Alberro, A., & Stimson, B. (2009). Institutional Critique: an anthology of artists’ writings. MIT Press.
Altay, C. (2013). Ahali: an anthology for setting a setting. Bedford Press.
Altshuler, B. (2008). Salon to biennial. Phaidon.
Altshuler, B. (Ed.). (2013). Biennials and beyond: exhibitions that made art history, 1962-2002. Phaidon Press.
Aubart, F., & Derieux, F. (2007). Harald Szeemann: individual methodology. JRP/Ringier.
Bennett, T. (1995). The birth of the museum: history, theory, politics: Vol. Culture. Routledge. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1487028
Berlin Biennale, DIS (Group of artists), & Kunst-Werke (Berlin). (2016). 9. Berlin Biennale für zeitgenössische Kunst =: 9th Berlin Biennale for Contemporary Art (L. Boyle, S. Chase, M. Roso, & D. Toro, Eds.). Distanz Verlag.
Bhabha, H. K. & Ebooks Corporation Limited. (2004). The location of culture (Routledge classics edition). Routledge. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=653022
Bourriaud, N. (2002). Relational aesthetics: Vol. Collection Documents sur l’art. Les Presses du réel.
Butler, C. H., Plagens, P., Pollock, G., & Tisdall, C. (2012). From conceptualism to feminism: Lucy Lippard’s numbers shows 1969-74: Vol. Exhibition histories. Afterall Books.
Coelewij, L., & Martinetti, S. (2015). Seth Siegelaub: Beyond Conceptual Art. Verlag der Buchhandlung Walther Konig.
Cultures of the Curatorial. (2012). Cultures of the curatorial (B. von Bismarck, J. Schafaff, & T. Weski, Eds.). Sternberg Press.
Ebooks Corporation Limited. (2013). The curatorial: a philosophy of curating (J.-P. Martinon, Ed.). Bloomsbury Academic. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1426801
Ferguson, B. W., Greenberg, R., & Nairne, S. (1996). Thinking about exhibitions. Routledge.
Filipovic, E., Van Hal, M., & Øvstebø, S. (Eds.). (2010). The biennial reader. Hatje Cantz Verlag.
Fusco, M. (2013). With A Bao A Qu reading when attitudes become form. New Documents.
Gray, Z. & Witte de With, centrum voor hedendaagse kunst. (2010). Rotterdam dialogues: the critics, the curators, the artists. Post Editions.
Gros, B., & Goshgarian, G. M. (2014). On the new (English language edition). Verso.
Harvey, D. & American Council of Learned Societies. (2013). Rebel cities: from the right to the city to the urban revolution (Paperback ed) [Electronic resource]. Verso. https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.32147
Hassan, S., Dadi, I., Adelson, L. A., & Museum Boijmans Van Beuningen (Rotterdam, Netherlands). (2001). Unpacking Europe: towards a critical reading. Museum Boijmans Van Beuningen.
Hoffmann, J. & Mousse Publishing (Milan, Italy). (2013). Ten fundamental questions of curating. Mousse Publishing.
Illich, I. (1973). Tools for conviviality (First ebook edition). Marion Boyars Publishers. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=898237
Krauss, A., Pethick, E., Alkemeyer, T., Vishmidt, M., & Jap Sam, E. (2008). Hidden curriculum: a project by Annette Krauss. Episode.
Kwon, M. (2004). One place after another: site-specific art and locational identity. MIT.
Lind, M., Wood, B. K., & Bismarck, B. von. (2010). Selected Maria Lind writing. Sternberg Press.
Lippard, L. R. (1997). The lure of the local: senses of place in a multicentered society. New Press.
Lowndes, S. (2010). Social sculpture: the rise of the Glasgow art scene (New rev. ed). Luath Press.
Montmann, N. (2006). Art and its institutions: current conflicts, critique and collaborations. Black Dog Publishing.
Obrist, H. U. (2011). A brief history of curating: Vol. Documents series (L. Bovier, Ed.). JRP / Ringier. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=829682
Obrist, H. U., & Raz̤ā, A. (2014). Ways of curating. Allen Lane.
O’Doherty, B. (1999). Inside the white cube: the ideology of the gallery space (Expanded ed). University of California Press.
O’Neill, P. (Ed.). (2007). Curating subjects. Open Editions.
O’Neill, P. (2012a). The culture of curating and the curating of culture(s). MIT Press.
O’Neill, P. (2012b). The culture of curating and the curating of culture(s). MIT Press.
O’Neill, P., & Wilson, M. (2010). Curating and the educational turn. Open Editions.
O’Neill, P., Wilson, M., & Steeds, L. (Eds.). (2016). The curatorial conundrum: what to study? what to research? what to practice? The MIT Press.
Rattemeyer, C. (2010). Exhibiting the new art: ‘Op Losse Schroeven’ and ‘When Attitudes Become Form’, 1969: Vol. Exhibition histories. Afterall Books in association with the Academy of Fine Arts Vienna and Van Abbemuseum, Eindhoven.
Santos, B. de S. (2014). Epistemologies of the South: justice against epistemicide. Paradigm Publishers.
Seijdel, J., Thije, S. T., Aikens, N., & Lange, T. (2015). What’s the Use?: Constellations of Art, History and Knowledge - A Critical Reader. Valiz.
Sladen, M., Birkett, R., & Leaver-Yap, I. (2009). Nought to sixty: 60 projects : 6 months. Institute of Contemporary Arts.
Smith, T. (2012). Thinking contemporary curating: Vol. ICI perspectives in curating. Independent Curators International ICI. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1028103
Steeds, L., Lafuente, P., Poinsot, J.-M., Araeen, R., Martin, J.-H., Buchloh, B. H. D., Jaar, A., Godoy Vega, F., Bruly Bouabré, F., & Kruger, B. (2013). Making art global: Part 2: ‘Magiciens de la Terre’ 1989: Vol. Exhibition histories. Afterall Books.
Vanderlinden, B., & Filipovic, E. (2005). The Manifesta decade: debates on contemporary art exhibitions and biennials in post-wall Europe. MIT Press.
Weiss, R., Camnitzer, L., Steeds, L., Akademie der Bildenden Künste in Wien, & Stedelijk Van Abbemuseum. (2011). Making art global: Part 1: The third Havana biennial 1989: Vol. Exhibition histories. Afterall in association with the Academy of Fine Arts Vienna and Van Abbemuseum, Eindhoven.
