Alberro, A. and Stimson, B. (2009) Institutional Critique: an anthology of artists’ writings. Cambridge, Mass: MIT Press.
Altay, C. (2013) Ahali: an anthology for setting a setting. London: Bedford Press.
Altshuler, B. (2008) Salon to biennial. London: Phaidon.
Altshuler, B. (ed.) (2013) Biennials and beyond: exhibitions that made art history, 1962-2002. London: Phaidon Press.
Aubart, F. and Derieux, F. (2007) Harald Szeemann: individual methodology. Zurich: JRP/Ringier.
Bennett, T. (1995) The birth of the museum: history, theory, politics. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1487028.
Berlin Biennale, DIS (Group of artists), and Kunst-Werke (Berlin) (2016) 9. Berlin Biennale für zeitgenössische Kunst =: 9th Berlin Biennale for Contemporary Art. Edited by L. Boyle et al. Berlin: Distanz Verlag.
Bhabha, H.K. and Ebooks Corporation Limited (2004) The location of culture. Routledge classics edition. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=653022.
Bourriaud, N. (2002) Relational aesthetics. [Dijon]: Les Presses du réel.
Butler, C.H. et al. (2012) From conceptualism to feminism: Lucy Lippard’s numbers shows 1969-74. London: Afterall Books.
Coelewij, L. and Martinetti, S. (2015) Seth Siegelaub: Beyond Conceptual Art. Cologne: Verlag der Buchhandlung Walther Konig.
Cultures of the Curatorial (2012) Cultures of the curatorial. Edited by B. von Bismarck, J. Schafaff, and T. Weski. Berlin: Sternberg Press.
Ebooks Corporation Limited (2013) The curatorial: a philosophy of curating. Edited by J.-P. Martinon. London: Bloomsbury Academic. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1426801.
Ferguson, B.W., Greenberg, R. and Nairne, S. (1996) Thinking about exhibitions. London: Routledge.
Filipovic, E., Van Hal, M. and Øvstebø, S. (eds) (2010) The biennial reader. Bergen: Hatje Cantz Verlag.
Fusco, M. (2013) With A Bao A Qu reading when attitudes become form. Vancouver, B.C.: New Documents.
Gray, Z. and Witte de With, centrum voor hedendaagse kunst (2010) Rotterdam dialogues: the critics, the curators, the artists. Utrecht: Post Editions.
Gros, B. and Goshgarian, G.M. (2014) On the new. English language edition. London: Verso.
Harvey, D. and American Council of Learned Societies (2013) Rebel cities: from the right to the city to the urban revolution [electronic resource]. Paperback ed. London: Verso. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.32147.
Hassan, S. et al. (2001) Unpacking Europe: towards a critical reading. Rotterdam, The Netherlands: Museum Boijmans Van Beuningen.
Hoffmann, J. and Mousse Publishing (Milan, Italy) (2013) Ten fundamental questions of curating. Milan: Mousse Publishing.
Illich, I. (1973) Tools for conviviality. First ebook edition. London: Marion Boyars Publishers. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=898237.
Krauss, A. et al. (2008) Hidden curriculum: a project by Annette Krauss. Rotterdam: Episode.
Kwon, M. (2004) One place after another: site-specific art and locational identity. Cambridge, Mass: MIT.
Lind, M., Wood, B.K. and Bismarck, B. von (2010) Selected Maria Lind writing. Berlin: Sternberg Press.
Lippard, L.R. (1997) The lure of the local: senses of place in a multicentered society. New York: New Press.
Lowndes, S. (2010) Social sculpture: the rise of the Glasgow art scene. New rev. ed. Edinburgh: Luath Press.
Montmann, N. (2006) Art and its institutions: current conflicts, critique and collaborations. London: Black Dog Publishing.
Obrist, H.U. (2011) A brief history of curating. Edited by L. Bovier. Zurich: JRP / Ringier. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=829682.
Obrist, H.U. and Raz̤ā, A. (2014) Ways of curating. London: Allen Lane.
O’Doherty, B. (1999) Inside the white cube: the ideology of the gallery space. Expanded ed. Berkeley, Calif: University of California Press.
O’Neill, P. (ed.) (2007) Curating subjects. London: Open Editions.
O’Neill, P. (2012a) The culture of curating and the curating of culture(s). Cambridge, Mass: MIT Press.
O’Neill, P. (2012b) The culture of curating and the curating of culture(s). Cambridge, Mass: MIT Press.
O’Neill, P. and Wilson, M. (2010) Curating and the educational turn. London: Open Editions.
O’Neill, P., Wilson, M. and Steeds, L. (eds) (2016) The curatorial conundrum: what to study? what to research? what to practice? Cambridge, Massachusetts: The MIT Press.
Rattemeyer, C. (2010) Exhibiting the new art: ‘Op Losse Schroeven’ and ‘When Attitudes Become Form’, 1969. London: Afterall Books in association with the Academy of Fine Arts Vienna and Van Abbemuseum, Eindhoven.
Santos, B. de S. (2014) Epistemologies of the South: justice against epistemicide. Boulder: Paradigm Publishers.
Seijdel, J. et al. (2015) What’s the Use?: Constellations of Art, History and Knowledge - A Critical Reader. Amsterdam: Valiz.
Sladen, M., Birkett, R. and Leaver-Yap, I. (2009) Nought to sixty: 60 projects : 6 months. London: Institute of Contemporary Arts.
Smith, T. (2012) Thinking contemporary curating. New York, NY: Independent Curators International ICI. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1028103.
Steeds, L. et al. (2013) Making art global: Part 2: ‘Magiciens de la Terre’ 1989. London: Afterall Books.
Vanderlinden, B. and Filipovic, E. (2005) The Manifesta decade: debates on contemporary art exhibitions and biennials in post-wall Europe. Cambridge, MA: MIT Press.
Weiss, R. et al. (2011) Making art global: Part 1: The third Havana biennial 1989. London: Afterall in association with the Academy of Fine Arts Vienna and Van Abbemuseum, Eindhoven.
