1.
Illich, I. Tools for conviviality. (Marion Boyars Publishers, 1973).
2.
Harvey, D. & American Council of Learned Societies. Rebel cities: from the right to the city to the urban revolution. (Verso, 2013).
3.
Santos, B. de S. Epistemologies of the South: justice against epistemicide. (Paradigm Publishers, 2014).
4.
Lippard, L. R. The lure of the local: senses of place in a multicentered society. (New Press, 1997).
5.
Kwon, M. One place after another: site-specific art and locational identity. (MIT, 2004).
6.
Bhabha, H. K. & Ebooks Corporation Limited. The location of culture. (Routledge, 2004).
7.
Berlin Biennale, DIS (Group of artists), & Kunst-Werke (Berlin). 9. Berlin Biennale für zeitgenössische Kunst =: 9th Berlin Biennale for Contemporary Art. (Distanz Verlag, 2016).
8.
Ebooks Corporation Limited. The curatorial: a philosophy of curating. (Bloomsbury Academic, 2013).
9.
Cultures of the Curatorial. Cultures of the curatorial. (Sternberg Press, 2012).
10.
Gros, B. & Goshgarian, G. M. On the new. (Verso, 2014).
11.
Alberro, A. & Stimson, B. Institutional Critique: an anthology of artists’ writings. (MIT Press, 2009).
12.
Seijdel, J., Thije, S. T., Aikens, N. & Lange, T. What’s the Use?: Constellations of Art, History and Knowledge - A Critical Reader. (Valiz, 2015).
13.
The curatorial conundrum: what to study? what to research? what to practice? (The MIT Press, 2016).
14.
Coelewij, L. & Martinetti, S. Seth Siegelaub: Beyond Conceptual Art. (Verlag der Buchhandlung Walther Konig, 2015).
15.
Altshuler, B. Salon to biennial. (Phaidon, 2008).
16.
Biennials and beyond: exhibitions that made art history, 1962-2002. (Phaidon Press, 2013).
17.
Bourriaud, N. Relational aesthetics. vol. Collection Documents sur l’art (Les Presses du réel, 2002).
18.
Butler, C. H., Plagens, P., Pollock, G. & Tisdall, C. From conceptualism to feminism: Lucy Lippard’s numbers shows 1969-74. vol. Exhibition histories (Afterall Books, 2012).
19.
O’Neill, P. The culture of curating and the curating of culture(s). (MIT Press, 2012).
20.
O’Neill, P. The culture of curating and the curating of culture(s). (MIT Press, 2012).
21.
O’Neill, P. & Wilson, M. Curating and the educational turn. (Open Editions, 2010).
22.
Curating subjects. (Open Editions, 2007).
23.
O’Doherty, B. Inside the white cube: the ideology of the gallery space. (University of California Press, 1999).
24.
Obrist, H. U. & Raz̤ā, A. Ways of curating. (Allen Lane, 2014).
25.
Obrist, H. U. A brief history of curating. vol. Documents series (JRP / Ringier, 2011).
26.
Lowndes, S. Social sculpture: the rise of the Glasgow art scene. (Luath Press, 2010).
27.
Lind, M., Wood, B. K. & Bismarck, B. von. Selected Maria Lind writing. (Sternberg Press, 2010).
28.
Hoffmann, J. & Mousse Publishing (Milan, Italy). Ten fundamental questions of curating. (Mousse Publishing, 2013).
29.
Ferguson, B. W., Greenberg, R. & Nairne, S. Thinking about exhibitions. (Routledge, 1996).
30.
Gray, Z. & Witte de With, centrum voor hedendaagse kunst. Rotterdam dialogues: the critics, the curators, the artists. (Post Editions, 2010).
31.
The biennial reader. (Hatje Cantz Verlag, 2010).
32.
Vanderlinden, B. & Filipovic, E. The Manifesta decade: debates on contemporary art exhibitions and biennials in post-wall Europe. (MIT Press, 2005).
33.
Aubart, F. & Derieux, F. Harald Szeemann: individual methodology. (JRP/Ringier, 2007).
34.
Bennett, T. The birth of the museum: history, theory, politics. vol. Culture (Routledge, 1995).
35.
Smith, T. Thinking contemporary curating. vol. ICI perspectives in curating (Independent Curators International ICI, 2012).
36.
Weiss, R., Camnitzer, L., Steeds, L., Akademie der Bildenden Künste in Wien, & Stedelijk Van Abbemuseum. Making art global: Part 1: The third Havana biennial 1989. vol. Exhibition histories (Afterall in association with the Academy of Fine Arts Vienna and Van Abbemuseum, Eindhoven, 2011).
37.
Steeds, L. et al. Making art global: Part 2: ‘Magiciens de la Terre’ 1989. vol. Exhibition histories (Afterall Books, 2013).
38.
Rattemeyer, C. Exhibiting the new art: ‘Op Losse Schroeven’ and ‘When Attitudes Become Form’, 1969. vol. Exhibition histories (Afterall Books in association with the Academy of Fine Arts Vienna and Van Abbemuseum, Eindhoven, 2010).
39.
Montmann, N. Art and its institutions: current conflicts, critique and collaborations. (Black Dog Publishing, 2006).
40.
Krauss, A., Pethick, E., Alkemeyer, T., Vishmidt, M. & Jap Sam, E. Hidden curriculum: a project by Annette Krauss. (Episode, 2008).
41.
Fusco, M. With A Bao A Qu reading when attitudes become form. (New Documents, 2013).
42.
Sladen, M., Birkett, R. & Leaver-Yap, I. Nought to sixty: 60 projects : 6 months. (Institute of Contemporary Arts, 2009).
43.
Hassan, S., Dadi, I., Adelson, L. A., & Museum Boijmans Van Beuningen (Rotterdam, Netherlands). Unpacking Europe: towards a critical reading. (Museum Boijmans Van Beuningen, 2001).
44.
Altay, C. Ahali: an anthology for setting a setting. (Bedford Press, 2013).