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Copertari G. Nine Queens : A Dark Day Of Simulation And Justice. Journal of Latin American Cultural Studies 2005;14:279–93. doi:10.1080/13569320500382534
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Shaw D. Playing Hollywood at Its Own Game? Bielenski’s Nueve reinas. In: Shaw D, ed. Contemporary Latin American cinema: breaking into the global market. Lanham, MD: : Rowman & Littlefield 2007. 67–85.https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780742575097
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Navitski R. The last heist revisited: reimagining Hollywood genre in contemporary Argentine crime film. Screen 2012;53:359–80. doi:10.1093/screen/hjs033
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Rêgo C, Rocha C. New trends in Argentine and Brazilian cinema. Bristol: : Intellect 2011.
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Hedges J. Argentina: a modern history. London: : I.B. Tauris 2011.
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Skidmore TE, Smith PH. Modern Latin America. 5th ed. New York, N.Y.: : Oxford University Press 2001.
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Harbison, Robert. GAUDI. C (Archive : 1987-1992) 1992;:1987–92.http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/docview/1459655033?pq-origsite=summon
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Masters of Building: SAGRADA FAMILIA. The Architects’ Journal (Archive : 1919-2005) 2005;195:1919–2005.http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/docview/1427113651?pq-origsite=summon
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Ashton, Dore. Antonio GAUDI. Craft Horizons (Archive : 1941-1978) 1978;17:1941–78.http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/docview/1493608034/20073A5A121E45D4PQ/5?accountid=14540
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Barcelona: Urban Identity 1992-2002. Arizona Journal of Hispanic Cultural Studies 2002;6:245–61. doi:10.1353/hcs.2011.0277
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Mower D. Gaudí. London: : Oresko Books 1977.
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Lahuerta JJ, Gaudí A. Antoni Gaudi, 1852-1926: architecture, ideology, and politics. Milano: : Electa Architecture 2003.
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Van Zandt E. The life and works of Gaudí. [S.l.]: : Siena 1995.
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Robinson WH, Falgàs J, Lord CB, et al. Barcelona and modernity: Picasso, Gaudí, Miró, Dalí. [Cleveland, OH]: : Cleveland Museum of Art in association with Yale University Press, New Haven and London 2006.
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Bennett A. Barcelona. 2nd ed. London: : A & C Black 2002.
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Hughes R. Barcelona. London: : Harvill 1992.
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Reading Columbus. Berkeley: : University of California Press http://publishing.cdlib.org/ucpressebooks/view?docId=ft009nb0cv;brand=ucpress
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Barton S. A history of Spain. Second edition. Houndmills, Basingstoke, Hampshire: : Palgrave Macmillan 2009.
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Todorov T. The conquest of America: the question of the other. New York: : HarperPerennial 1992.
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Columbus C, Ife BW, Penny RJ. Journal of the first voyage =: (Diario del primer viaje). Warminster: : Aris & Phillips 1990.
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Delaney C. Columbus’s Ultimate Goal: Jerusalem. Comparative Studies in Society and History 2006;48. doi:10.1017/S0010417506000119
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McDonagh K. Estrategias discursivas de la Reconquista y la Conquista: La construcción del ‘otro’ en los romances y en las escrituras de Cristóbal Colón. Confluencia 2007;23:10–28.http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/27923250
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Henige D, Zamora M. Text, Context, Intertext: Columbus’ diario de a bordo as Palimpsest. The Americas 1989;46:17–40.http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/1007392
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Kamen H. Imagining Spain: historical myth & national identity. New Haven, Conn: : Yale University Press 2008.
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Pratt ML, Dawson Books. Imperial eyes: travel writing and transculturation. 2nd ed. London : New York, NY: : Routledge 2008. http://www.dawsonera.com/guard/protected/dawson.jsp?name=University%20of%20Glasgow&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203932933
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Rebecca Earle. Creole Patriotism and the Myth of the ‘Loyal Indian’. Past & Present 2001;:125–45.http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/3600778?pq-origsite=summon&seq=1#page_scan_tab_contents
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Rebecca Earle. 'Padres de la Patria" and the Ancestral Past: Commemorations of Independence in Nineteenth-Century Spanish America. Journal of Latin American Studies 2002;34:775–805.http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/3875723?seq=1#page_scan_tab_contents
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Bauer R, Mazzotti JA, Omohundro Institute of Early American History & Culture, et al. Creole subjects in the colonial Americas: empires, texts, identities. Chapel Hill, N.C.: : Published for the Omohundro Institute of Early American History and Culture, Williamsburg, Virginia, by the University of North Carolina Press 2009.
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Heinowitz RC. Spanish America and British Romanticism, 1777-1826: rewriting conquest. Edinburgh: : Edinburgh University Press 2010. http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.3366/edinburgh/9780748638680.001.0001
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Murray PS. Of Love and Politics: Reassessing Manuela Sáenz and Simón Bolívar, 1822-1830. History Compass 2007;5:227–50. doi:10.1111/j.1478-0542.2006.00374.x
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SOMARRIVA Q. M. A Matter of Speculation: British Representations of Argentina, Chile and Perú during the Wars of Independence. Bulletin of Latin American Research 2017;36:223–36. doi:10.1111/blar.12528
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Burton J. A Drop of Rain in the Desert: Something and Nothingness in Juan Rulfo’s ‘Nos Han Dado La Tierra’ (‘They’ve Given Us the Land’). Latin American Literary Review 1973;2:55–62.http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/20118895
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Lyon TC. Juan Rulfo, o no hay salvación ni en la vida ni en la muerte. Revista Chilena de Literatura 1992;:97–118.http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/40356643
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Ted Lyon. Ontological Motifs in the Short Stories of Juan Rulfo. Journal of Spanish Studies: Twentieth Century 1973;1:161–8.http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/27740626
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GASTÓN LILLO and JOSÉ LEANDRO URBINA              ANTONIO ALATORRE              FELIPE GARRIDO              JULIO ESTRADA              JAIME CONCHA              EDMOND CROS              MARIO J. VALDÉS              ANTONIO GÓMEZ-MORIANA              AMARYLL CHANADY              NEIL LARSEN              JEAN FRANCO              FERNANDO DE DIEGO              CARMEN BOULLOSA              DANIEL CASTILLO DURANTE              JORGE ETCHEVERRY              FRANÇOISE PÉRUS              JOSÉ ANTONIO GIMÉNEZ MICÓ              KEITH ELLIS              RODNEY WILLIAMSON              MONIQUE SARFATI-ARNAUD              ROMÁN DE LA CAMPA. Vol. 22, No. 2, Invierno 1998 of Revista Canadiense de Estudios Hispánicos on JSTOR. Published Online First: 1998.http://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/i27763451
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Fraser HM. ‘Inframundo’: Juan Rulfo’s Photographic Companion to ‘El llano en llamas’. Chasqui 1988;17. doi:10.2307/29740086
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Rowe W. Rulfo, El llano en llamas. London: : Grant & Cutler Ltd. in association with Tamesis Books 1987.
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Bell L. The Death of the Storyteller and the Poetics of (Un)Containment: Juan Rulfo’s <em>El llano en llamas</em>. The Modern Language Review 2012;107.http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/10.5699/modelangrevi.107.3.0815
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EDMOND CROS. Desde la epopeya villista al sinarquismo: análisis sociocrítico de ‘El llano en llamas’. Revista Canadiense de Estudios Hispánicos 1998;22:215–24.http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/27763459
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Gitlitz D. Inquisition Confessions and Lazarillo de Tormes. Hispanic Review 2000;68. doi:10.2307/474356
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Deyermond AD. Lazarillo de Tormes: a critical guide. 2nd ed. London: : Grant & Cutler in association with Tamesis 1993.
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Maximilian C Maier. Maier, Maximilian C:  Comic Confluence in Lazarillo de Tormes. Bulletin of Hispanic Studies 2012;89.http://ezproxy.lib.gla.ac.uk/login?url=http://gateway.proquest.com.ezproxy.lib.gla.ac.uk/openurl?ctx_ver=Z39.88-2003&amp;xri:pqil:res_ver=0.2&amp;res_id=xri:lion&amp;rft_id=xri:lion:ft:abell:R04725791:0&amp;rft.accountid=14540
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Peterson, Nathan. Peterson, Nathan:  ‘A Poor, Hungry Plot’: Lazarillo de Tormes in English Translation and the Episodic Structure of the Picaresque. Philological Quarterly 2014;93:461–82.http://ezproxy.lib.gla.ac.uk/login?url=http://gateway.proquest.com.ezproxy.lib.gla.ac.uk/openurl?ctx_ver=Z39.88-2003&amp;xri:pqil:res_ver=0.2&amp;res_id=xri:lion&amp;rft_id=xri:lion:ft:criticism:R05281958:0&amp;rft.accountid=14540
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Edward H. Friedman. From the inside out: the poetics of Lazarillo de Tormes. Philological Quarterlyhttp://ezproxy.lib.gla.ac.uk/login?url=http://go.galegroup.com.ezproxy.lib.gla.ac.uk/ps/i.do?p=EAIM&u=glasuni&id=GALE|A252446762&v=2.1&it=r&sid=summon&authCount=1
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Rosa Franquet. Transmedia Critical| Cross-Media Production in Spain’s Public Broadcast RTVE: Innovation, Promotion and Audience Loyalty Strategies. International Journal of Communication 2014;8.http://ijoc.org/index.php/ijoc/article/view/2621/1203
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Bustamante Ramírez E. Historia de la radio y televisión en España: una asignatura pendiente de la democracia. Primera edición. Barcelona: : Gedisa Editorial 2013.
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Mendíbil Á. España en serie: cada serie cuenta una historia, todas juntas cuentan nuestra historia. Primera edición. Madrid: : Aguilar 2013.
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Smith PJ. Spanish practices: literature, cinema, television. London: : Legenda 2012.
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Smith PJ. Spanish screen fiction: between cinema and television. Liverpool: : Liverpool University Press 2009. http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.5949/UPO9781846315732
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Quino. 10 años con Mafalda. 2a ed. México: : Tusquets Editor 2009.
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Quino. 10 años con Mafalda. México: : Tusquetes Editores 2005.
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Foster DW. From Mafalda to Los Supermachos: Latin American graphic humor as popular culture. London: : Lynn Reinner 1989.
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Martignone H, Prunes M. Historietas a diario: las tiras cómicas argentinas de Mafalda a nuestros días. Buenos Aires: : Libraria 2008.
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Foster DW. MAFALDA: An Argentina Comic Strip. The Journal of Popular Culture 1980;14:497–508. doi:10.1111/j.0022-3840.1980.1403_497.x
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Feierstein LR. Graphic and political humour in Argentina: from Quino to Página 12. European Journal of Humour Research 2015;3:119–28. doi:10.7592/EJHR2015.3.2.3.feierstein
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Klein S. Breaking the Mold with Humor: Images of Women in the Visual Media. Art Education 1993;46. doi:10.2307/3193387