, Oregon State University, 2000.

Dawson Books. Contemporary Latin American Cinema: Breaking into the Global Market. Edited by Deborah Shaw, Rowman & Littlefield Publishers, Inc, 2007, https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780742575097.

———. Contemporary Latin American Cinema: Breaking into the Global Market. Edited by Deborah Shaw, Rowman & Littlefield Publishers, Inc, 2007, https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780742575097.

Delgado, Maria M., et al., editors. A Companion to Latin American Cinema. CNCZ Wiley Blackwell companions to national cinemas, John Wiley & Sons, Inc, 2017.

Donapetry, María. ‘And Your Motherland Too: The Body of the Spanish Woman in Y Tu Mamá También (And Your Mother Too)’. Chasqui, vol. 35, 2006, https://doi.org/10.2307/29742151.

‘El Espacio Utópico Como Medio Catalizador de La Sexualidad Masculina y La Lucha de Clases En Y Tu Mamá También’. Ciberletras, http://www.lehman.cuny.edu/ciberletras/v11/serna.html.

Elena, Alberto, and Marina Díaz López. The Cinema of Latin America. Wallflower, 2003.

Enrico Mario Santí. ‘“Fresa y Chocolate”: The Rhetoric of Cuban Reconciliation’. MLN, vol. 113, no. 2, 1998, pp. 407–25, https://login.uofglasgow.idm.oclc.org/login?url=https://www.jstor.org/stable/3251482.

Foster, David William. ‘Negociaciones Queer En Fresa y Chocolate: Ideología y Homoerotismo’. Revista Iberoamericana, vol. 69, no. 205, Dec. 2003, pp. 985–99, https://doi.org/10.5195/REVIBEROAMER.2003.5632.

Geiger, Jeffrey, and R. L. Rutsky. Film Analysis: A Norton Reader. 1st ed, W.W. Norton, 2005.

Hart, Stephen M. A Companion to Latin American Film. Tamesis, 2004.

Hodgin, Nick, and Amit Thakkar, editors. Scars and Wounds: Film and Legacies of Trauma. Palgrave Macmillan, 2017.

Hortiguera, H. ‘Después de La Globalización, La Destrucción de Lo Social En Dos Filmes Argentinos: Las Viudas de Los Jueves y Carancho’. Letras Hispanas, vol. 8, no. 1, 2012, http://www.modlang.txstate.edu/letrashispanas/previousvolumes/vol8-1.html.

Igler, Susanne, and Thomas Stauder, editors. Negociando Identidades, Traspasando Fronteras: Tendencias En La Literatura y El Cine Mexicanos En Torno al Nuevo Milenio. Estudios latinoamericanos, Iberoamericana, 2008.

Kokalov, Assen Ivanov. ‘La Imagen Artística de Gael García Bernal: Dimensiones de La Masculinidad’. Hispanic Journal, vol. 29, no. 2, 2008, pp. 141–55, https://login.uofglasgow.idm.oclc.org/login?url=https://www.jstor.org/stable/44287587.

Lema-Hincapié, Andrés, and Debra A. Castillo, editors. Despite All Adversities: Spanish-American Queer Cinema. SUNY series, genders in the Global South, SUNY Press, 2015.

Leung, Helen Hok-Sze. ‘Always in Translation’. TSQ: Transgender Studies Quarterly, vol. 3, nos 3–4, Nov. 2016, pp. 433–47, https://doi.org/10.1215/23289252-3545143.

Lorena Cuya Gavilano. ‘Ser Para Otro: Máscaras, Fresa y Chocolate y La Retórica de La Metáfora Homosexual’. Bulletin of Hispanic Studies, vol. 88, no. 7, 2011, https://login.uofglasgow.idm.oclc.org/login?url=https://search.proquest.com/docview/911180995?pq-origsite=summon.

María Josefina Saldaña-Portillo. ‘In the Shadow of NAFTA: “Y Tu Mamá También” Revisits the National Allegory of Mexican Sovereignty’. American Quarterly, vol. 57, no. 3, 2005, pp. 751–77, https://login.uofglasgow.idm.oclc.org/login?url=https://www.jstor.org/stable/40068315.

Nadia Lie. ‘Violencia y Transnacionalidad En El Cine Latinoamericano Contemporáneo: Sobre Carancho (P. Trapero, 2010) y Los Bastardos (A. Escalante, 2008) / Violence and Transnationalism in Contemporary Latin-American Cinema: Carancho (P. Trapero, 2010) and Los Bastardos (A. Escalante, 2008)’. Secuencias, no. 35, 2016, https://revistas.uam.es/secuencias/article/view/5927.

Nagib, Lúcia, and Cecília Mello. Realism and the Audiovisual Media. Palgrave Macmillan, 2009.

Quintanilla, Felipe Q. LA LLORONA COMO ESFINGE SUBVERSIVA EN Y TU MAMÁ TAMBIÉN (2002) DE ALFONSO CUARÓN. https://login.uofglasgow.idm.oclc.org/login?url=https://www.proquest.com/scholarly-journals/la-llorona-como-esfinge-subversiva-en-y-tu-mamá/docview/1553399169/se-2?accountid=14540.

Ribas, Alberto. ‘“El Pinche Acentito Ese”: Deseo Transatlántico y Exotismo Satírico En El Cine Mexicano Del Cambio de Milenio:                              ,’. Hispanic Research Journal, vol. 10, no. 5, Dec. 2009, pp. 457–81, https://doi.org/10.1179/146827309X12541438883067.

Richards, Keith John. Themes in Latin American Cinema: A Critical Survey. McFarland & Company, 2011, https://ebookcentral.proquest.com/lib/gla/detail.action?docID=771382. Electronic resource.

Ryan, Michael, and Melissa Lenos. An Introduction to Film Analysis: Technique and Meaning in Narrative Film. Continuum, 2012.

Scheman, Naomi. ‘Looking Back on "Queering the Center”’. TSQ: Transgender Studies Quarterly, vol. 3, nos 1–2, May 2016, pp. 212–19, https://doi.org/10.1215/23289252-3334403.

Schroeder, Paul A. Latin American Cinema: A Comparative History. University of California Press, 2016.

Shaw, Deborah. Contemporary Cinema of Latin America: Ten Key Films. Continuum, 2003.

Slade, Andrew. Mixing Mourning and Desire: Alfonso Cuarón’s ‘Y Tu Mamá También’. http://ecommons.udayton.edu/cgi/viewcontent.cgi?article=1031&context=eng_fac_pub.

Smith, Paul Julian. Vision Machines: Cinema, Literature, and Sexuality in Spain and Cuba, 1983-93. Verso, 1996.

Toscano Alonso, María. Marina Vidal a Través Del Espejo: Identidad Trans En Una Mujer Fantástica. 2018, https://idus.us.es/xmlui/handle/11441/79543.

WILKINSON, S. ‘Homosexuality and the Repression of Intellectuals in Fresa y Chocolate and Máscaras’. Bulletin of Latin American Research, vol. 18, no. 1, Jan. 1999, pp. 17–33, https://doi.org/10.1016/S0261-3050(97)00115-0.

Wood, Jason. The Faber Book of Mexican Cinema. Faber, 2006.