Bibliography for Latin American Cinema BETA

Acevedo-Muñoz, Ernesto. 2004. ‘Sex, Class, and Mexico in Alfonso Cuarón’s “Y Tu Mamá También”’. Film & History 34 (1): 39–48. https://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/2149996/fulltextPDF/FBF9147B4A1E40C7PQ/1?accountid=14540.

Baer, Hester, and Ryan Fred Long. 2004. ‘Transnational Cinema and the Mexican State in Alfonso Cuaron’s Y Tu Mama Tambien’. South Central Review 21 (3): 150–68. https://doi.org/10.1353/scr.2004.0031.

Bellour, Raymond, and Constance Penley. 2000. The Analysis of Film. Bloomington: Indiana University Press.

Catherine Davies. 1996. ‘Recent Cuban Fiction Films: Identification, Interpretation, Disorder’. Bulletin of Latin American Research 15 (2): 177–92. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/3339505.

Cine-Lit. 2000. Cine-Lit 2000: Essays on Hispanic Film and Fiction. Corvallis, OR: Cine-Lit Publications, Department of Foreign Languages and Literatures, Oregon State University.

Dawson Books. 2007a. Contemporary Latin American Cinema: Breaking into the Global Market. Edited by Deborah Shaw. Lanham, Maryland: Rowman & Littlefield Publishers, Inc. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780742575097.

———. 2007b. Contemporary Latin American Cinema: Breaking into the Global Market. Edited by Deborah Shaw. Lanham, Maryland: Rowman & Littlefield Publishers, Inc. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780742575097.

Delgado, Maria M., Stephen M. Hart, and Randal Johnson, eds. 2017. A Companion to Latin American Cinema. Vol. CNCZ Wiley Blackwell companions to national cinemas. Hoboken, New Jersey: John Wiley & Sons, Inc.

Donapetry, María. 2006. ‘And Your Motherland Too: The Body of the Spanish Woman in Y Tu Mamá También (And Your Mother Too)’. Chasqui 35. https://doi.org/10.2307/29742151.

‘El Espacio Utópico Como Medio Catalizador de La Sexualidad Masculina y La Lucha de Clases En Y Tu Mamá También’. n.d. Ciberletras. http://www.lehman.cuny.edu/ciberletras/v11/serna.html.

Elena, Alberto, and Marina Díaz López. 2003. The Cinema of Latin America. London: Wallflower.

Enrico Mario Santí. 1998. ‘“Fresa y Chocolate”: The Rhetoric of Cuban Reconciliation’. MLN 113 (2): 407–25. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/3251482.

Foster, David William. 2003. ‘Negociaciones Queer En Fresa y Chocolate: Ideología y Homoerotismo’. Revista Iberoamericana 69 (205): 985–99. https://doi.org/10.5195/REVIBEROAMER.2003.5632.

Geiger, Jeffrey, and R. L. Rutsky. 2005. Film Analysis: A Norton Reader. 1st ed. New York: W.W. Norton.

Hart, Stephen M. 2004. A Companion to Latin American Film. Vol. Colección Támesis. Rochester, N.Y.: Tamesis.

Hodgin, Nick, and Amit Thakkar, eds. 2017. Scars and Wounds: Film and Legacies of Trauma. Basingstoke: Palgrave Macmillan.

Hortiguera, H. 2012. ‘Después de La Globalización, La Destrucción de Lo Social En Dos Filmes Argentinos: Las Viudas de Los Jueves y Carancho’. Letras Hispanas 8 (1). http://www.modlang.txstate.edu/letrashispanas/previousvolumes/vol8-1.html.

Igler, Susanne, and Thomas Stauder, eds. 2008. Negociando Identidades, Traspasando Fronteras: Tendencias En La Literatura y El Cine Mexicanos En Torno al Nuevo Milenio. Vol. Estudios latinoamericanos. Madrid: Iberoamericana.

Kokalov, Assen Ivanov. 2008. ‘La Imagen Artística de Gael García Bernal: Dimensiones de La Masculinidad’. Hispanic Journal 29 (2): 141–55. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/44287587.

Lema-Hincapié, Andrés, and Debra A. Castillo, eds. 2015. Despite All Adversities: Spanish-American Queer Cinema. Vol. SUNY series, genders in the Global South. Albany: SUNY Press.

Leung, Helen Hok-Sze. 2016. ‘Always in Translation’. TSQ: Transgender Studies Quarterly 3 (3–4): 433–47. https://doi.org/10.1215/23289252-3545143.

Lorena Cuya Gavilano. 2011. ‘Ser Para Otro: Máscaras, Fresa y Chocolate y La Retórica de La Metáfora Homosexual’. Bulletin of Hispanic Studies 88 (7). https://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/911180995?pq-origsite=summon.

María Josefina Saldaña-Portillo. 2005. ‘In the Shadow of NAFTA: “Y Tu Mamá También” Revisits the National Allegory of Mexican Sovereignty’. American Quarterly 57 (3): 751–77. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/40068315.

Nadia Lie. 2016. ‘Violencia y Transnacionalidad En El Cine Latinoamericano Contemporáneo: Sobre Carancho (P. Trapero, 2010) y Los Bastardos (A. Escalante, 2008) / Violence and Transnationalism in Contemporary Latin-American Cinema: Carancho (P. Trapero, 2010) and Los Bastardos (A. Escalante, 2008)’. Secuencias, no. 35. https://revistas.uam.es/secuencias/article/view/5927.

Nagib, Lúcia, and Cecília Mello. 2009. Realism and the Audiovisual Media. Basingstoke, Hampshire: Palgrave Macmillan.

Quintanilla, Felipe Q. n.d. ‘LA LLORONA COMO ESFINGE SUBVERSIVA EN Y TU MAMÁ TAMBIÉN (2002) DE ALFONSO CUARÓN’. https://ezproxy.lib.gla.ac.uk/login?url=https://www.proquest.com/scholarly-journals/la-llorona-como-esfinge-subversiva-en-y-tu-mamá/docview/1553399169/se-2?accountid=14540.

Ribas, Alberto. 2009. ‘“El Pinche Acentito Ese”: Deseo Transatlántico y Exotismo Satírico En El Cine Mexicano Del Cambio de Milenio:                              ,’. Hispanic Research Journal 10 (5): 457–81. https://doi.org/10.1179/146827309X12541438883067.

Richards, Keith John. 2011. Themes in Latin American Cinema: A Critical Survey. Jefferson, N.C.: McFarland & Company. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=771382.

Ryan, Michael, and Melissa Lenos. 2012. An Introduction to Film Analysis: Technique and Meaning in Narrative Film. New York, NY: Continuum.

Scheman, Naomi. 2016. ‘Looking Back on "Queering the Center”’. TSQ: Transgender Studies Quarterly 3 (1–2): 212–19. https://doi.org/10.1215/23289252-3334403.

Schroeder, Paul A. 2016. Latin American Cinema: A Comparative History. Oakland, California: University of California Press.

Shaw, Deborah. 2003. Contemporary Cinema of Latin America: Ten Key Films. New York: Continuum.

Slade, Andrew. n.d. ‘Mixing Mourning and Desire: Alfonso Cuarón’s “Y Tu Mamá También”’. http://ecommons.udayton.edu/cgi/viewcontent.cgi?article=1031&context=eng_fac_pub.

Smith, Paul Julian. 1996. Vision Machines: Cinema, Literature, and Sexuality in Spain and Cuba, 1983-93. Vol. Critical studies in Latin American and Iberian cultures. London: Verso.

Toscano Alonso, María. 2018. ‘Marina Vidal a Través Del Espejo: Identidad Trans En Una Mujer Fantástica’. https://idus.us.es/xmlui/handle/11441/79543.

WILKINSON, S. 1999. ‘Homosexuality and the Repression of Intellectuals in Fresa y Chocolate and Máscaras’. Bulletin of Latin American Research 18 (1): 17–33. https://doi.org/10.1016/S0261-3050(97)00115-0.

Wood, Jason. 2006. The Faber Book of Mexican Cinema. London: Faber.