1.
Copertari G. Nine Queens : A Dark Day Of Simulation And Justice. Journal of Latin American Cultural Studies. 2005;14(3):279-293. doi:10.1080/13569320500382534
2.
Shaw D. Playing Hollywood at Its Own Game? Bielenski’s Nueve reinas. In: Shaw D, ed. Contemporary Latin American Cinema: Breaking into the Global Market. Rowman & Littlefield; 2007:67-85. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780742575097
3.
Navitski R. The last heist revisited: reimagining Hollywood genre in contemporary Argentine crime film. Screen. 2012;53(4):359-380. doi:10.1093/screen/hjs033
4.
Rêgo C, Rocha C. New Trends in Argentine and Brazilian Cinema. Intellect; 2011.
5.
Hedges J. Argentina: A Modern History. I.B. Tauris; 2011.
6.
Skidmore TE, Smith PH. Modern Latin America. 5th ed. Oxford University Press; 2001.
7.
Harbison, Robert. GAUDI. C (Archive : 1987-1992). Published online 1992:1987-1992. http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/docview/1459655033?pq-origsite=summon
8.
Masters of Building: SAGRADA FAMILIA. The Architects’ Journal (Archive : 1919-2005). 2005;195(13):1919-2005. http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/docview/1427113651?pq-origsite=summon
9.
Ashton, Dore. Antonio GAUDI. Craft Horizons (Archive : 1941-1978). 1978;17(6):1941-1978. http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/docview/1493608034/20073A5A121E45D4PQ/5?accountid=14540
10.
Barcelona: Urban Identity 1992-2002. Arizona Journal of Hispanic Cultural Studies. 2002;6(1):245-261. doi:10.1353/hcs.2011.0277
11.
Mower D. Gaudí. Oresko Books; 1977.
12.
Lahuerta JJ, Gaudí A. Antoni Gaudi, 1852-1926: Architecture, Ideology, and Politics. Electa Architecture; 2003.
13.
Van Zandt E. The Life and Works of Gaudí. Siena; 1995.
14.
Robinson WH, Falgàs J, Lord CB, Alix Trueba J, Cleveland Museum of Art, Metropolitan Museum of Art (New York, N.Y.). Barcelona and Modernity: Picasso, Gaudí, Miró, Dalí. Cleveland Museum of Art in association with Yale University Press, New Haven and London; 2006.
15.
Bennett A. Barcelona. Vol Blue guide. 2nd ed. A & C Black; 2002.
16.
Hughes R. Barcelona. Harvill; 1992.
17.
Reading Columbus. University of California Press http://publishing.cdlib.org/ucpressebooks/view?docId=ft009nb0cv;brand=ucpress
18.
Barton S. A History of Spain. Second edition. Palgrave Macmillan; 2009.
19.
Todorov T. The Conquest of America: The Question of the Other. HarperPerennial; 1992.
20.
Columbus C, Ife BW, Penny RJ. Journal of the First Voyage =: (Diario Del Primer Viaje). Vol Hispanic classics. Aris & Phillips; 1990.
21.
Delaney C. Columbus’s Ultimate Goal: Jerusalem. Comparative Studies in Society and History. 2006;48(02). doi:10.1017/S0010417506000119
22.
McDonagh K. Estrategias discursivas de la Reconquista y la Conquista: La construcción del ‘otro’ en los romances y en las escrituras de Cristóbal Colón. Confluencia. 2007;23(1):10-28. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/27923250
23.
Henige D, Zamora M. Text, Context, Intertext: Columbus’ diario de a bordo as Palimpsest. The Americas. 1989;46(01):17-40. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/1007392
24.
Kamen H. Imagining Spain: Historical Myth & National Identity. Yale University Press; 2008.
25.
Pratt ML, Dawson Books. Imperial Eyes: Travel Writing and Transculturation. 2nd ed. Routledge; 2008. http://www.dawsonera.com/guard/protected/dawson.jsp?name=University%20of%20Glasgow&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203932933
26.
Rebecca Earle. Creole Patriotism and the Myth of the ‘Loyal Indian’. Past & Present. 2001;(172):125-145. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/3600778?pq-origsite=summon&seq=1#page_scan_tab_contents
27.
Rebecca Earle. 'Padres de la Patria" and the Ancestral Past: Commemorations of Independence in Nineteenth-Century Spanish America. Journal of Latin American Studies. 2002;34(4):775-805. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/3875723?seq=1#page_scan_tab_contents
28.
Bauer R, Mazzotti JA, Omohundro Institute of Early American History & Culture, Society of Early Americanists. Creole Subjects in the Colonial Americas: Empires, Texts, Identities. Published for the Omohundro Institute of Early American History and Culture, Williamsburg, Virginia, by the University of North Carolina Press; 2009.
29.
Heinowitz RC. Spanish America and British Romanticism, 1777-1826: Rewriting Conquest. Vol Edinburgh studies in transatlantic literatures. Edinburgh University Press; 2010. http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.3366/edinburgh/9780748638680.001.0001
30.
Murray PS. Of Love and Politics: Reassessing Manuela Sáenz and Simón Bolívar, 1822-1830. History Compass. 2007;5(1):227-250. doi:10.1111/j.1478-0542.2006.00374.x
31.
SOMARRIVA Q. M. A Matter of Speculation: British Representations of Argentina, Chile and Perú during the Wars of Independence. Bulletin of Latin American Research. 2017;36(2):223-236. doi:10.1111/blar.12528
32.
Burton J. A Drop of Rain in the Desert: Something and Nothingness in Juan Rulfo’s ‘Nos Han Dado La Tierra’ (‘They’ve Given Us the Land’). Latin American Literary Review. 1973;2(3):55-62. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/20118895
33.
Lyon TC. Juan Rulfo, o no hay salvación ni en la vida ni en la muerte. Revista Chilena de Literatura. 1992;(39):97-118. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/40356643
34.
Ted Lyon. Ontological Motifs in the Short Stories of Juan Rulfo. Journal of Spanish Studies: Twentieth Century. 1973;1(3):161-168. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/27740626
35.
GASTÓN LILLO and JOSÉ LEANDRO URBINA              ANTONIO ALATORRE              FELIPE GARRIDO              JULIO ESTRADA              JAIME CONCHA              EDMOND CROS              MARIO J. VALDÉS              ANTONIO GÓMEZ-MORIANA              AMARYLL CHANADY              NEIL LARSEN              JEAN FRANCO              FERNANDO DE DIEGO              CARMEN BOULLOSA              DANIEL CASTILLO DURANTE              JORGE ETCHEVERRY              FRANÇOISE PÉRUS              JOSÉ ANTONIO GIMÉNEZ MICÓ              KEITH ELLIS              RODNEY WILLIAMSON              MONIQUE SARFATI-ARNAUD              ROMÁN DE LA CAMPA. Vol. 22, No. 2, Invierno 1998 of Revista Canadiense de Estudios Hispánicos on JSTOR. Published online 1998. http://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/i27763451
36.
Fraser HM. ‘Inframundo’: Juan Rulfo’s Photographic Companion to ‘El llano en llamas’. Chasqui. 1988;17(2). doi:10.2307/29740086
37.
Rowe W. Rulfo, El Llano En Llamas. Vol Critical guides to Spanish texts. Grant & Cutler Ltd. in association with Tamesis Books; 1987.
38.
Bell L. The Death of the Storyteller and the Poetics of (Un)Containment: Juan Rulfo’s <em>El llano en llamas</em>. The Modern Language Review. 2012;107(3). http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/10.5699/modelangrevi.107.3.0815
39.
EDMOND CROS. Desde la epopeya villista al sinarquismo: análisis sociocrítico de ‘El llano en llamas’. Revista Canadiense de Estudios Hispánicos. 1998;22(2):215-224. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/27763459
40.
Gitlitz D. Inquisition Confessions and Lazarillo de Tormes. Hispanic Review. 2000;68(1). doi:10.2307/474356
41.
Deyermond AD. Lazarillo de Tormes: A Critical Guide. Vol Critical guides to Spanish texts. 2nd ed. Grant & Cutler in association with Tamesis; 1993.
42.
Maximilian C Maier. Maier, Maximilian C:  Comic Confluence in Lazarillo de Tormes. Bulletin of Hispanic Studies. 2012;89(7). http://ezproxy.lib.gla.ac.uk/login?url=http://gateway.proquest.com.ezproxy.lib.gla.ac.uk/openurl?ctx_ver=Z39.88-2003&amp;xri:pqil:res_ver=0.2&amp;res_id=xri:lion&amp;rft_id=xri:lion:ft:abell:R04725791:0&amp;rft.accountid=14540
43.
Peterson, Nathan. Peterson, Nathan:  ‘A Poor, Hungry Plot’: Lazarillo de Tormes in English Translation and the Episodic Structure of the Picaresque. Philological Quarterly. 2014;93(4):461-482. http://ezproxy.lib.gla.ac.uk/login?url=http://gateway.proquest.com.ezproxy.lib.gla.ac.uk/openurl?ctx_ver=Z39.88-2003&amp;xri:pqil:res_ver=0.2&amp;res_id=xri:lion&amp;rft_id=xri:lion:ft:criticism:R05281958:0&amp;rft.accountid=14540
44.
Edward H. Friedman. From the inside out: the poetics of Lazarillo de Tormes. Philological Quarterly. http://ezproxy.lib.gla.ac.uk/login?url=http://go.galegroup.com.ezproxy.lib.gla.ac.uk/ps/i.do?p=EAIM&u=glasuni&id=GALE|A252446762&v=2.1&it=r&sid=summon&authCount=1
45.
Rosa Franquet. Transmedia Critical| Cross-Media Production in Spain’s Public Broadcast RTVE: Innovation, Promotion and Audience Loyalty Strategies. International Journal of Communication. 2014;8. http://ijoc.org/index.php/ijoc/article/view/2621/1203
46.
Bustamante Ramírez E. Historia de La Radio y Televisión En España: Una Asignatura Pendiente de La Democracia. Vol Comunicación. Primera edición. Gedisa Editorial; 2013.
47.
Mendíbil Á. España En Serie: Cada Serie Cuenta Una Historia, Todas Juntas Cuentan Nuestra Historia. Primera edición. Aguilar; 2013.
48.
Smith PJ. Spanish Practices: Literature, Cinema, Television. Vol Moving image (Legenda). Legenda; 2012.
49.
Smith PJ. Spanish Screen Fiction: Between Cinema and Television. Vol Contemporary Hispanic and Lusophone cultures. Liverpool University Press; 2009. http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.5949/UPO9781846315732
50.
Quino. 10 Años Con Mafalda. 2a ed. Tusquets Editor; 2009.
51.
Quino. 10 Años Con Mafalda. Tusquetes Editores; 2005.
52.
Foster DW. From Mafalda to Los Supermachos: Latin American Graphic Humor as Popular Culture. Lynn Reinner; 1989.
53.
Martignone H, Prunes M. Historietas a Diario: Las Tiras Cómicas Argentinas de Mafalda a Nuestros Días. Libraria; 2008.
54.
Foster DW. MAFALDA: An Argentina Comic Strip. The Journal of Popular Culture. 1980;14(3):497-508. doi:10.1111/j.0022-3840.1980.1403_497.x
55.
Feierstein LR. Graphic and political humour in Argentina: from Quino to Página 12. European Journal of Humour Research. 2015;3(2/3):119-128. doi:10.7592/EJHR2015.3.2.3.feierstein
56.
Klein S. Breaking the Mold with Humor: Images of Women in the Visual Media. Art Education. 1993;46(5). doi:10.2307/3193387